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This resource was written by Hannah Mandelbaum, Jewish representative for Email a Believer. Hannah explains the deeper themes that are a key part of Jewish New Year. It includes a classroom activity for KS1, KS2, KS3 and KS4.

“I am all prepared for Jewish New Year,” said an RE teacher friend. “I’ve got apples, honey to dip them in and bought some Jewish New Year cards and pomegranates.”

Of course, there is nothing wrong with using some traditional food to teach Jewish New Year (this year – 2019 – will be 5780 in the Hebrew calendar). The hope for a sweet and fruitful New Year is reflected in these symbols or simanim (signs/indicators). A common Jewish greeting is ‘“Shana Tova U’Metukah” – have a happy and sweet New Year.”

However, there are other deeper themes that are a key part of Jewish New Year and are more challenging to teach.

What is Selichot?

The month preceding the New Year is Elul, a reflective time to search one’s heart and prepare for the Days of Awe – Yamim Noraim – the ten days that begin with Rosh Hashanah and end with the fast of Yom Kippur. Ashkenazi Jews observe Selichot, a word that translates as ‘forgiveness’ with prayers at the end of Shabbat, usually the week before Rosh Hashanah. For Sephardi Jews, the prayers are said for the whole month of Elul.

In a choral service often held at midnight, prayers are recited to ask for pardon from God. Jewish people examine their behaviour over the past year and think how they can make amends. This is a major theme of New Year. Some have described this early start to the Days of Awe as a way of jump-starting the season. It is as if the King is greeted on the road before he gets to his palace, when it is then harder to get past the guards to talk to him.

A key part of Selichot is the recitation of God’s Thirteen Attributes (midot). In Exodus 33:13, Moses asked God to tell him his attributes. “The Lord, the Lord, the compassionate and gracious God, slow to anger, abounding in love and faithfulness, maintaining love to thousands, and forgiving wickedness, rebellion and sin. Yet he does not leave the guilty unpunished; he punishes the children and their children for the sin of the parents to the third and fourth generation.”

The Selichot service can be very powerful. A member of a North West London synagogue explains his feelings about this time of year,

Selichot provides a choral curtain-raiser for the High Holy Days. The themes and the tunes are all there and it is beautiful. However, it is important not to let the beauty of the melodies lull you into anything less than the anticipation of Rosh Hashanah and the core message of return/repentance. Selichot is the start of that journey through our Days of Awe during which we must account for our actions and our words to our fellow human beings and to God. It is – potentially – a roller-coaster ride, which the familiarity of the liturgy and the music prepares us better for.”

Classroom Activities

The theme of forgiveness and saying sorry is a key element of the Days of Awe. At Selichot, one rabbi asked her congregation to place cards into a box with examples of when they had regretted hurting others in the past year. These words were then made into a communal prayer for the morning of the fast day of Yom Kippur.

Considering when we say sorry to others and why could create a link between RE and relationships education. A ‘sorry box’ could be made by KS1 pupils, decorated with traditional New Year symbols, showing that the preparation for being better people is as important as the sorry messages that are placed inside. Role plays can help pupils to model caring behaviour, for example, saying sorry to someone who has been left out of a friendship group.

KS2 pupils can list the Thirteen Attributes of someone they care about; a member of their family, friend, or special adult. The emphasis should be on their qualities and values.

KS3 and KS4 pupils can watch https://www.youtube.com/watch?v=dzBLcOm1DjI Danny Raphael Silverstein’s rap is a spiritual response to the Jewish New Year theme of teshuvah – returning. Maimonides, the medieval Jewish philosopher and Torah scholar, clearly described this process

Stopping negative actions
Feeling regret for your behaviour
Saying sorry out loud, to God and to the person you’ve upset
Making a practical plan so that you will not, for example, upset your friend again by talking about things that annoy him.

Maimonides felt that it was only then teshuvah gamurah – complete return – could happen. It is as if the mistakes are deleted from the Facebook page of the past year. Pupils could write their own New Year rap, incorporating the symbols and the messages of this season.

This resource was written by Hannah Mandelbaum, one of RE:ONLINE’s Email a Believer team.

Origins

The Shema may be seen as the beginning and end of Judaism. It is a Jewish prayer extracted from three places from the Torah and composed into a sequence of paragraphs. It does not appear in its entirety at the beginning of the Torah, rather it is found in Deuteronomy 6.4-9; 11.13-21 and Numbers 15.37-41. The Shema derives its name from the Hebrew word sema, meaning ‘to hear’, which is the initial word of the first verse, which states, ‘Hear O Israel’. Thereby, instructing Jews to listen. It is believed that they were received by Moses on Mount Sinai.

Significance

The Shema is included as part of every weekday synagogue service. Its significance is inferred by the fact that its centrality is recognised in all Jewish traditions, in various ways. The recitation of the passage is taken as a commandment to be fulfilled by Jewish adult men twice daily, morning and evening. It is also a core text in other prayer books.

The Shema is taught for the love of God, loyalty to the Jewish tradition and it encourages the Jewish community to study the Torah. It is reported that Jacob’s sons read it to him and therefore adults recite it to children so that they remain within their tradition. The Shema might be the first thing that some Jewish children learn in a Jewish primary schools and at home to express belonging.

Meaning

The Shema sets out what Jews believe and how they should demonstrate their dedication to God through daily actions.

It represents their belief that they have made a Covenant with God: an agreement that they will love God and follow His laws and in return God will take care of them. Thus, as an artefact, the Shema is a way for Jewish people to remind themselves of their promises to God. This is why families have a responsibility to teach their faith to the next generation.

Practice

Unsurprisingly, the Shema has acquired a pivotal position in the collective and personal life of Jewish communities. Communally, adults recite it in the morning and evening and in the afternoon at the synagogue to fulfil the commandment and remember God.

Individually, some Jews recite it before bed and after waking up, as it is the most holy thing to say during these times. It is also a way of thanking God for waking them up from sleep and to ask God for good sleep. Thus, it is a prayer which covers all activities of the day and night.

As a family, in some homes, mothers regularly recite the Shema with their children whilst putting them to bed. Some children memorise it and others prefer to look at the text when reciting it.

At happy events, such as moving into a new home, the mezuzah, which contains the Shema, is fixed to the doorpost and is followed by a religious service.

During festival days and especially on Shabbat, a double reading honours the Shema: at the time the Torah scroll is bought out from the Ark the opening verse of the Shema is recited collectively, and again, individually by the reader prior to reading the Torah.

There are some physical gestures adopted by Jews during various prayers and worship. On the Day of Atonement whilst reciting the opening verse of the Shema, the eyes are covered to remove distractions.

As death approaches, those gathered recite some passages from the Torah and end with the opening words of the Shema. In this way the dying person is helped to affirm their faith in the oneness of God. It is worth noting that the Shema may be recited in Hebrew and in other languages too.

Structure

The Shema has three paragraphs. The English translation is provided with an explanation of what it might mean to some Jews, how they might put it into practice and what they could learn from it.

Hear O Israel, the Lord is our God, the Lord is One (Deuteronomy, 6.4)

From this, Jews learn to be attentive to the Torah so that God’s commands are with them. It also means their religion is monotheistic. Moreover, a closer examination reveals God as addressing Israel rather than Israel addressing God, thus Jews make claims of a reciprocal relationship because God chose them, and consequently, they believe God cannot ignore them.

Blessed is His name, whose glorious kingdom is forever and ever

This phrase does not appear in the Torah and is attributed to Jacob. Since he had whispered it, Jews whisper it as well. It tells the Jewish community to praise God. They know, through this, that God’s kingdom is everlasting. They recognise the holiness and greatness of God. It gives them hope too.

Love the Lord your God with all your heart, and all your soul, and all your might (Deuteronomy, 6.5)

The demand from God is unequivocal in this phrase: total obedience and wholehearted devotion and to remember God’s word. It implies that Jews be prepared to sacrifice everything. They are to love God with their might, heart and soul. God loves them; therefore, they too should have unflinching love for Him.

These words that I command you today shall be upon your heart (Deuteronomy, 6.6)

Jews learn to affirm these as laws and learn them orally. But there is also an emotional attachment. The heart is mentioned so that it can act as a guide following the dictum ‘in doing right follow your heart’, and in the heart should be the Torah.

Repeat them to your children, and talk about them when you sit in your home, and when you walk in the street; when you lie down, and when you rise up (Deuteronomy, 6.7)

This phrase gives adults the responsibility to pass on their faith to children, and this can take place in formal and informal settings. The key message is to keep it alive at all times. Literally, it means Jews should recite it every evening and morning.

Hold fast to them as a sign upon your hand, and let them be as reminders before your eyes (Deuteronomy, 6.8)

Literally, this means to hold fast onto the Shema and the Torah by wearing the verses on the hand and upon the forehead between the eyes. This is how the practice of wearing phylacteries (tefillin) became established. The tefillin consists of four small joined-up boxes containing the first two passages of the Shema (Deuteronomy, 6.4-9 and Deuteronomy, 11.13-21) and two other Exodus phrases of the Torah. These are handwritten on a parchment and worn on the stronger hand as this is what is used by individuals or on the left arm so that it is directed to the heart. It is a constant visual reminder for Jews that God is there, whatever they do.

Write them on the doorposts of your home and at your gates (Deuteronomy, 6.9)

The final instruction is to handwrite a parchment and fix it to the doorpost of the home and gates. In practice, to preserve the sanctity of the text, a rectangular elongated box with a slight opening, called a mezuzah, is made to house this kosher parchment, which contains the first two of the three paragraphs of the Shema (Deuteronomy, 6.4-9 and Deuteronomy, 11.13-21) and at the back, the word Shaddai (Almighty). The mezuzah is affixed on the right hand doorframe, with a little slant upwards in the direction of the room, at about shoulder height, in individual dwellings and collective compounds. In doing so, most Jews express their obedience, and, when they come into and go out of their homes, they are reminded to renew their covenant daily. The mezuzah is fixed on every door (except the lavatory and bathroom), so the whole house is covered in holiness and purity as a gift of God. Some Jews kiss the mezuzah to show their adherence to the Torah in everything they do, including daily actions like entering and leaving the home.

Mezuzah literally means ‘doorpost’, but over time came to refer to the doorpost and what is attached to it. Interestingly, a sukkah does not need a mezuzah as it is not permanent dwelling.

Deuteronomy 11.13-21

This section is an exhortation to obey, love and serve God alone with everything. In return God promises the Jewish community abundance in material well-being. Should they turn to serve other gods, the anger of God awaits them (Deuteronomy, 11. 13-17).

The next phrases (Deut. 11.18-21) repeat the instructions given above in (Deut. 6-9). Thereafter, God promises that should these be fulfilled then God will keep His promise of the land for them (Deut. 11. 21).

Numbers 15.37-41

This verse establishes the custom of Jews adorning clothes with tzitzit (fringes). Tzitzit are tassels made of several threads tied together to symbolise the numerical value of the name of God. The Shema says that when people look at the tassels they will remember their promise to keep God’s laws. Some Jews follow this rule all the time and wear a vest with tassels on four corners, called a tallit katan. At the synagogue, some also wear a special prayer shawl called a tallit gadol when praying in the morning.

To summarise, the Shema is a prayer in the first instance and a belief statement thereafter. It has a golden principle for the Jewish community in stressing that learning is initiated at home and establishes the duty to educate their children in the faith. The Shema establishes the practice of learning the three paragraphs contained within it, and of wearing the tefillin and affixing the mezuzah. These actions remind Jewish people of the promises made to and by God, their belief about unity of God and the One to be worshipped.

Learning about the Shema in RE

Here are some examples of what primary pupils might be able to do as a result of their learning about the Shema.

They can:

-use the right names for things that are special to Jews, e.g. when shown a picture, say: ‘That is a mezuzah’

-talk about what they find interesting or puzzling, e.g. talk about how interesting it was to hear that Jewish people put a prayer in a small box and fix it to their doorposts

-talk about some things that are similar for different religious people, e.g. say that Muslims, Christians and Jews all says prayers to God

-talk about some things in stories that make people ask questions, e.g. say, ‘It was mysterious when God spoke to Moses’

-describe things that are similar and different for religious people, e.g. record or say how Jews recite the Shema, but that they may say it in different languages

-ask important questions about life and compare their ideas with those of other people, e.g. ask why Jews think the Shemais such an important prayer and give their own ideas about important prayers and wishes

-use the right religious words to describe and compare what practices and experiences may be involved in belonging to different religious groups, e.g., say how different Jewish communities might have different ways of remembering God’s laws – through recitation of the Shema, through wearing of the tallit and tefillin, though doing good deeds and so on

-ask questions about the meaning and purpose of life, and suggest a range of answers which might be given by them as well as members of different religious groups or individuals, e.g. asking questions about the importance of the Shema in Jewish life and suggesting answers that might be given by a Jewish visitor to the classroom, or with reference to answers given in authoritative texts or websites.

Some common discussion questions:

What do you think it means when the Shema says: “These words […] shall be upon your heart”?
In the Shema, where does it say that Jews should talk about God’s laws?
Why do you think the Shema says that Jewish people should repeat the words to their children?
What could you use or do to help you to remember promises that you have made?

Have the music playing before the children enter the room. Explain that they are going to listen to some very special music and they have to be quiet
Sit the children in a circle and light a candle (adhering to the schools health and safety requirements). Ask children to close their eyes and listen to the music.

When the music has ended ask them to think of one question they want to ask. Children share their questions and they are written down (organise into Who, What, Where, Why). [It is important not to answer the questions at this point].

(10mins) Invite the children to select an activity to do while they think about the questions. Choose activities that allow children to reflect. Avoid ‘small world’ items for example, which children will be tempted to simply play with. [Have the instrumental version playing while the children are active]:

Colouring patterns rather than pictures;
Modelling clay, e.g., Play-Doh;
Selection of books and cushions (reading area);
Threading activities;
Painting;
Collage and making materials.

Bring the children back together and think about the questions as a group. [They may have made something relating to the music]

Stage 2: O Lord Hear My Prayer

Listen to ‘O Lord Hear My Prayer’ again and remind the children of the previous discussion.

Ask the children the following questions if they haven’t already been covered:

Why do you think they are singing this?
How does it make you feel?
Why do you think they say the same words over and over again?
Can you think about what the people are doing as they sing this? Are they standing, sitting? etc…
Where do you think they are?
Do you think anyone can sing this?

Show the children some Taizé photographs. There are many online, both on Taizé’s website and Google images. Explain that Taizé is an ecumenical Christian community in France (ecumenical means that people come from all sorts of Christian denominations, the aim is to be together rather than pursue one way of being Christian). The music is an example of prayers used during meetings. In the Taizé community, short songs repeated over and over create a meditative atmosphere and it is believed that this allows people to find and listen to God in prayer. It is also a way of joining everyone together in prayer. Meetings usually take place in a church or other welcoming space. Let the children know that some Christians like to pray or meditate in this way. There are often icons, candles, a cross, an open Bible, flowers in the church or prayer space. People can usually choose whether to sit on the floor, a bench or chair, stand or kneel during prayer.

Ask the children to suggest ways of making a quiet space in the classroom for them to go and think, reflect, pray:

What would they put there?
What would it look like?
When could they use it?
What would they use it for?

Stage 3: Prayer

Show images you have found online of Christians praying- in different places, different types of people, different types of prayer.

Explain that this lesson is about Christian prayer but many people who belong to many religions around the world also pray. Many Christians believe that you can pray anywhere and at any time. There are lots of different ways to pray too.

Show the words of the Lord’s Prayer- a very important prayer in Christianity.

Explain that when some people pray to God the prayers say: “I’m sorry” or “I love you” or “Thank you” or “Please help me”. Ask the children who they say these things to? [This may be related to family, friends and /or religion.]

Ask the children to imagine they could speak to that person now, what would they say? [Relate to the four areas above “I’m sorry” etc. Children can write/draw in a large speech bubble.]

Stage 4: Reflecting

Explain that people also pray for others around the world and show the children a selection of photos to illustrate different things people may pray for, e.g.:

people who are ill;
people who may not have enough to eat or drink;
countries involved in war.

Ask the children to say why they think people pray for these people.

Set up an area where children can look at the photos, take a pebble and drop it into an imaginary river (blue material etc) with their thought, wish or prayer for these people.

Stage 5: Prayer and music

Introduce children to some more examples of music being used in prayer. Music is also used to prepare people for worship and can range from chants to rock Some examples:

Happy Day by Ladysmith Black Mambazo
Traditional Christmas singing at Kings College Chapel, Cambridge
The Muslim call to prayer, or adhan
Christian rock or pop, for example from a Hillsong concert
Sikh singing in the Temple these songs are called ragaas and are part of worship

Stage 6: Exploring…introducing prayer in Judaism and Islam

Explain that when people pray they sometimes use things to help them. Show some images of icons in Eastern Orthodox Christianity, such as of saints, Mary and Jesus, and Jesus and his disciples. Some of these icons will be painted on the walls and ceiling of Orthodox churches.

Ask the children sit in a circle and pass a tambourine around: but to do it so that it doesn’t make a noise! Talk to them about taking care of important objects and that they are going to pass some special objects to each other that are used in prayer.

Show the children a Jewish Tallit (prayer shawl). This is used by Jewish people in prayer (usually only men). It cloaks the person like God’s love cloaks us in life.

Now pass the artefacts around carefully [This can be done in small groups], e.g., the tallit, Hajj robe, an Islamic prayer mat, cushion (hassock), prayer beads (selection), rosary, icons, cross, prayer hats from Muslim and Jewish traditions.

Ask children how they think these things are used in prayer. Can they say which things appear to be similar for different religious people?

What questions do they want to ask about these objects?

Use stories to put prayer in context, e.g., ‘Goodnight Sh’ma’ by Jacqueline Jules or ‘I am a Muslim’ by AGGARWAL and M.

Ask the children to say what helps / would help them to sit and think? (or pray if appropriate).

An investigation into the relationship between the development of the universal declaration on human rights and some key texts from three religions.

KS4. Originally written by Adrian Skilbeck, updated in April 2019.

Key words and concepts

Human Rights: those rights which are inherent in our nature and without which we cannot live as human beings. Human rights and fundamental freedoms allow us to develop fully and use our human qualities, our intelligence, our talents and our conscience.

Universal: in relation to human rights they are conceptually possessed by all people in the world, by virtue of being human.

Inalienable: again in relation to human rights it is the idea that what we possess should not be taken away from or given away by the possessor.

Responsibilities: In relation to human rights it is the idea that those who are in possession of their human rights have a responsibility to help those who do not. In respect of religious teachings, it is common to all the main religions that followers are taught they have a responsibility for those in need.

Needs: as a variation on the concept of rights they are those things required by human beings because they are essential and not merely desirable. In Simone Weil’s work needs are both needs of the body and needs of the soul.

Obligations: acts or courses of action that a person is morally bound to carry out. In relation to human needs they are the things human beings are required to do for other human beings to ensure their needs are met.

Promised Land: The land that God promised to the descendants of Abraham, Isaac and Jacob (Genesis 12:7), a land said to flow with milk and honey.

Jerusalem: A holy city for Jews, Christians and Muslims. The name means ‘city of peace’. Israel claims it as its eternal, undivided capital, while the Palestinians claim East Jerusalem as the capital of a future Palestinian state. Today Israel controls the whole city, and its ongoing status is disputed.

Homeland: a person or a people’s native land.

Palestine: Often called the Holy Land. Historic region on the east of the Mediterranean Sea, comprising parts of modern Israel, Jordan and Egypt.

Zionism: The belief that Jews should have their own nation. Zionism gained much support in the first half of the twentieth century, leading to the founding of the state of Israel in Palestine in 1948.

Diaspora: the dispersion of the Jews beyond the borders of their country. In general a diaspora refers to any more or less homogenous group of people with a shared heritage or homeland who have moved out to other parts of the world.

Shoah (The Holocaust): a biblical word meaning destruction which has come to stand for the mass murder of European Jewry by the Nazis and their associates during World War 2.

Angel of Death: The figure that appears in the animation is taken from the reference in the Old Testament Book of Exodus Chapter 11 and 12 to the angel who delivers the tenth plague upon Egypt – the death of the firstborn which the Jews are warned to protect themselves against by marking their doors with lamb’s blood. In Judaism the angel of death is known as Samael, Sariel or Azrael, in Islam as Malak Al-Mawt. The visitations of the plagues upon the Egyptians is also described in the Qur’an in Surah al- A’raf 133.

Pupils will need some background information that puts both the animation and the Israeli – Palestinian conflict in context so that they can make sense of it and begin to articulate their responses which will then lead into the rest of this resource.

The song ‘This Land Is Mine’ is taken from the 1960 Hollywood film Exodus, which is about the founding of the state of Israel following World War 2 and in the aftermath of the Shoah (Holocaust). The film focusses on the life of Ari ben Canaan (‘ben’ means ‘son of’) and his attempt to create a peaceful Jewish homeland in Palestine. It is a tale of struggle which does not question the underlying assumptions expressed by the central character and places his actions in an heroic light. Nina Paley’s animation challenges the absolute nature of the statement that ‘This Land is Mine’. Nina Paley is an American Jew and so the animation should be seen as a critical American response to what the Palestinian scholar and writer Edward Said called ‘the main narrative model that dominates American thinking’ with regard to the foundation of Israel, that the Israelis have a God-given right to the land of Palestine. Paley’s film brings out the contrast between the absolute claim to land based on holy scripture and the historical reality of a land that has been fought over by many different peoples for thousands of years. It introduces us to human rights and the complex relationship between religion and politics in the modern world.

This is a stimulus resource that can be used for a range of different pedagogical outcomes. It is used here to facilitate discussion of human rights but it could also be used to explore issues of peace, conflict and reconciliation, the relationship between art and religion, the different ways in which individuals express their beliefs, values and commitments and the conflict between personal and religious/cultural values.

You will need to find ‘This Land is Mine’ by Nina Paley. It is available online.

You will also need to find the following texts online:

Universal Declaration of Human Rights
Draft For A Statement of Human Obligations by Simone Weil
Luke 10: 25-37, the Parable of the Good Samaritan.

Learning activities

Activity 1: The Israeli-Palestinian conflict

(adapted from Susanna Hookway’s ‘Conflict: Jerusalem’ in Questions of Truth)

Before introducing Nina Paley’s ‘This Land Is Mine’, split the class into four or five teams. Each team is presented with five statements about Israeli/Jewish claims to the land and five statements about Palestinian/Muslim claims to the land. Remind pupils that not all Israelis are Jewish and not all Palestinians are Muslims. The following statements are simplified for this activity – not all Jews or Muslims believe exactly this!

Israeli/Jewish

Our history is one of suffering and persecution, especially in the Holocaust. We have been and still are, badly treated and regarded with suspicion by other cultures. We need to establish our identity, freedom and national development and we need to secure the land to do that.
God made promises to Abraham which included that we would live in the land forever.
The Jews are now a political nation with Israel our historic homeland.
For centuries we have prayed that we would celebrate the Passover ‘next year’ in Now our prayers are being answered.
Our ancestors have lived here since the twentieth century BCE.

Palestinian/Muslim

Our ancestors have lived in the land for at least thirteen centuries.
Jews and Palestinians are blood brothers. We share the same father, Abraham, and the same God.
The 1922 mandate said the rights of non-Jews should be protected. American presidents promised to consult Arabs. These promises have been broken and continue to be ignored, creating suffering and misery.
We have a stake in Abraham’s heritage. Abraham himself never tried to take away anyone’s land. The only land he owned was the field he purchased in order to bury his wife Sarah.
We have suffered greatly and been cruelly treated. We need to establish our identity, guarantee our basic human rights including our right to respect, our freedom and our right to self determination as a Palestinian people.

Ask the teams to group their facts under three headings: Religious, Historical and Political. Explain that there will be overlaps but the teams should aim to recognise the close connections between the three.

Encourage the pupils to develop their reasons for their groupings. Do they find any of the statements more persuasive than the others?

Activity 2: ‘This Land Is Mine’: the song and the animation

Bring up the lyrics of the song on a whiteboard. [These can be found on several lyrics websites, but note that although Nina Paley freely shares her material, the lyrics of the song are copyright and should only be used for educational purposes within your Use the information provided in the Key words and concepts section above to provide the relevant context but take care not to reduce the impact of the animation by saying too much about it at this stage.]

Ask pupils for their initial impressions of the lyrics – the thoughts and sentiments expressed, images invoked, the tone of the lyrics.

In small groups, ask pupils to make a list of all the positive words, phrases and images in the lyrics. As a follow up ask them to consider whether there is anything negative in the lyrics.

Play the song (it can be found on You Tube and is the version sung by Andy Williams). Did the music bear out their thoughts? What words would they use to describe the mood or feeling of the song?

Tell the class they are now going to watch a short animation in which the song is Play the animation.

What are students thoughts about the animation? Were they shocked?

Suggested questions:

What kind of images do the words of the song evoke?
What kind of feelings/emotions/thoughts do they express?
What were your reactions to hearing the song?
What kind of impression did the song and the music make on you?
How surprised or shocked were you by the video?
What images were memorable?
How has it changed your understanding of the song?
Leaving aside the violent action of the animation, how is the land represented?
What is the position of the film-maker in relation to conflict in general and the Israeli – Palestinian conflict in particular?
Does she favour one side over the other?
Is this a biased or unbiased video?
What is the film maker saying about the conflict?
How does the film help us understand the religious nature of the problem?
The animation has been described as ‘facile’. This means it is too simple and avoids the complexities of the conflict. Do you agree?
How is the artist using the figure of the angel of death in the animation?
Which people did you recognise in the animation? [It might be worth identifying the section from the appearance of the British onwards as the important one for the discussion of human rights.]
The animation uses stereotypes to make a point. Which stereotypes did you recognise?
The animation is both shocking funny. Why do you think Nina Paley has used humour to make a serious point?

Activity 3a: What is human in ‘Human Rights’?

(adapted from the Human Rights Resource Centre)

Write the words ‘HUMAN’ and ‘RIGHTS’ at the top of chart on a Smartboard. Below the word ‘human’ draw a circle or the outline of a human being. Ask pupils to suggest what qualities define a human being and write the words inside the outline. For example, ‘intelligence,’ ‘sympathy.’

Next ask pupils what they think is needed in order to protect, enhance, and fully develop these qualities of a human being. List their answers outside the circle.

and ask participants to explain them. For example, ‘education,’ ‘friendship,’ ‘loving family.’ [Note: save this list for use in Activity 3b.]

Explain that everything inside the circle relates to human dignity, the wholeness of being Everything written around the outline represents what is necessary to human dignity. Human rights are based on these necessities.

Explain that the Universal Declaration of Human Rights (UDHR) sets the standard for how human beings should behave towards one another so that everyone’s human dignity is respected. Display these two sentences from the UDHR and ask pupils to read and reflect on them for a few minutes:

…recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of the freedom, justice, and peace in the world…

Preamble, Universal Declaration of Human Rights

All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

Article 1, Universal Declaration of Human Rights

Activity 3b: What do we mean by rights?

Ask pupils to suggest different meanings the word ‘right’ can have (e.g., ‘correct’, ‘opposite of left’, ‘just’.) Ask them to consider common expressions like ‘We’re within our rights’ or ‘You have no right to say that’. Record these different meanings on the board. What is the meaning of ‘right’ when we speak of a human right?

In small groups, ask pupils to suggest a definition for human rights: write these possibilities on the board. Negotiate a definition that gains class consensus and write it on a chart sheet by itself.

Write on the whiteboard this definition of human rights:

Human rights belong to all people regardless of their sex, race, colour, language, national origin, age, class, religion, or political beliefs. They are universal, inalienable, indivisible, and interdependent.

Ask the pupils what they think is meant by: ‘universal’, ‘inalienable’, ‘indivisible’, ‘interdependent’? and then to look up these terms in a dictionary and to write down their meaning.

Write ‘SURVIVAL/SUBSISTENCE,’ ‘HUMAN DIGNITY,’ and ‘CONVENIENCES AND LUXURIES’ on another part of the whiteboard. Discuss the meaning of these terms, then remind pupils of the list of things needed in order to protect, enhance, and fully develop the qualities of a human being that they created in Activity 3a. Ask them to place each item under one of the headings. For example, is education necessary to survival? To human dignity? Is education a convenience or a luxury?

Activity 4: Ranking rights

Provide pupils with a simplified version of nine of the articles from the Universal Declaration of Human Rights. They are:

No one should be held in slavery.
No one should be tortured.
Everyone has the right to freedom of opinion and expression of that opinion in any way they wish.
All human beings are born free and equal and should treat all people as if they are brothers.
Everyone has the right to a standard of living that allows for good health.
Everyone has the right to be taken care of if they are unemployed, sick, disabled, widowed, old or unable to look after themselves.
Everyone has the right to freedom of thought, conscience and religion.
Everyone has the right to freedom of movement and residence within the borders of each state.
Everyone has the right to education.

Using the Think-Pair-Share strategy, encourage pupils to decide on what they think is the most important human right from the list provided. As a pair they then rank the others. A good approach to the second part of this would be to do it as a Diamond Nine activity. Where does freedom of thought, conscience and religion figure in their ranking?

Activity 5: What Is a Universal Right?

Show pupils the comments of Eleanor Roosevelt, Chair of the UN commission that drafted the UDHR, on the importance of universal human rights standards:

Where, after all, do universal rights begin? In small places, close to home – so close and so small that they cannot be seen on any maps of the world. Yet they are the world of the individual person; the neighborhood he lives in; the school or college he attends; the factory, farm or office where he works. Such are the places where every man, woman, and child seeks equal justice, equal opportunity, equal dignity without discrimination. Unless these rights have meaning there, they have little meaning anywhere.

Without concerned citizen action to uphold them close to home, we shall look in vain for progress in the larger world.

Eleanor Roosevelt: The Great Question

Engage pupils in some reflection on Eleanor Roosevelt’s words.

Ask them then to suggest examples of how someone’ s human rights might be infringed on a local level and to identify which article in the UDHR is being infringed.

Encourage pupils to work in small groups to develop and role-play a scene in which they show the infringement of the right. Techniques such as marking the moment and thoughts aloud can be employed to explore the significance of the moment and the thoughts of those involved. Who does the person appeal to in order to redress the wrong? Are they taken seriously?

Activity 6: Religion and human rights

Explain that in order to gain a full picture of human rights they will now have the opportunity to investigate teachings from Judaism, Islam and Christianity about the importance of social justice, our responsibilities for others, particularly looking after the most vulnerable in society and to compare the teachings with the Declaration of Human They will be making decisions about which article best matches the religious teaching.

Provide pupils with the following quotations and give them time to read and reflect:

Islam

It is righteous to …spend of your substance out of love for [Allah], for your kin, for orphans, for the needy, for the wayfarer, for those who ask, and for the ransom of slaves (Surah 2:177).

And of his signs is this: he created you of dust and you are now human beings dispersed everywhere (ar-Rum 30:20).

You who have attained to faith! Be ever steadfast in your devotion to God, bearing witness to the truth in all equity; and never let hatred of any one lead you into the sin of deviating from justice. Be just: this is closest to being God-conscious. (Surah 5:8).

Judaism

[The Lord]… secures justice for those who are wronged and gives food to the hungry (Psalm 146:7).

Then God said, ‘Let us make man in our image, after our likeness. And let them have dominion over the fish of the sea and over the birds of the heavens and over the livestock and over all the earth and over every creeping thing that creeps on the earth.’ (Genesis 1:26).

If your brother becomes poor beside you and sells himself to you, you shall not make him serve as a slave: (Leviticus 25:39).

Christianity

For I was hungry and you gave me something to eat, I was thirsty and you gave me something to drink, I was a stranger and you invited me in, I needed clothes and you clothed me, I was sick and you looked after me, I was in prison and you came to visit me (Matthew 25: 35-36).

Human life is precious (Luke 12: 6-7).

There is neither Jew nor Greek, there is neither slave nor free, there is no male and female, for you are all one in Christ Jesus (Galatians 3:28).

Explain that the three religions here do have much more to say about rights and responsibilities, but that these verses are a focus for the current investigation.

Ask pupils to decide in pairs which articles of the UDHR may be linked to different quotations and to offer some analysis of how religious teachings such as these, which predate the UDHR by hundreds of years, may have been influential in the formation of the Declaration.

Encourage them to make some notes on the similarities and difference they have noticed in the statements.

Activity 7: Comparing Simone Weil’s idea of needs and obligations with human rights via the parable of the Good Samaritan

Explain to pupils that they will have the opportunity now to gain some real depth in their understanding of the possible relationship between religion and human rights through a ‘triangular activity’ in which they compare versions of two texts through the medium of a third:

The two texts are extracts from the Universal Declaration of Human Rights and the Draft For A Statement of Human Obligations by Simone Weil

Mediating text: Luke 10: 25-37, the Parable of the Good Samaritan.

Introduce pupils to Simone Weil’s work in the context of human rights and the period in which she was writing and provide them with copies of (a) the UDHR.

Remind pupils of the Parable of the Good Samaritan by reading Luke 10:25-37 and encourage them in twos or threes to read through the UDHR and Simone Weil’s essay, picking out features that could be related to the Parable. Ask them to share their connections in a brief class feedback session.

Ask the pupils to then imagine that following a human catastrophe that has wiped out most of humanity, they have been tasked with providing guidance in the setting up of a new human community. Working in two groups or in larger groups that are then split into two, ask one group to draw up a set of ten fundamental rights, and the other to draw up a set of ten fundamental needs and corresponding obligations, with justifying wording in the appropriate language. Encourage each group to then decide on recommendations for ensuring the guidelines can and will be met, how they are to be kept under review and a mechanism for revising them.

Provide an opportunity for the groups to relate their proposals, e.g., as posters displayed on the walls, or as a digital presentation, and ask the class to work out how they will decide on which set of proposals would be the most effective.

Set pupils an evaluation questions, such as, ‘How far do you think some Jewish, Christian and Muslim teachings are consistent with the Universal Declaration of Human Rights?’

An investigation into the character of Abraham and the story of the binding of Isaac.

For 10-14 year olds. Originally written by David Aldridge. Updated in April 2019.

Key words and concepts

Abraham: Abraham is often known as the Father of Judaism. It was Abraham’s faith in God, having been brought up in the polytheistic society of Ur, that initially singled him out.

Isaac: Isaac was the only son of Abraham and Sarah (although Abraham had another child, Ishmael, by Sarah’s slave Hagar); Isaac’s arrival was miraculous, as Sarah was past childbearing age when he was born. He is believed to be the outcome of God’s promise to give Abraham a line of descendants. His name means ‘laughter’ and expresses the old couple’s joy at finally having a child together.

Akedah: This is the Hebrew word for ‘binding’ and is the name given by Jews to the story of Abraham and Isaac; Abraham binds his son before placing him on the altar.

Sacrifice: the ancient Hebrews practised ritual sacrifice, slaughtering animals and giving them to God as burnt offerings; neighbouring tribes also practised human sacrifice.

Faith: the word faith could refer to someone’s confidence or trust in God or a higher principle, or their devotion or willingness to obey.

Angel: in the Tenakh, angels are supernatural messengers who communicate God’s wishes to His followers.

Covenant: The word Covenant, which literally means an ‘agreement’, is taken by Jews and Christians to refer to a number of promises that God makes to Abraham. For the purposes of this resource, the most relevant one is the promise of numerous descendants. “As for Me, this is My covenant with you: You shall be the father of a multitude of nations. And you shall no longer be called Abram, but your name shall be Abraham, for I make you the father of a multitude of nations. I will make you exceedingly fertile, and make nations of you; and kings shall come forth from you. I will maintain My covenant between Me and you, and your offspring to come, as an everlasting covenant throughout the ages, to be God to you and to your offspring to come. I assign the land you sojourn in to you and your offspring to come, all the land of Canaan, as an everlasting holding. I will be their God” (Genesis 17:4-8).

Moriah: This is the name of the mountain range where God commanded Abraham to take Isaac for sacrifice.

Scripture: This word, which literally means ‘written down’, refers normally to the holy texts of a religion.

Revelation: The process by which God makes His will known to human beings.

Tenakh: The Jewish scriptures, considered to be revealed by God; the Torah is included in the Tenakh. The Tenakh is also the first half of the Christian Bible, in which it is called the ‘Old Testament’.

Torah: The first five books of the Jewish scriptures are called the ‘Torah’; they are the books of law and the most holy texts in Judaism; the story of Abraham and Isaac is found in Genesis, the first book of the Torah.

Talmud: The Talmud is the collected text of Judaism’s ‘oral tradition’; it contains the different opinions of thousands of rabbis on a variety of subjects, including the correct interpretation of the difficult story of Abraham and Issac.

The distinctiveness of the approach offered here is that it encourages students to do justice to the ambiguity of the scriptural source for the story of Abraham and Isaac. This is a story that challenges believers in both the Jewish and Christian traditions and has produced a range of divergent interpretations.

It is tempting, for 10-14 year olds, to present this story as a simple example of faith as being prepared to give up anything for God, and then to ask students what they would be prepared to give up or sacrifice for the values that are important in their lives.

Such an approach tends to flatten or ignore the deep problems that believers encounter in their attempts to make sense of this text. The treatment of this stimulus is inspired by the concept of the anguish of Abraham that we find in Kierkegaard’s well-known philosophical exploration of Genesis 22, Fear and Trembling. Although it is not likely that you will find much in Fear and Trembling that is directly accessible to students of age 10 to 14, the text is available online >> and recommended for background exploration. Kierkegaard’s is not a conventional or mainstream Christian reading, and it certainly does not arise from the Jewish tradition, although much of what Kierkegaard is concerned about is foreshadowed in the range of ingenious interpretations of the story that are offered in the Talmudic texts.

Kierkegaard sets himself the task of understanding Abraham psychologically rather than reading him as a ‘type’ or analogical figure in the text, and offers a range of different attempts to do so. His exploration centres on what faith must mean if Abraham is considered the exemplar for it. What are the grounds of faith, what is its relation to our ordinary or everyday ethical understandings, and what hopes or expectations for the future must it be based on?

Learning activities

Introduction

Explain to the students that over the next few lessons we will be asking the question ‘What is Faith?’ with particular reference to the Old Testament / Tenakh story of the binding of Isaac / Akedah. Ask for initial definitions of the word ‘faith’ but explain also that this series will have a critical component. We are trying to understand what faith is and why someone would have it, but also what it is acceptable to do out of faith, and what it is appropriate to put our faith in.

Mirror

The purpose of the activities suggested below is to establish that students already have perspectives on issues that pertain to the broader question of ‘what is faith’, with relation to the stimulus text, and this prepares them to see the stimulus as challenging and relevant to their own perspectives. The issues are the nature of scripture and revelation, their views on whether and how God might communicate directly with people, and the question of what is most important in their lives, and on what grounds they might give it up. This prepares them to engage with some of the complexities and ambiguities of the scriptural story of Abraham and Isaac.

Ask students to consider / list the ways in which people believe that God communicates with people. Ask students to produce a mind map as groups or as a whole class. Select individual students to consider how they would feel if they thought God was communicating to them in one of these ways. What doubts or concerns would they have? What other explanations might they give for what was happening? Encourage students to add these different explanations to their mind map.

Ask students to list three things that are most precious to them. In a pair activity, a partner is to try to persuade them to give up that object, person or experience. Were they successful? What would the cost be? Select pairs to feed back to the class – perhaps try to get an interesting range of precious possessions, people and costs.

Drawing on previous answers, as a class, create NINE ways of seeing scripture, or religious texts. Create together, whatever the individuals’ own views, all can contribute. For example: ‘direct word of God’, ‘God’s attempt to communicate with humans’, ‘interpreted by humans’, ‘written by humans’, etc.

Using these ways of seeing scripture, ask pairs to rank them in a diamond nine shape for themselves. On the board, show the continuum of views towards scripture, with ‘totally reliable’ at the top and ‘totally unreliable’ at the bottom.

Window

Find a clip of Abraham’s sacrifice online, such as the animation created by ‘Testament’.

Alternatively, find a graphic bible version of the story online and print for groups.

Teach the word Akedah (‘binding’, see key vocabulary). Ask students to watch out for this moment.

The sacrifice occurs in Genesis 22. Students will benefit from being given certain contextual information:

The history of Abraham’s faith relationship with God, for example his willingness to leave his home, or his doubt when God promises him a line of descendants (and hence his recourse to Hagar).
The importance of Isaac as the miraculous fulfilment of God’s promise to Abraham, the meaning of Isaac’s name (laughter).

Remind students about the key question. We are trying to understand ‘What is faith’ in relation to Abraham as an example of religious faith. What was Abraham’s faith, what did it mean to him, and does that make sense to us?

It is important, having watched the video, to return to the scriptural source of the story. Read Genesis 22 with the class and invite responses. Invite students to consider why God decides to test Abraham, what they would have done in his place etc. (See previous section for a list of appropriate questions to ask here).

Analysis task: point out also that Abraham’s reaction in the video/ graphic bible offers a particular interpretation of how Abraham responds.

Discuss what is mentioned in the text, as opposed to what is shown in the video/ graphic bible. Ask students what other interpretive decisions have been made, and what alternatives could have been chosen.

Variation

Students are now introduced to a variety of ways of interpreting the video/ graphic bible. The reason for choosing these interpretations is to introduce key decision points around whether students will choose to try to understand Abraham’s complex psychology or whether they will see him as a cipher or analogue for some other important truth; they will also need to make judgements about the nature and coherence of scripture.

Introduce students to three ways that can be used to make sense of the story of Abraham, using the stimulus cards available at https://www.reonline.org.uk/wp-content/uploads/2019/05/What-is-Faith-cards.pdf

Students do not have to agree, or to come to their own critical view. The purpose of the cards is to experience a variety of critical views.

Take time to discuss, deconstruct and explore together.

Groups could be set further research to find out more about one view, such as Plato’s Euthyphro or Molochite child sacrifice.

Further critical views could be a Christological view (considering the story in the light of Christian theology) or a modern philosophical view, such as Jean Paul Satre’s.

Child Sacrifice. The practice of child sacrifice occurred in the Ancient Near East, such as in the Molochite tribe. The story of Abraham shows God overturning Abraham’s expectation that God wanted him to sacrifice his son, and the rejection of this practice.

The problem of God’s commands. This problem is raised in Plato’s famous play Euthyphro. Euthyphro encounters Socrates and informs him he is taking a certain course of action because the gods demand it. Socrates asks Euthyphro whether his action is good in itself, or only good because the gods demand it. Through this conversation Plato asks on what basis humans should follow the gods’ commands.

The Rabbinic commentaries. In these Jewish scholarly commentaries of the Tenakh the historical context is offered. At the time of Abraham, the son would be considered as entirely the possession of the father. Therefore Abraham has total control over his son’s life and death. However this does not solve the ethical problem of Abraham’s own duty of love and care for his son, or Isaac’s own right to life. The Rabbinic commentaries view the story as a test of Abraham’s faith rather than justifying a father’s total control over his children.

Once students have been introduced to these three possible interpretations, particular groups should be given one interpretation to explore in depth. They should then produce a storyboard for their own video, which would present the story of the Akedah in the light of this particular interpretation. Link back to your earlier discussion on the interpretive decisions that were made in the video stimulus. Depending on your (or your students’) confidence with the range of animation software available online students could also produce these animations.

Conversation

Role play / drama task. Encourage students to enact the events of the Akedah taking it in turns to portray Abraham. At a point in the story of your choice, freeze the frame and interrogate Abraham about his thoughts and feelings. Who does he think is speaking to him? Why is he sure of this? What does he think about what God has asked him to do? Why is he prepared to do it? Encourage other students to question Abraham or further interrogate his answers. They can begin their questions with, “But what about…?” or “What if…?”

This is a critical realist use of drama. This task should not be confused with other uses of drama, which encourage empathy with a believer. Students are being asked to do more here than empathise with a Jewish interpreter of the story, for example. In either articulating their own account of Abraham’s psychology, or questioning that of a peer, they are engaging critically with a range of interpretations of this story and beginning to identify their own. They are not so much empathising with Abraham as offering an account of his story’s meaning in the context of their own beliefs about scripture. You should explain to students that events are only fixed up to the freeze frame. After that, allow the drama to continue and Abraham’s actions to play out in accordance with the discussion, which has just ensued. Their Abraham may, if they wish, make other decisions. This would constitute an expression of a critical judgement about the coherence of the story or its validity as the expression of the will of a benevolent God.

Interesting alternatives / extensions are to do the same thing with Isaac, who can be asked to explain what he thinks of his father’s actions or decisions, and why he is compliant with them, or even God, depending on whether you think it is appropriate to do this with your class. God could explain his motivation for testing Abraham in this way. I would run this task as described above, meaning that their God may, if they wish, make other decisions.

Depending on how much time you have to allocate to this drama activity, students could be assessed on their participation to the task, either through their portrayal of key characters or through their role as questioner.

Students are well prepared, if appropriate in your context, for a written assessment on the Faith of Abraham. They could write about what it meant for Abraham to have faith and whether they would be able to have the same faith, ensuring that they articulate their view on the nature of Old Testament/ Jewish scripture and refer to a range of possible interpretations of the story.

An examination of how stories, hymns and prayers can help people understand more about themselves and others with reference to Judaism.

For 8-12 year olds. Originally written by Dave Francis. Updated in April 2019.

Key words and concepts

Rosh Hashanah: Head of the Year. Jewish New Year festival.

Shofar: ram’s horn blown at the season of Rosh Hashanah.

Yom Kippur: Day of Atonement. Fast day occurring on the tenth day after Rosh Hashanah; a solemn day of Tefillah and Teshuva.

Tefillah: self-judgement. Jewish prayer and meditation.

Teshuva: repentance. Returning to G-d. (Jews often write G-d instead of ‘God’ in order to avoid any accidental misuse of the Holy Name.)

Torah: law; teaching. The Five Books of Moses.

Kol Nidrei – lit. ‘All Vows’: Prayer recited on the evening of Yom Kippur.

Fasting: willingly abstaining from food, drink or both, for a period of time.

Forgiveness: in human terms, the giving up being resentful or angry at someone because of a perceived wrong. It can also refer to giving up the demand that someone be punished. When asking for G-d’s forgiveness, people generally refer to their hope that the punishment they deserve from a just G-d will be tempered by mercy.

Creation: the Judaeo-Christian stories of the creation of the world are written in Genesis Chapters 1 & 2. The Jewish calendar is dated from the Creation. Jews write ‘AM’ after each year – meaning ‘Anno Mundi’ (Year of the World). The pattern and purpose of Creation is revealed in the Torah and Talmud (collection of oral Torah / teaching).

Sin: in Judaism, because human beings are given free-will, they are responsible for their own sin. But because human beings are weak and give in to temptation, G-d allows repentance and, through His mercy, can give forgiveness.

Atonement: in the days of the Temple in Jerusalem, there were rituals for making amends for wrong-doing, and animal sacrifices were made. On Yom Kippur, the Day of Atonement, most Jews today do not make animal sacrifices, but offer prayers of confession and repentance. Yom Kippur is a day for fasting and charity.

G-d’s forgiveness: according to Rabbi David Shlomo Rosen, to secure G-d’s forgiveness, ‘It is not enough to hope and pray for pardon: man must humble himself, acknowledge his wrong, and resolve to depart from sin (e.g. II Sam. 12:13ff; 1 Kings 21:27-29)’ and then, ‘remorse must be translated into deeds.’ See D. Rosen, 2003, ‘The concept of Forgiveness in Judaism’.

Learning activities

Tell pupils about the investigation they will be doing: into how different sorts of activities and actions can help us understand more about themselves and their relationships. Explain that to know what is important to us, it’s a good idea to compare with what other people find important. Ask pupils to discuss in pairs how we can keep our relationships in a good state of repair.

This lesson focuses on Jewish actions and underlying beliefs around Rosh Hashanah and Yom Kippur (see definitions above). It is a good idea to start by showing pupils examples of modern Jews celebrating these days. There are many video clips on You Tube, some created to teach children, such as BBC clips, some by Jewish musical groups. The Yom Kippur clip should show the blowing of the horn (shofar). Yom Kippur is solemn and Rosh Hashanah is more celebratory, look for clips that reflect the different emotional tones of these days, such as through worship, practices and especially songs sung on these days.

Explain that Jews believe that although people are ‘sinful’ G-d can forgive sins provided people say sorry (repent). So, every year on a special day called Yom Kippur (the Day of Atonement), Jews say sorry for anything they have done wrong and remember that G-d will balance their good deeds against their bad. It is a time to start the new year with good deeds. Ask pupils what their favourite or most special time of the year is.

Play a clip of the shofar (ram’s horn) being sounded at Yom Kippur, as well as Yom Kippur prayers and songs. Ask pupils for their reflections about the music: the chanting and the blowing of the shofar. What are their reactions?

Teach about some Yom Kippur traditions:

The sound of the shofar reminds Jews of the soul’s yearning to be reunited with God
Fasting for 25 hours
Reflecting on the year’s past behavior; resolving to do better in the coming year
Confession and forgiveness of sins
Chanting the Kol Nidrei (see key words above)
Retelling the story of Jonah and the Big Fish which reminds Jews that God will hear them when needed

Why do the class think the tradition of using these practices have survived in Jewish practice for hundreds of years?

Teach about Rosh Hashanah traditions:

Rosh Hashanah is Jewish new Year, it is celebrated a week before Yom Kippur
Apples are dipped in honey to represent the hope of a good year to come
The first day of Rosh Hashanah recalls the first day of creation.
Sweet delicacies are eaten at meals to represent the hope of a good year
The shofar is sounded

Ask pupils to work in pairs to create three questions they would like to ask a Jewish teenager during this period. Collect these questions and see if the class can agree on one or two questions to follow up. Ask them to record these questions on paper. Explain that this paper will be their ‘Investigation Sheet’ to record evidence that may help answer their question(s).

Ask pupils to work in small groups to make notes on their investigation sheets of some of the beliefs and concepts underpinning the celebration of Rosh Hashanah and Yom Kippur e.g. creation, repentance, atonement, forgiveness, joy. Allocate separate beliefs and concepts to each group so that all are covered by the class as a whole. Ask each group to note on their sheets what they think Jews may learn from taking part in the festivals, especially about themselves and their relationships.

Share information about Rosh Hashanah and Yom Kippur found in text books such as in RE Today’s publication, Opening Up Judaism, by Fiona Moss, (ed.) 2011 to explore with pupils what these festivals mean to Jews and ask why all religions have evolved festivals and holy days; what purpose do they serve? Do such festivals help families in some special ways? Ask pupils to add any evidence to their investigations in writing.

What other ways of finding answers to their questions might there be? Do they think of asking members of a nearby Jewish community or family? How about asking you, their teacher? Try ‘Email a Believer’ on REonline.org.uk.

Ask the class to work in groups to research the four foods often used at Rosh Hashanah: challah (bread), pomegranates, honey cakes, and apples. What does each symbolise? Can pupils find any information about the history of their usage? Ask groups to draw the food and write inside what it symbolises at the festival.

Show Rosh Hashanah cards, there are many to browse through online. Alternatively show Rosh Hashanah cards from your artefacts collection or from a supplier.

Ask the groups to make Rosh Hashanah cards featuring symbolic foods or any practice discussed. Inside, alongside a suitable greeting, they should complete a sentence beginning, ‘Rosh Hashanah is important because …’

As pupils are completing their cards, tell the story of Jonah and the Big Fish, a story often told at Rosh Hashanah, e.g., from Opening Up Judaism, 17, and ask pupils what they think Jewish people might learn from this story about (a) human beings and (b) G-d. What are their favourite stories? Do they think that stories can influence the way we behave towards others? Ask pupils to add a note on the back of their cards one of the things they think Jews may learn from the story of Jonah. They should then add the name of a story that they think important or meaningful to themselves, with a point they learnt from the story.

Explain that many stories are told in order to encourage people to lead a better life. Rosh Hashanah and Yom Kippur are times when Jewish people recommit themselves to being kinder to others in the new year ahead. Ask pupils what good deeds they think they might do today / in the coming week. On their investigation sheets, encourage pupils to add some notes showing how the lives of Jews who keep the festivals may be changed in some way.

An investigation into how feminism has led to different interpretations of the Bible.

KS4&5. Originally written by Bob Bowie. Updated in April 2019.

LEARNING OUTCOMES

Emerging

Offer an argument based on evidence as to how Christianity/ the Bible could be seen as sexist
Explain two different interpretations of the Fall

Expected

Using a feminist framing, critique a biblical text
Set out and compare two contrasting interpretations of the Fall, referring to text
Offer a supported answer to the question; ‘what can be learnt from feminist interpretations of the Bible?

Exceeding

Compare and contrast two different feminist interpretations of the Fall

Key words and concepts

Hermeneutics: How we read, understand and handle texts, especially those written in another time or in a very different life context.

Biblical Hermeneutics: The process of understanding the Bible using doctrinal, historical and critical approaches.

Biblical Criticism: Making sense of the Bible through a better understanding of the history and culture of the times.

Demythologizing the Bible: An approach to understanding that sought to remove the other-worldly outdated understandings in the Bible to find what was thought to the essential ethical understanding.

The Fall: the event in the Garden of Eden where Adam and Eve disobeyed God and ate from The Tree of the Knowledge of Good and Evil (Gen. 2 and 3).

Feminism: Movements which aim to establish women’s equal rights. A feminist is an advocator or supported of the rights and equality of women and so can be male or female.

Christian feminism: This movement seeks to understand the equality of men and women in terms of morality, society, spirituality and Christian leadership. One major area of work is in the reinterpretation of Christian doctrine. Another is in the movement for ordination.

Feminist theology: A movement found in several religions that reconsiders religion from a feminist perspective, reinterpreting existing interpretations of religion, which have tended to be exclusively or largely made by men.

Feminist theory: Thinking that seeks to understand gender inequality examining women’s social roles and lived experience.

Patriarchal/Patriarchy: A system that puts and keeps women in submissive and/or subservient role to men.

Reader response: Making sense of the Bible through personal prayer and meditation and reflection on words from the Bible and life experience.

Sexism: Beliefs, attitudes and actions that see women as second class to men.

Inequality: A basic value position that gives more recognition and importance to one ‘kind’ over and against ‘another’.

Women’s liberation: a movement that opposes inequality, patriarchy and sexism in an attempt to secure equal rights in all areas of life.

Women’s ordination: This practice of some religions and some Christian denominations is an area of dispute both across religions and within Christianity.

Learning activities

Explain to the students that they are going to conduct two investigations to work out what can be learnt from feminist interpretations of the Bible. Each investigation has a focus statement and some ‘tabloid headlines’. The headlines are used to characterise the learning investigation at each stage but could also be a template for producing media accounts of the examinations.

The investigations should enable students, working in small teams, to produce TV style interviews with characters in the stories examined and with the Feminist commentators in the Resource. Newspaper stories can be written to reflect sexist interpretations of the stories, in the style of tabloid revelations, with follow up denials and alternative accounts of what really happened, generating the sense of the interpretation.

Learning investigation 1: Christian comments on women and feminist comments on Christianity

Tabloid Headline: SEXIST RELIGION OR RELIGION MADE SEXIST?

Introduce the students to some of the controversy surrounding women and Christianity. Explain that they are going to investigate why some people might think the Bible, or Christianity, is sexist and to examine the thinking of some feminist theologians who in different ways respond to the question of sexism in the Bible or Christianity.

Give the following quotations. Ask students to find three challenging or unexpected quotes. Encourage them to decide in small groups: which of the quotes are most striking to them and to write a written response.

Tertullian (about 155 to 225 CE):

“Do you not know that you are each an Eve? The sentence of God on this sex of yours lives in this age: the guilt must of necessity live too. You are the Devil’s gateway: You are the unsealer of the forbidden tree: You are the first deserter of the divine law: You are she who persuaded him whom the devil was not valiant enough to attack. You destroyed so easily God’s image, man. On account of your desert even the Son of God had to die.”

Augustine of Hippo (354 to 430 CE). He wrote to a friend:

“What is the difference whether it is in a wife or a mother, it is still Eve the temptress that we must beware of in any woman……I fail to see what use woman can be to man, if one excludes the function of bearing children.”

Thomas Aquinas (1225 to 1274 CE):

“As regards the individual nature, woman is defective and misbegotten, for the active force in the male seed tends to the production of a perfect likeness in the masculine sex; while the production of woman comes from a defect in the active force or from some material indisposition, or even from some external influence.”

Martin Luther (1483 to 1546):

“If they [women] become tired or even die, that does not matter. Let them die in childbirth, that’s why they are there.”

Matilda Josyln Gage, et. al, “1876 Declaration of Rights” on the rights of women

“…we declare our faith in the principles of self-government; our full equality with man in natural rights; that woman was made first for her own happiness, with the absolute right to herself – to all the opportunities and advantages life affords for her complete development; and we deny that dogma of the centuries, incorporated in the codes of nations – that woman was made for man – her best interests, in all cases, to be sacrificed to his will. We ask of our rulers, at this hour, no special favors, no special privileges, no special legislation. We ask justice, we ask equality, we ask that all the civil and political rights that belong to citizens of the United States, be guaranteed to us and our daughters forever.”

Pope John Paul II (1995)

“Woman’s identity cannot consist in being a copy of man, since she is endowed with her own qualities and prerogatives, which give her a particular uniqueness that is always to be fostered and encouraged… To all in our age who offer selfish models for affirming the feminine personality, the luminous and holy figure of the Lord’s Mother shows how only by self-giving and self-forgetfulness towards others is it possible to attain authentic fulfillment of the divine plan for one’s own life.”

Statement by “Christians for Biblical Equality” a conservative Christian organization

“…the Bible, properly interpreted, teaches the fundamental equality of men and women of all racial and ethnic groups, all economic classes, and all age groups, based on the teachings of scripture as reflected in Galatians 3:28: ‘There is neither Jew nor Greek, there is neither slave nor free, there is neither male nor female; for you are all one in Christ Jesus.’ ”

Jerry Falwell

“Most of these feminists are radical, frustrated lesbians, many of them, and man-haters, and failures in their relationships with men, and who have declared war on the male gender. The Biblical condemnation of feminism has to do with its radical philosophy and goals. That’s the bottom line.”

Randall Terry, head of Operation Rescue

“…make dads the godly leaders [of the family] with the women in submission, raising kids for the glory of God.”

Anon, “Why women need freedom from religion,” pamphlet

“The various Christian churches fought tooth and nail against the advancement of women, opposing everything from women’s right to speak in public, to the use of anesthesia in childbirth…and woman’s suffrage. Today the most organized and formidable opponent of women’s social, economic and sexual rights remains organized religion. Religionists defeated the Equal Rights Amendment. Religious fanatics and bullies are currently engaged in an outright war of terrorism and harassment against women who have abortions and the medical staff which serves them.”

Ask students to write a newspaper column under this headline:

SHOCK REVELATIONS. EQUALITY HUMAN RIGHTS COMMISSION INVESTIGATES ACCUSATIONS OF SEXIST DISCRIMINATION IN SO CALLED COMPASSIONATE RELIGION

Alternatively, they could produce a report on an investigation into what Christianity is really all about, identifying aspects of the Christian tradition that seem sexist.

Now introduce some responses to misogyny in Christian thought. For example search online for ‘Mary Daly quotes’. Other Christian feminists are Daphne Hampson, Elisabeth Schüssler Fiorenzaand Phyllis Trible. Search You Tube for modern Christian feminist posts and videos.

Can students define the term ‘thealogians’ (with an ‘a’ instead of an ‘o’)? Teach that the Greek word for Goddess is Thea or Theia, rather than Theos (the masculine ‘God’). Are Christian feminists Thealogians?

Thealogians argue the job of Feminist Thealogy is to:

Correct mistaken patriarchal interpretations of the Bible;
Search the Bible for anti-patriarchal sources;
Provide a better ethical framework to change Christian understanding of all creatures;
Reinterpret religion from a feminist perspective based on women’s experience and not tradition;
Move away from religion as something which upholds patriarchal systems.

Make the ‘Five Feminist Theologians/ Thealogians’ Resource into separate cards for each of the five thinkers. Divide students into small groups and issue each group with one card. Ask them to express in a single sentence or two how their thinker has responded. This could be done with groups looking at the information on their card and responding initially to what they seem to be saying. For example, instruct them to ‘read the card with the information on your thinker and try to agree with your group on the three key things your person is saying’. So students might suggest, for example, ‘I think she is saying ….’

In a plenary session, ask each group to report on their three key things to the whole class, listen to each other’s reports and then give some initial responses. [Until the students have sought to apply these interpretative perspectives that the thinkers have, it may be difficult to for them to see the implications of these perspectives but this provides an opportunity to ask the class, ‘how do you think each of these women might view x or y?’ for some hypothesis work.]

Ask students to write a magazine column under this headline: WE TALK TO FOUR INSIDERS WHO REVEAL THE TRUTH ABOUT CHRISTIANITYʼS SEXISM! Here, the article author (or news item presenter) interviews four of the feminist thinkers capturing their beliefs about Christianity and their feminism.

Learning Investigation 2: Adam and Eve

Part A: Tabloid Headlines:

SULTRY TEMPTRESS SEDUCES ADAM AND LOSES EDEN FOR ALL OF US! WAS IT ALL EVE’S FAULT?

Ask students to apply the different kinds of feminist thinking introduced in Investigation 1 to interpret the Adam and Eve text, and to evaluate some questionable representations of Adam and Eve and the ideas they convey.

Read, with students, the account of the creation of Eve in Genesis 2:4-25 and her role in the Fall in Genesis 3. It is important to read the actual text and begin there, in a suitable translation, instead of beginning with an enactment or video impression of the account for example, as these inevitably involve interpretation.

Ask the whole class for their thoughts on the following questions:

Why do you think this story is so important in Christian tradition? [Some reference to the place of the creation story in wider Christian belief could be made if they are unfamiliar with it: that it is commonly read from at Church; that some Christians believe it to be the literal account of the creation of the world; that others see it metaphorically or symbolically as having meaning but not actually happening as if it was history.]
What is meant by ‘The Fall’? [It is essential that the doctrinal importance of the Fall is understood. If women play a key role in the fall then their status is affected for all time. Theologically, the Fall is the reason for the corruption in the world as we experience – the fallen world is a terrible place with all of its imperfections. Christians say that people need saving from this place but there was once a time and a place when life was good, back in the garden of Eden.
Is it important to believe that the Adam and Eve narrative reflects an historic event that really happened? [Many Christians see the story simply as an expression of the Jewish people trying to understand the world as they saw it, and trying to find a reason for life being hard while at the same time believing in a creator God.]
Which parts of the story appear to support the authority of men over women, i.e. patriarchy?

Ask students then to work in pairs or threes to consider briefly the following ‘unpacking questions’:

How and why is Eve made, according to the text?
What is the role of Eve in this account?
How is she punished? What do you think about that?
What questions does this story ask about the place of women in Christianity? Is it their fault?

Gather feedback. Ask students to discuss then suggest interpretations of the myth of Eve.

Part B. How is the story of Adam and Eve depicted in medieval pictures? Tabloid Headline:

DODGY ARTISTS BESMIRCH HONOURABLE EVE WITH ‘PAGE 3’ PAINTINGS OF GENESIS!

Move students’ focus to how some Christians in medieval times interpreted and depicted this story. This will show how it was interpreted in different times and places.

Explain that in medieval Christianity no one really questioned the existence of Adam and Eve or the Garden of Eden. The depictions of the story in paintings of the time provide an impression of what artists thought about the Creation story. Within these depictions certain attitudes and interpretations can be perceived. [Students may well have engaged with the idea of propaganda in history which could be drawn upon for comparison.]

Show the students a selection of mediaeval depictions of the creation story, such as:

Adam and Eve, from the ‘Stanza della Segnatura’:
Adam and Eve – Lucas Cranach the Elder:
Adam and Eve – Hans Holbein:
The Temptation of Adam – Masolino:
The Fall of Adam – Hugo van der Goes:

Explain that the pictures chosen here are an example of one of the things feminist thinkers are concerned about so they illustrate the problem. Ask students to look at these images alongside the text and (a) pick out any ideas that appear to have been placed into the story and (b) decide whether the artist was reading other things into the account or was he revealing the implicit messages in the text itself?

Explain that this discussion is a key question for feminist theology – is it that the interpretation is wrong, or is it the source itself that is the problem? [These could be looked at together as a class or in groups if the images are printed. These could be compared with traditional easily available images on Adam and Eve which do not so clearly reveal elements that feminist thinkers are concerned about.]

Encourage students to write down their answers to the following questions:

What messages might the artists be trying to convey in these images?
Why might it be argued that these images reflect patriarchal or sexist images of God?

Ask all the students to then produce their own caricature of the Genesis account emphasising the text and the interpretation. They could use a tabloid-style headline such as, “IT WAS EVE WHAT DONE IT!” with a by-line such as, “While the Bible just says she offered the fruit to him, insiders speak out in our exclusive report to reveal she was starkers at the time and the serpent was her sister”

Part C. How might Christian feminists respond differently to these images and texts?

Give pairs 5 minutes to sketch or write ‘Genesis 3 from Eve’s point of view’ in four frames, images or sentences. Share ideas. Is the story changed?

Ask students for their reflections on the Genesis accounts so far: are the stories in themselves sexist or is it the interpreters throughout history (usually men) who are sexist in their interpretation? Are they in need of reinterpretation or do they need to be rewritten?

Return to quotes or texts from the Christian feminists studied previously. Using these views, work in pairs to evaluate the myth of Eve: what is the main message, what is its purpose, what is its value?

Break the students up into small groups made up of individuals who had been studying different feminist thinkers so all are represented in the groups. Supply them with very large sheets of paper with the Genesis text inserted in the middle and some of the mediaeval Adam and Eve images round the outside. Ask each group to build an ideas map of feminist interpretations of the creation story by writing in notes on the interpretations of the feminist thinkers around the key phases of the story and next to the images. What might each thinker say, at each point? These could be highlighted in different colours. Students should demonstrate where the different feminist thinkers might agree or disagree about the interpretation of each significant part of the text by making connections on the sheets. The groups should aim to depict the possible interpretations of the story.

Once the ideas maps are complete, students should share their findings with the rest of the class.

A final report on their investigations will then enable students to demonstrate their ability to analyse and evaluate the biblical text in relation to feminist and other points of view. Ask them to compile their reports under the key question: What can be learnt from Feminist interpretations of the Bible? Ask students to include in their reports (which could be presented in a variety of ways) the following features:

their own research into sexism in the Bible, with comments on methods used;
different interpretations of the story of Adam and Eve in different times and places;
personal views on the importance of feminist interpretations of the Bible

An investigation into the Jewish concept of Tzedakah

KS1. Originally written by Mary Myatt. Updated in April 2019.

Learning Outcomes

Emerging

Explain what it feels like to give and receive
Give a reason why it might be good to give

Expected

Use the word ‘Tzedakah’ correctly showing understanding of its meaning
Explain why two different type of things can both be given as gifts
Explain the purpose of Tzedakah in Judaism

Exceeding

Make a link between conversations about giving and receiving and a Jewish stimulus (artwork or story) studied
Explain why Tzedakah is important in Judaism

Key words

Judaism: Judaism, the religion of the Jews, traces its roots back to Abraham, and most of its laws back to the time of Moses. It is a worldwide religion with around 15 million followers. The vast majority of Jews live in Israel and the United States of America. Many of the words here are Hebrew in origin, though some variations come from Jewish communities who lived throughout central and eastern Europe, and elsewhere.

Tzedekah : This is an act of charity and literally means, ‘justice, fair action’ or ‘righteousness’. Jewish people traditionally give 10% of their income to charity and it is an important religious duty to give assistance and money to those in need.

Mitzvot: This means ‘Commandment’, that is, what God commands that people do or don’t do. The Torah – the first five books of the Hebrew Bible – contains 613 Mitzvot.In practice, Jews should do mitzvotevery day.

Torah The Torah is the first part of the Jewish bible. It is the central and most important document of Judaism and has been used by Jews through the ages.

Learning activities

Set the learning activities in the context of a key question:‘What does it mean to give?’

Show a picture of Julie Wohl’s Tzedekah (found on the link below, if broken, search Google for the painter and title: https://www.pinterest.pt/pin/92394229825353634/)

Ask the children to spot 10 things in the painting.

Can they make a link between two or more items and something in their own lives?

Introduce children to some stories about giving, e.g., A Thread of Kindness (ISBN 1-929628-01-3) or Ten Tzedekah Pennies (ISBN 1929628196) and ask the children to say what things in the story might be special to Jewish people.

In order to help children understand what it is like to give something away they could try this exercise: Each child could be given some Play Doh (or similar modelling clay) to make into a ‘gift’. When they have made a gift, ask them to give it to their neighbour. Ask them to talk about what it feels like to give something away. Is it a difficult thing to do?

With separate pieces of Play Doh ask them to make something which represents something that doesn’t cost money but would be good to give to someone else. This could be a shape which represents friendship, a smile, good wishes. They could be asked ‘Are there other things which we can give as gifts which don’t cost money?’

Engage children in thinking about what they like to give and receive. Ask them such questions as: ‘What is the best present you have ever given to someone?’ ‘Why do you think they loved it?’ ‘What do we value that doesn’t cost money?’

Ask, ‘When we give something away, do we sometimes get something back?’

Explain that Tzedekah tells Jewish children something important about how to live together: that it is important to give to people in need: that we enjoy things which people give to us: that gratitude is important: that there are things apart from money which we can give to other people. Children could ask one another whether they enjoy giving or receiving – reflecting on when they might have been given something which is exciting and that they had wanted. How does it feel to give something, e.g., a picture, or something they have made such as a cake, to someone in their family?

Ask the children to think about whether they should share some of the things they have been given, and to talk to a partner about things that should be shared. Gather some ideas from the class as a whole.

Encourage children to ask their own questions about giving and receiving. What questions would they ask Julie Wohl about the gifts in her painting?

Provide the children with some boxes with Tzedekah written on them and ask them to create pictures of people in need within their own community, e.g., someone looking lonely. Give the children tokens to put in the boxes. As they put the token in the box they could say why Jewish children might want to help that person. Ask them to say whether children from other religious groups might want to help those people and to give a good reason for their answer.

The children could have a blank box where they reflect quietly on who they think might need help in their school and family and what the token could do for them. Provide large circles of paper to act as ‘tokens’. On the token, ask children to complete the sentence ‘I think they are in need because… and ‘This is what could be done to help them: …’ When they have finished, ask them to fold their tokens and put them in the Tzedekah box. Ask the children whether they think the tokens should be read out, or be kept secret. What reasons can they given for their answer? What other questions can they think of about giving and receiving?

Remind the children of the big question: ‘What does it mean to give?’ and of the main resource, the Tzedekah Artwork by Julie Wohl. Show children pages from the Islamic Aid, Christian Aid and Comic Relief websites and explain that all sorts of people of different religions and beliefs try to help people in need. Ask them to describe things on the websites which seem similar and some things which seem different, e.g., The Christian Aid site may show crisis appeals; The Islamic Aid site may show current projects; the Comic Relief site may show comedians and Red Nose Day. All the sites may show people in need, how to give money, etc.

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