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An investigation into the links between the Exodus and the Pesach meal celebrated by Jews today.

For pupils with special needs achieving at ‘P Levels’ 1-8).  Originally written by Tina Ward, updated in April 2019.

Learning Outcomes

Emerging

  • Use the name ‘Moses’ and ‘Jews’ or ‘Judaism’ correctly when talking or writing
  • Explain three events which you think are important from the story of Moses

Expected

  • Use three words to describe what qualities a good leader should have and explain why
  • Explain, with reference to the story of Moses and the Exodus, why Moses showed good leadership
  • Explain, with reference to either sensory items of symbols, three aspects of the story of the Exodus

Exceeding

  • Give three reasons why Jews today remember Moses and the Exodus
  • Show understanding of links between the slavery in Egypt and ways people feel trapped today

Key words and concepts

Moses: The most important prophet in Judaism. According to the Hebrew Bible, Moses brought the Law, including the Ten Commandments, from G-d to the Hebrew / Jewish people and led them from slavery in Egypt to the ‘Promised Land’ of Canaan. He is traditionally considered to be the author of the Torah – the first five books of the Bible.

Aaron: The older brother of Moses, regarded as a priest and prophet of the Israelites. Aaron was known as an eloquent speaker; he became the spokesman for Moses when demanding the release of the Israelites from slavery in Egypt.

Pharaoh: title for the rulers of Egypt in biblical times. The name of the pharaoh at the time of Moses is not given in the Bible.

Slaves: According to the Bible, the ‘children of Israel’, also known as ‘Hebrews’, were forced to become slaves to the Egyptian rulers. The descendants of Jacob, who had settled in Egypt after Joseph had become chief minister there, had grown in population and were seen as a threat by the Pharaoh.

Israelites: those descended from Jacob (also known as ‘Israel’), that is, from the twelve ‘tribes’ descended from the twelve sons of Jacob.

Ten Plagues of Egypt: According to the Biblical book of Exodus, Israel’s G-d, (Yahweh) inflicted ten calamities on Egypt as signs that the Pharaoh should release the Israelites from slavery. He finally gave in after the tenth plague, where all the first-born sons of the Egyptians suddenly died one night. At this point the Hebrew people / Israelites began their Exodus.

Passover: Commemoration of the last of the Ten Plagues. According to the biblical narrative, the angel of death ‘passed over’ the houses of the Israelites, and took the life of each of the Egyptian’s first-born sons. Before this final plague, G-d had told Moses to inform all the Israelites to mark their doorposts with lamb’s blood so that the ‘destroyer’ would not visit their dwellings.

Exodus: The name given to the escape of the Israelites / Hebrews from Egypt.

 

This planning uses the idea of ‘burning core ideas’ (developed by Anne Krisman) to express the key subject knowledge to communicate to pupils. Here are some burning core ideas:

Moses is special to Jews because he led the people out of slavery to the Promised Land;

Judaism is the name of the Jewish religion;

Jews believe in one G-d and do not usually use His Name. They sometimes write G-d to avoid using the name in a bad way;

The Jewish holy book is called the Tenakh (Bible);

At the time of Moses the Jews were known as Hebrews (descendants of Eber – an ancestor of Abraham) or Israelites (see above). The Jews spoke the Hebrew language.

 

Here are the further key ideas and knowledge contained in this resource to help you prepare for the teaching and learning activities:

Moses was trusted by people – they followed him out of slavery in Egypt;

Moses inspired the people to follow him – he brought messages from G-d;

Moses led the people; he was their leader. He acted with conviction. With the help of G-d, he found a way through the Red Sea to escape from the Egyptians. Sometimes he was angry with the people when they did not do what G-d wanted;

Moses had many qualities. He could be angry but at times he was caring, kind, fearless, committed, truthful, patient and fair. He trusted G-d;

Moses had a vision of a better future for the Israelites.

 

Learning activities

This planning resource follows the ’5 Keys to RE’ developed by Anne Krisman.

1. Connection – How can we link our theme of Moses and the Exodus with pupils’ lives?

Let pupils know that Moses inspired his people to escape from slavery and risk everything for freedom and self determination. What inspires us to live a good life and helps us to be free?

Explain to the pupils that they are going to be learning about leadership and what makes a good leader who is worth trusting and following. One way in to the topic is to tell pupils about how one person can start a craze that everyone eventually joins in with. In this way, videos uploaded to YouTube get seen by millions of people, e.g. ‘Gangnam-style’, ‘Harlem Shake’ etc. There are also YouTube clips about one person starting a crazy ‘dance party’ at a music festival, e.g., see the one at the Sasquatch Festival 2009.

Ask the pupils to talk to a partner: in what ways is the first person to start a craze a leader? Is it more important that someone joins in and encourages others? Why do pupils think that other people want to join in some crazes? Why do some people NOT join in?

What are some of the names of a leader? Can pupils think, e.g, of ‘teacher’, ‘captain’, ‘ruler’, ‘president’, ‘governor’, champion’, master’, ‘expert’, ‘director’?

Get some feedback and then ask them in pairs again to think of different leaders, e.g., work, school, community, sport, society etc. and to talk about what each one does to fulfil his / her role. What makes a good leader?

Put a picture of a leader known to the class, such as the Headteacher (?!) or a manager of a football team, or the person who leads a school club or music group, up on the board. Ask the pupils to say what they think this person does in their job and how necessary the job is. How do they think the leader got to their position? Does the leader have close supporters? What qualities might they have? Can the leader do whatever they like or do they have their own rules to follow? Do they have any responsibilities relating to religion and belief? How has this person influenced them? Note some key words from the pupils’ ideas as a class list.

Make some of the key words about leadership in their answers [help pupils with some of these: ‘hard work’, ‘confident’, ‘brave’, ‘inspiring’, ‘unselfish’, ‘caring’, ‘honest’, ‘strong’, ‘thoughtful’, ‘wise’, ‘good listener’, ‘generous’, ‘passionate’, ‘positive’, ‘resilient’, ‘responsible’, helps others’] into a musical performance: signing, clapping, drumming, use of other percussion instruments, or chanting some of the words in different patterns and volumes, so, e.g., small groups could select three words or phrases to repeat with clapping rhythms, starting softly and getting louder then softer again. You could take the lead in the performance, to model each part to be played by the groups.

An alternative or extension activity is for pupils to think of the characteristics of a ‘bad’ leader, e.g. ‘bossy’, ‘cruel’, ‘demanding’, ‘overbearing’, ‘ordering’, and to create a musical performance as above.

Ask the pupils in pairs or small groups to decorate a poster about this leader or another of the pupils’ choice, helping them where needed with words about their role, style of leadership and their impact as a leader. The leader’s picture could be in the middle of the page with one third for key words relating to the leader’s role, another third for phrases to describe their style of leadership and the final third for words about their impact on others. For some pupils, rather than words, help them to stick material, tissue paper, sequins, feathers, ribbon, etc to represent the leader’s qualities.

Ask pupils: what do we need help with and what can we do for ourselves? Could we do more for ourselves than we do at the moment?

 

2. Knowledge – How can we communicate burning core knowledge within the theme to our pupils?

Share these examples of burning core knowledge with the pupils:

  • The Hebrews were slaves to the Egyptians
  • Moses was called by G-d to lead his people out of slavery
  • Pharaoh only agreed to let the slaves go after a series of plagues and the death of each family’s first born son
  • The Red Sea miraculously parted to let the Hebrews cross to the other side but the Egyptians who were chasing them were drowned when the waters returned to normal
  • Jewish people remember the Exodus today in an annual festival called Passover [Hebrew = Pesach].

Let pupils know that the Israelites had been good citizens of Egypt since the time when Joseph and his brother settled there many years before the time of Moses. The King (Pharaoh) of Egypt had enslaved them when he became afraid that they had grown so numerous that they might rebel against him, or take sides with his enemies.

To highlight the hardships of the Israelite slave, ask pupils to re-enact the building of a temple through drama actions: the mixing of mud and straw for bricks; the hauling of great loads of bricks to the site; the exhaustion of the slaves in the hot sun; being whipped by Egyptian guards if they slackened; the building of the temple one brick at a time. Use some music to accompany the dramatic reconstruction, e.g. ‘Zavod – the Iron Foundry’ by Alexander Vasilyevich Mosolov. You could film the pupils’ contributions to this activity.

Let pupils know that Moses believed that G-d had spoken to him through the burning bush and that he should ask Pharaoh to let his people go free.

Ask pupils to create a collage made from different coloured paper, showing Moses in front of the burning bush in the desert, with his sandals on one side. Add the feeling of the power of G-d’s words on Moses, using glitter, holographic paper, cellophane, plastic gem stones, etc.

Exodus Question Game

Generate as many questions as you can about the story of Moses and the Exodus. Alternatively a list is given on the following page.

Look at the questions. Discuss which 10 questions best explain the story, the people and the reason for the events. Separate or highlight these 10 questions. Introduce the challenge: to answer ten questions that will help the Israelites escape from slavery.

Provide a game board of 10 steps. Each correct answer moves the slaves away form Egypt and towards the Promised Land.

List of possible questions:

  • Why did G-d choose Moses?
  • Was Moses scared when he led the people out of Egypt?
  • Why did they follow Moses?
  • Did the sea really open for the Israelites?
  • How do we help others in the class?
  • Where can we go that is a calming place for us?
  • What special qualities do you and members of our class have?
  • How do you / your parents or carers / teachers / friends show these qualities?
  • What do they do / say / think?
  • How did Pharaoh / Moses / the Israelites / G-d show these qualities?
  • Why is it important to have a good leader?
  • Why was Moses a good leader?
  • Was Moses always a good leader?
  • Why did the slaves trust Moses?
  • Did Moses make any mistakes?
  • What was it about Moses that impressed the slaves?
  • What jobs did the slaves have to do?
  • What was it like to be a slave?
  • Why were the Egyptians cruel to the slaves?
  • Why was Moses angry with the guards of the slaves?
  • Did Moses ever believe in the Egyptian gods?
  • Why did the Egyptians need the slaves?
  • Why did the Egyptians build temples and pyramids?
  • Why did G-d want the slaves to leave Egypt?
  • Why did the slaves want to leave Egypt?
  • Why did G-d choose Moses to talk to Pharaoh about releasing the slaves?
  • Why did G-d want the slaves released? Or, why was G-d angry about the slaves?
  • How did G-d speak to Moses?
  • Why did G-d speak to Aaron too?
  • When Aaron and Moses spoke with Pharaoh, what did Aaron do to show G-d’s power?
  • Why wasn’t Pharaoh scared?
  • Was Moses always happy with G-d? [The slaves were worked even harder after Moses first asked Pharaoh to release the slaves]
  • How do people celebrate/remember Passover today?
  • How do you think Moses persuaded the slaves the leave Egypt?
  • How do you think the slaves were feeling as they left Egypt?
  • After Moses and the slaves left Egypt Pharaoh changed his mind and wanted the slaves to come back. Why do you think that was?
  • How do you think the Hebrews felt when they saw Pharaoh’s soldiers chasing after them in their chariots?
  • Once the slaves were the other side of the Red Sea, how did they feel?
  • What do you think the Egyptian soldiers that were still alive felt?
  • What do you think Pharaoh felt?

 

Answer the first (and second if helpful) question together. When the correct answer is given, move one square along the game board. Students will answer the remaining questions in three alternative ways:

If pupils have access to computers they can work individually (or in pairs) to complete the questions that help the Hebrews to escape. Ask them to make a record of how many answers they give (incorrect and correct) before they reach the Promised Land.

Alternatively you can run the exercise as a whole class activity with small groups of pupils debating each question and voting on their answer. Ask each group to give their answer. Demonstrate any wrong answers that are given before clicking on the correct one. Award points for giving the correct answers.

A third alternative is to connect the events of the story with the items on a Seder plate. Find a Seder plate template online and print. Display food items on cards, with an explanation as to their meaning (see below). Connect one food item with one element of the story as a class. Find a question that food item relates to and discuss the q. Answer as a class.

Each group sends one member up to collect question 2. The group must agree an answer and bring it up to you at the front. If they’ve got it right they choose another item for the Seder plate, and continue until one group has completed the Seder plate. The first group to collect the complete set of Seder meal items is the first to reach the Promised Land.

When each group has completed answered the questions, teach the symbolism of each Seder item. Ask pupils to reflect on the story and, where appropriate, ask them why they think Jewish people today want to remember the experiences of Moses and the Hebrews every year at the Pesach festival. Share possible answers. Adults can also ask questions and respond.

If time, share the story once more.

 

3. Senses – Which sensory elements are in the theme?

The following sensory activities can help pupils experience something of the Exodus and the importance of the festival of Pesach to Jewish people:

  • Dramatic music to represent the sound of the Israelite slaves building houses and temples for the Egyptians;
  • Pesach (Passover) songs, e.g. Seder Prayer’ from ‘Two Candles Burn’ by Stephen Melzack or ‘Best Seder in the USA’ by the Maccabeats;
  • The scent of Pesach candles;
  • Tasting Pesach food;
  • Feeling the Matzah, cushions etc.

Play a version of a Pesach song to pupils while they use coloured crayons or sponge paint to create the Red Sea.

Afterwards, encourage pupils to add:

  • a black paper cut-out of a pyramid on one side of the sea to represent slavery in Egypt
  • symbols of milk and honey on the other to represent the Promised Landcloth
  • cut-out figures (in blue and white stripe if possible) to represent Moses and the Israelites
  • shiny material to represent the armour of the pursuing Egyptian army
  • black paper to place across the Red Sea.

Ask the pupils to contribute to a composition (including voice, percussion and any other sound effects) to represent moving from the pursuing Egyptian Army (clattering, drumming, the sound of horses and chariot drivers shouting) across the Red Sea (the sound of waves, storm) to the triumphant Israelites on the other side (tambourines, trumpets, whoops of joy).

Explain that once the Israelites had escaped it still took them 40 years to reach the Promised Land! Ask pupils to say when they have been through a difficult time and came out the other side, perhaps even feeling happy.

 

4. Symbols – Which symbols are most accessible in the theme?

Items of the Seder plate:

  • Haroset: made from a mix of apple and nuts. It serves to remind Jews today of the mortar the slaves used when they were building temples and homes for the Egyptians;
  • Lettuce (or other leaves): tastes sweet when you first start to eat it. After a few mouthfuls the taste becomes bitter. Lettuce on the Seder plate reminds Jews of how good life was before they became slaves;
  • Lamb shank: reminds Jews of the temple where they would make sacrifices to God;
  • Parsley: represents the new spring and the initial flourishing of the Israelites. In the Seder meal the parsley is dipped in salt water or vinegar to taste the tears the slaves shed over their suffering;
  • Roasted egg: symbolises the cycle of life – even in the most painful of times there is always hope for a new beginning;
  • Horseradish: represents the bitter taste of slavery. This is dipped into the Haroset to associate the bitterness of slavery with the hard work that went with it;
  • Matzot: Next to the Seder plate will be 3 pieces of matzah wrapped or covered in a cloth. Matzot are made from unleavened bread dough. They are used to remember the haste in which the Israelites left Egypt;
  • Candles: lit to bring light and joy to the occasion of the Seder meal. It may remind Jews of the light that guided the Israelites through the wilderness;
  • Wine: a sip of wine is drunk, even by children, four times during the Seder meal. Wine symbolises how the Israelites celebrated their escape and their new freedom. Jews say, ‘Next year in Jerusalem’ at the end of the meal;
  • Cushions: each seat has a cushion or pillow. At the Seder meal Jews can sit back in comfort and relax. This may remind them of the freedom the Israelites experienced when they finally escaped from slavery. Now they were free to live according to their own laws and commandments.

 

Matzot

Explain that when the Israelites left Egypt they had to rush. There was no time to wait for their bread to rise, so they make it without yeast, producing flatbreads / crackers like Matzot. They risked everything to follow Moses.

Ask pupils to identify people who set a good example and tell them the right things to do.

Help them practice writing the word Leader and play a game of ‘Simon says…’

Candles

Explain that when the Israelites were in the Wilderness escaping the Pharaoh they were, according to the story, guided by a pillar of cloud during the day and a pillar of fire at night.

Turn the light out, close blinds or curtains, and guide pupils around the classroom using candle light. Reinforce the idea of TRUST in the LEADER.

Ask pupils: who can you trust to lead you to safety? (e.g. perhaps get the pupils to think about when they do a fire practice).

Cushions and Wine

Explain that when Jewish people remember the events of the escape from slavery, they recline on pillows or cushions to remind them that they are free.

Instead of sitting on school chairs invite the pupils to recline on cushions and enjoy a cup of fruit juice. Encourage them to exchange ideas on what it means/feels like to be free.

 

5. Values – Which values in the theme speak to our pupils?

Bravery / courage, faith and belief, strength, patience, perseverance, commitment, determination, confidence, inspiring, resilience, knowing weaknesses, getting help for others).

Share these examples of Jewish values with the pupils:

  • Trust in G-d;
  • Act as G-d’s chosen people – keep His Laws (Commandments);
  • Remember how G-d brought the Israelites out of slavery.

Explain to pupils that they are going to learn about one more story about Moses that will help them understand how inspirational he is for all Jews and how he set an example for all Jews to follow.

Using, e.g., the Lion Storyteller Bible (pages 34 and 35), tell some of the story of how Moses led the Israelites through the Wilderness, with the help of various signs: miraculous food and discovery of water in the dry rocks. Ask pupils why they think the Israelites / Hebrews didn’t trust Moses all the time. What questions might they want to ask Moses if they had been following him the Wilderness?

Where appropriate, choose questions to focus on, for example, ‘What things make us worry or be anxious?’ and share possible answers. Adults can also ask questions and respond.

If time, share the story once more. Can pupils identify the parts of the story that Moses was a firm leader, brave, determined, committed, persevering, inspiring, confident and trustworthy? Display these words for pupils whilst they are listening to the story.

Finally, remind pupils of the key question, ‘How did Moses inspire the Exodus?’ Ask them to say when in the story Moses was:

  • brave or courageous;
  • confident;
  • patient;
  • trusting in G-d;
  • determined;
  • persevering;
  • inspiring;
  • trustworthy

Ask pupils when in the story they think the Israelites showed any of the above qualities. Can the pupils think of times when they themselves:

  • needed any of these qualities?
  • wished they had any of these qualities?
  • actually used any of these qualities?

The role of the Hindu Deity Shiva investigated through an audio-visual exploration of his iconic symbols and a meditational Mantra.

An investigation into how reflection on the image of Shiva and the Mahamrityunjaya mantra might help cope with different life-changes.

KS2 & 3. Originally written by Sushma Sahajpal, updated in April 2019.

 

Learning Outcomes

Emerging

  • Talk about endings that are good and bad, and explain why they are good or bad
  • Explain the meaning of two aspects of Shiva

Expected

  • Explain what Shiva does for humanity in Hindu belief
  • Describe and explain two aspects of Shiva worship; music, words, images, etc
  • Describe two things that Hindus do on the festival of Shivrata

Exceeding

  • Offer a view as to why we find endings hard
  • Create an argument for why Shiva is an important deity in Hindu culture

 

Key words and concepts

Divine: In the Hindu context this refers to the Benevolent agency that transcends normal human comprehension.

Iccha: Will (or Desire) the motivating engine for all directed processes in the world.

Shakti: Raw Energy inherent in all matter in every existing world (denoted as feminine comparable to the Yin / Yang concept in Chinese Philosophy).

Deva: Divine Iccha (Will) at work in the world – masculine aspect (note: depicted as male), often translated as ‘God’ but this is a confusion with either the Abrahamic entitlement in the singular or in the plural with popular perception of Greek / Roman Mythology.

Devi: Divine Shakti (Force or Power) at work in the world – feminine aspect (note: depicted as female), often translated as ‘Goddess’ but this is a confusion with popular perception of Greek / Roman Mythology.

Murti: Form. The image or deity used as a focus of worship. ‘Idol’ should definitely not be used, and ‘statue’ may also cause offence.

TriDev / Trimurti: The collective reference for the three main Divine Agencies at work in the world (i.e. Brahma, Vishnu and Shiva).

Brahma: The Deva who embodies Divine Creative Intention (Conceives blueprints).

Vishnu: The Deva who embodies Divine Sustaining Intention (Supports development).

Shiva: The Deva who embodies Divine Transformative Intention (The All-knowing / witnessing Consciousness that facilitates timely completion / transition).

Divine Consort: Each of the TriDev is depicted with a corresponding Devi as a Consort (Marriage Partner). This teaches that Divine Intervention or Agency is the co-operative union of benevolent, transcending Will / Intention (masculine) and Power (feminine).

Tridevi: Tridevi is a collective reference for the three Consorts (Saraswati, Lakshmi and Parvati / Durga – more about them in the Navratri resource).

Parvati: The peaceful form of the consort of Shiva. Representing divine energy in benevolent balance and universal flourishing.

Durga: The fierce aspect of Devi Parvati who embodies the Power of Explosive Destruction / Transformation. Her stories tell of fierce battles killing demons and protecting the righteous. She can manifest when needed with the supreme power of the entire universe (Adi-Shakti). She is the Consort of Shiva (Divine Transformative Intention).

Vedas: The ancient Sanskrit Scriptures, some of which are used in Hindu Worship.

Mantra: This Sanskrit word has passed into English to mean any phrase that takes on an affirmational significance but for many Hindus it is used with its original meaning of a precisely composed combination of Vedic syllables with a powerful, beneficial impact on the listener in terms of both meaning and sound.

Devotee: A person who strongly believes in a religion or god and loyally puts their beliefs into practice.

 

Learning activities

WARNING: the subject of this resource, ‘change’ or ‘endings’, is one that needs treating with great sensitivity. Although subjects like death and suicide are not specifically raised in these activities, some pupils may experience such thoughts. It is a good idea to ensure that parents are aware that this sequence of lessons is included in the RE programme and that there are opportunities to raise any concerns with the school. If you are aware that individual pupils have been bereaved, or are particularly worried about being so, it will be important to make a careful judgement, with pupils and parents, about the timing of these learning activities.

 

This teaching and learning is based on the singing of the Mahamrityunjaya Mantra (from the Rig Veda). First find a clip of this on YouTube, such as the mantra being sung by Shankar Sahney (108 times!).

The learning will be further supported if the class can look at images of Shiva, as well as Shiva worship on Google images or videos of Shiva worship on Youtube.

Here is a transcript of the mantra with its translation:

OM Triyambakam Yajāmahe Sugandhim Pushti-Vardhanam, Urvārukamiva Bandhanān Mrityor Mukshiya Māmritāt.

We pray to All-seeing Lord Shiva who nourishes all beings, as the ripened fruit releases from its stem in perfect, timely separation, so may our endings be, freeing our energy to move endlessly on.

Explain that pupils are going to learn about how many Hindus deal with situations when it is time for something to end or irreversibly change. Explain that Hindus believe that there is Divine help available to all of us, not just Hindus, in the way a loving parent might want to help all his or her children. This help would be in whichever form is best for us and the situation we are dealing with. This will help them explore how Hindus and others react when things end and question whether endings are good or bad and what using powerfully destructive ability as a force for good might look like.

Remind them that Hindus believe that God is neither male nor female but is everywhere in everything and everyone. Thus they believe God can intervene to support righteous living, meaning ‘for universal good’, at anytime in any form including as a man, woman, child, animal, river, etc. Sometimes the intervention might be to facilitate new beginnings. [Can they think of examples? e.g. bringing forth 10 Commandments to Moses, or similar faith-founder stories.] Hindus believe that divine intervention can be just as crucial to bring things to an end, to make way for what needs to come next.

Explain that the class is going to look at Endings and that these can sometimes be very painful times, particularly if it’s the end of a life or of something special to us. Explain that when people are upset by change and endings they can get support to help them through difficult times.

Ask the pupils to think of endings that they they’ve been glad to have happen. [These might be unpleasant like uncomfortable journeys or activities / films they didn’t enjoy, an illness they recovered from or horrible neighbours that moved away, etc.] Notice whether this was hard or easy for them to come up with, and capture these in a list. Can they explain why they were glad for these to end?

Explain that we are next thinking about endings that we are not so pleased about.

First ask them to think of activities / events that they expect to end at set times but wish they didn’t. [e.g parties, day trips, the holidays, a favourite lesson or school year]. Again capture these in a separate list.

Ask the pupils to now think of endings that they can think of that might be difficult and unexpected. List these on a board. [These are typically loss of pets, occasionally grandparents, moving house, friends moving away, loss of favourite clothes, toys, books.]

Thirdly ask them to think of situations where they have had to be the ones to end / stop something or cause a big change. [e.g. decide to give away outgrown possessions, change a habit, rearrange their furniture, report something bad to a teacher / parent, stand up to defend someone from bullying, ]

Explain that the three types of challenging ‘endings’ listed here can be linked with aspects of the symbolism in a Hindu murti that they are going to see later [Shiva]:

  1. Involuntary and predictable: time related (symbolised by the moon; accepting seasons)
  2. Involuntary and unpredictable: event related (symbolised by the snake; we react)
  3. Voluntary and self-determined: situation related (symbolised by trident; we act)

Encourage the pupils to add as many examples of these three challenging types of ending as possible.

Ask pupils to work in groups with three very large pieces of paper per group. Ask the groups to write ‘Seasonal Endings’ in large letters in the middle of the first sheet, ‘Unexpected Endings’ in the middle of the 2nd and ‘Chosen Endings’ in the middle of the 3rd. Their task then is to write or draw around the key aspects in a circle, the ideas, actions, tools and questions they associate with those scenarios. Encourage the pupils to consider the differences between the three.

[You may need a fourth sheet (Other) for endings that are neither Seasonal nor unexpected and don’t fit into the archetypes. Reviewing the fourth sheets may offer up a potentially very useful broader discussion around other ending experiences.]

For each piece of paper, outside the circle of actions and ideas, encourage pupils in their groups to consider and capture the consequences if these endings did not occur. [If no-one died, just aged, if we did not outgrow our favourite toys, were permanently stuck in summer or Year 3, ]

Explain that part of flourishing and well-being – which is the stated purpose of divinity in Hinduism – is ensuring that things that are stuck, stagnant or not serving growth, do come to an end to make way for fresh new growth and opportunities.

Introduce the image of Shiva; either handing it out or showing them on the whiteboard. Explain that whilst he has many aspects, the picture represents in a human-like form one of the three main roles (Trimurti) of Divine Intelligence according to Hindus. Explain that many Hindus believe that meditating on this form offers support for people when they are challenged by endings, including death. Indicate that many of the artefacts in the picture all relate to the themes we have discussed. Before exploring the image in detail, give the pupils a chance to examine carefully for themselves the symbols and colours of the picture and see if they can suggest which symbols might go with which type of endings we have defined. [Note Shiva iconography has many complex metaphysical meanings, this banquet focuses on some specific, age-appropriate, theme-supporting aspects]

Next go through the picture engaging the pupils’ questions and ideas in considering what the deity is sitting on, holding and wearing. Explain that it is possible to take these definitions literally, i.e., as supernatural beings that may manifest in the world, but that it may also apply to our lives here and now in terms of wanting more of the skills and strengths he represents (such as wisdom and insight as symbolised by the open third eye) to be in our lives. Clarify, that just like a human ‘parent’, the Hindu Deities do not ‘take over’ and do things ‘for us’. Hindus believe that they assist and inspire us in finding the skills and strengths we need inside ourselves.

Now introduce the Mahamrityunjaya Mantra. Explain that this is the primary prayer for Shiva and that it is therefore important to show respect for people’s deeply held beliefs and practices. Show them the translation of the mantra and emphasise that many Hindus use it especially at times of change, to ask for divine help in moving on to a new phase of life.

Play the clip you have identified of the mantra being sung and ask pupils to say what images they noticed in the film and what they think Hindus might think was most important about the mantra, the music and the images.

Put the lists of ideas about the mantra and the images of Shiva that the pupils have suggested on the board below his image and ask them to add some more words to their sheets that they think describe what the different parts of the picture might mean to Hindus. What is special about Shiva that might help people at times of big change (what qualities does he have?)

Point out that two of Shiva’s qualities that might help people cope with big changes, when something ends and a new phase of life begins, are wisdom and inner strength. Ask pupils to think of examples of change and to identify which quality is most needed in each situation: wisdom or strength? Aim for concrete examples of each of these and list them on the board.

Go through each situation and ask what might lead a Hindu to believe that a prayer for wisdom and / or strength had been answered. Do they think that every ending / change simply has to be accepted? Bring out different points of view.

Invite pupils to link things that are important to them, e.g., who helps them to let go of things that need to end such as ending a play-date or sleep at the end of the day at bed- time, and ask them for examples of help can we give others with ending things -physical and mental / spiritual. What sort of skills would the person they turn to, need to help them and what form would that help take? For example, how might they persuade someone to donate unused favourite old toys to charity? [This could be a very worthwhile drama lesson with some interesting role-play activities about what they feel is appropriate assistance / relationship with persuading someone to give up a bad habit.]

Broaden the discussion into thinking about how people hoard things in attics and homes. Why do they do that? Why do people resist change? How could praying to Shiva help? How could their well-being improve by deciding to give some things away? What questions would they like to ask a person who prays to Shiva and recites the Mahamrityunjaya Mantra about the benefits of their beliefs and practice? What do they think such a person would say in reply?  [By now the children would have a good understanding of the themes of Shiva. Hindus remind themselves of these ideas during Shivratri. What does this festival look like?]

Explain that during the festival of Shivratri many Hindus fast during the day and then feast and dance in the evening time on traditional festival food. During the fast Hindus only eat foods that can be eaten very simply and with minimal process such as fruit, nuts etc. This is to encourage them to take time out from focussing on their material appetites and wishes but instead to focus on their spiritual goals of personal discipline and following divine guidance rather than personal desires.

Ask pupils to identify what it might be good for them to give up for a day even though they might find it difficult to (such as a television program or chocolate) and give reasons. Consider asking them to actually try doing this for parts of the day and perhaps be sponsored if they succeed in doing so as a charity fundraiser. Journal their thoughts and feelings if they do it or make up an imaginary journal of someone their age trying to do so.

Encourage pupils to work in pairs or small groups and to use their imagination and what they have learnt about devotees of Shiva to make a list of different ways in which they show their beliefs.

Ask pupils whether Hindus would traditionally think endings are a good or bad thing? [No right or wrong answer to this] Is it better to resist change to preserve traditions for example, or to let old-fashioned things go and bring in new ways? What do the pupils think? Ask pupils to give reasons for their answers and compare across the class.

Provide pupils with a printed version of Shiva [See web links above for images of Shiva]. Ask them to work in pairs / small groups to recall aspects of the Deity, labelling the different items with key points about what Hindus believe is being illustrated / symbolised.

Encourage pupils to discuss the details of the pictures in their pairs / groups and then to share ideas on the most important aspects for them. Prompt their thinking by asking whether they can tell which aspect of change and endings is being represented by different symbols.

Ask pupils to then add their own labels saying what they think is good about each of the symbolic gifts, e.g. ‘The drum plays music’, ‘The trident is powerful’, etc. Provide pupils with some of these words to help them. [Of course the symbolism goes deeper than this; the idea is to start pupils thinking about how worshipping the different Deities helps believers in a variety of ways.]

Working in pairs or small groups again, remind pupils of the translation of the Mahamrityunjaya Mantra and ask them to work on a short mantra that might be used by Hindus to pray to Shiva at a time of great change and hardship. Ask them to write down their ideas and add some appropriate symbols from the film of the Mantra. Encourage them to add brief explanations of the symbols they have used.

Tell pupils the story of how Shiva drank the poison that is the central story of Shivratri:

The demi-gods (Devas) and demons (Asuras) fought and churned the oceans. A dark mass was created that was poisonous. A nectar of immortality was also created. To protect the universe from the dark mass Shiva swallowed it and held it in his throat. It burned and bruised his throat which turned blue. In holding the poison he saved all living things.

Deepen their understanding with questions such as: Where did the Poison come from? [Created by the same process that produced Divine Nectar] Why did Shiva offer to drink it? [It would have killed all living things otherwise.] What does this story explain about Shiva? [His Divine will contains and keeps the balance (neither swallowing nor spitting out) that prevents destruction.]

Ask pupils to write their own ‘metaphorical’ story with a character needing to call upon divine will to end something to meet a challenge for the benefit of our world. The challenges need to be such that each ending makes way for the particular blessing of something new beginning to overcome the problem. The story should include questions that the main character asks about their dilemmas and what the consequences might be of following or ignoring the help of a Deity.

An investigation about prayer from a Muslim perspective.

For 8-12 years. Originally written by Abdullah Trevathan, updated in April 2019.

 

Learning Outcomes

Emerging

  • Compare and contrast verbal and non-verbal communication
  • Offer a supported view as to what sort of communication prayer is

Expected

  • Explain, with examples, the purposes of verbal and non-verbal communication
  • Use a passage from the Bible or Qur’an to explain the purpose of prayer in Christianity, Islam or both
  • Answer the question, with evidence’ ‘why do people pray?’

Exceeding

  • Offer a supported view as to how far prayer is a religious form of communication
  • Using information about Christian and Muslim prayer, contrast prayer in the two religions

Key words and concepts

communication: the exchange and sharing of information, ideas and feelings through different means such as speaking, writing and reading

non-verbal communication: communicating without words

body language: the deliberate, conscious or unconscious use of the body in conveying meaning to others through gestures, postures and actions

interpretation: the act of understanding and explaining that understanding to others

symbolic: a thing which represents something else

Orthodox Church: An early established yet extant Christian church and community located mainly in Southeastern and Eastern Europe as well as Egypt and Syria

Minaret: the tower attached to the Mosque used fr the purpose of calling people to the prayer : the adhan

Adhan : the call to prayer

salah: the name of the muslim prayer performed five times a day

Wudhu: the ritual abulution before the prayer

Rak’ah: one cycle of movement within the prayer. Different prayer times have a different number of cycles

Qiblah: the direction of Mecca to which a Muslim faces during the salah

body language (in prayer) – the use of the body to communicate through symbolic physical movements or positions whilst in prayer

non verbal communication (in prayer) – this refers to aspects of the prayer generally that focuses that involve the body to the exclusion of verbal aspects

salah (muslim prayer) consisting of takbir, qiyyam, rukhu, sajdah and taslim; which are the names of the different positions in the prayer, each having their own symbolism.

Learning activities

The following activities are structured in a manner which is heavily scaffolded for the teacher initially but later tapers off. In this way, while the first and second sessions are laid out in more detailed form, to be used, discarded or adapted as required; by the third session there is less session detail and more content.

One integral aspect to all of these activities is the emphasis on getting the pupils to try and interpret. An essential aspect of RE is that it should help pupils in learning how to make meaning out of things – and interpretation is an aspect to this. It must be stressed to them that it is not important whether their answers are the correct ones held by people of the given faith but that they have made meaning out of what is before them. The faith interpretation can be provided afterwards. Strangely, more often than not the pupils’ interpretations are connected to and sometimes enrich the faith interpretation.

The following breakdown of activities is suggested:

  1. Philosophy for Children discussion around verbal and non-verbal communication and its relation to the act of prayer.
  2. Activity based session on non-verbal and body language.
  3. Sketching and discussing different Muslim prayer movements, learning further information about the call to prayer and aspects of the mosque associated with prayer in Isla.

Session 1

Aims

  1. To bring pupils to have some understanding of communication as a means of expressing information, ideas, thoughts, signals, feelings and emotions to others.
  2. To bring pupils to have some understanding that communication can be verbal or non-verbal, (or a mixture of both).
  3. To bring pupils to understand that non-verbal communication can be as effective as verbal communication.
  4. To bring pupils to understand that prayer is also a type of communication and can be both verbal and non-verbal.

In this initial session pupils are asked through the medium of philosophy for children to distinguish the act of communication. There are many things which people do, but they do so unconsciously and part of philosophy is to distinguish and highlight such things to build awareness, consciousness and depth to such human activities. Children are as capable of this as adults.

In this first session the teacher should try to mediate and steer, (but most importantly not dominate) a conversation allowing the pupils understanding that communication is a process of exchanging information, ideas, thoughts, signals, feelings and emotions. In the process of communicating the ‘sender’ uses a type of communication to a ‘receiver’.

Explain that there are basically two types of communication – verbal and non-verbal – and that praying is a form of communication that has verbal (sound, words, speaking and language) and non-verbal forms (gestures, touch, body language, posture, eye contact and facial expression). Non-verbal language can be extremely effective and in fact research shows that 80% of inter-personal communication is through body language.

Activity 1

Have some Marcel Marceau and Jerome Murat clips set up for pupils to watch. Ask pupils to make up three implicit questions about what they have seen, stressing that implicit questions are different than explicit questions. Implicit questions arise from seeing the mime, (i.e. more universal questions; ‘Can people communicate without words?’). Explicit questions are about the mime, (i.e. How does the mime artist make it seem as if there really is a wall?’) If the teacher considers it necessary provide a few examples? Try to steer the questions towards questions like the following :

  • How can people communicate?
  • Why do people communicate?
  • Who do people communicate with?
  • What do people communicate with?
  • Is communication only through using words?
  • Can you communicate without words?
  • How could you communicate without words?
  • Write the questions on the board and get the pupils to vote on two questions to discuss. Start the discussion by asking the pupils who posed these questions why they asked these questions. Then open the discussion to others, teacher may have to interject from time to time to steer the discussion towards the aims set out.
  • After some time try to conclude the discussion by summing up the conversation and writing the summary of this on the board.
  • Split the class into groups. Then show the pupils a picture of someone praying, or in a contemplative moment in a place of worship or outdoors. Issue pupils with three of the following questions below per small group. Ensure a mix of questions, so that each group has questions about prayer as well as general communication questions. Ask them to agree a response to each question in their group and to say what they think a religious believer might answer, especially in terms of how they think a that person might benefit from certain forms of communication and certain forms of prayer:
  • Why do people pray?
  • Is praying communicating?
  • Who or what do people think they are communicating with when they pray?
  • Can you be not religious and pray?
  • Can you be an atheist and pray?
  • Is prayer a very serious matter?
  • Is praying just another way of asking?
  • Could someone pray without words?

Session 2

This session is about getting pupils to be aware of how they can communicate without words by using their bodies. The class should be split into different groups of about 4 – 5 pupils each. A series of activities could be set up in the classroom and the different groups move around the room engaging in these for approx. 10 minutes each.

Aims

  1. To further develop the idea for pupils that body language and non-verbal communication can be as expressive, (if not more) than verbal communication
  2. To get the pupils to apply some of their gained experience of body language and non-verbal aspects of idea of prayer.

Activity 1

Pupils work together to list different ways of expressing feelings in non- verbal ways. Point out that at least some of these will be offensive but all can be very powerful, so need to be used with care!

Activity 2

Teach pupils how to play ‘Charades’. After the rules and format of the game are quickly explained ask pupils to choose one of the following quotations from the Qur’an, (paraphrased for easier comprehension) and start acting them out:

‘…surely by remembering God the hearts are made peaceful’ (Quran 18: 28)

‘…be patient with what people say against you, and pray constantly to God… so that you may have joy’ (Quran 20:130)

‘And be regular in prayer at the two ends of the day and at the approaches of the night: because good things takes away bad things’ (Qur’an 11:114)

‘..there are those who think about God standing, and sitting, and lying on their sides’ (Quran 3:191)

‘…give to the poor and bow down your heads with others who bow down in prayer’ (Quran 2 : 110)

Activity 3

Have 8 different ‘tableau’ scenarios written down. Examples :

  1. People showing a variety of reactions when suddenly coming upon someone praying by a busy roadside.
  2. A group of people who are looking for something lost with one of them very happy and thankful at suddenly finding it.
  3. A football player falling to the ground on his knees after scoring a crucial goal.
  4. A mother and father with their reluctant children, telling them to pray.
  5. A group of people begging someone in authority on some urgent matter but who is rather haughtily ignoring them.
  6. A group of people who have just received something special with only one very thankful person amongst them.
  7. A playground scene where a fight is just about to break out with someone begging his friend not to get involved while others are egging him on.
  8. A car scene with onlookers where one driver is very angry and the other is admitting having committed an error and is saying sorry.
  9. A person asking forgiveness from someone whose feelings they have hurt with a crowd of people around them

Each group must pick one of these and make the scenario, freezing in their position. Use a digital camera to make a photo of each

After this get the whole class together, show the tableau photographs and get them describe their reactions, demonstrate some of the charades sequences,

Remind them of the discussion concerning the type of communication in prayer. Ask them in their groups to think of some of the things they have seen which shows a prayerful attitude through the body positions. Ask the children to think up words that believers might use to describe these positions and expressions and what types of prayers the positions might resemble?

Prayer in Islam

Show an image or video of the prayer positions in Islam. Using all the questions and ideas generated about the nature and purpose of prayer, and the nature and forms of communication, talk about what each position seems to be saying or symbolizing.

Sketch each position, labelling it to explain what each action communicates.

Learn about aspects of the mosque that enable prayer, such as:

  • The minaret to call from
  • The Adhan, or call to prayer
  • The washing area so Muslims are spiritually clean before they pray
  • The show rack to store shows which are removed for prayer
  • The collection of prayer mats or large carpeted floor, to ensure the floor is clean for those wishing to pray
  • The mosque angled towards Mecca, called Quibla, the direction Muslims face to pray all over the world

Listen to the Adhan, there are many clips on you Tube.

Look at images of Mecca in Saudi Arabia, birthplace of Islam and home of the Hajj, where all Muslims face and they pray.

Prepare a brief amount of information on each aspect of the mosque. Ask groups to conduct further research and make explicit links between their aspect of the mosque and how it aids prayer. Create a class collage entitled: The Mosque: a House of Prayer

 

Face to Faith brings students of different religions and cultures together using digital technology to connect schools in 19 countries.

Many users of RE:ONLINE may be interested in using Face to Faith, a fantastic resource provided by the Tony Blair Faith Foundation. Find out more about it here and visit: http://tonyblairfaithfoundation.org/projects/facetofaith

What is Face to Faith

Face to Faith is the Tony Blair Faith Foundation’s Global Schools programme, active in a wide range of schools in countries across the world.

Face to Faith:

– gives students the opportunity to interact directly with their peers from around the world to dialogue about the range of faiths and beliefs, values and attitudes that they hold. This occurs safely through facilitated videoconferences and a moderated online community.

– supports teachers by providing a rich range of high quality, engaging and appropriate materials to help them prepare their students for dialogue.

– talks about culture and identity, but always emphasises Faith and Belief, because those two things can play a very positive role in our world, yet are almost always referred to in a negative way.

– emphasises Similarity and Difference – finding the ways in which we are similar to other people is often easy, but discovering the ways in which we are different gives us much more opportunity to learn.

– supports the development of key skills for global citizenship, including respectful dialogue, information technology, cooperation, conflict mediation, reflection, global awareness and faith literacy.

– is a set of flexible materials; designed to fit alongside, and enhance existing curriculum requirements.

 

 

Read the following for more information on video conferencing:

Face to Faith and an Introduction to Video Conferencing

Curriculum Materials

Examples of Modules

Face to Faith have kindly provided the following example materials to illustrate the modules available to subscribers:

Filmed to coincide with the 400th Anniversary of the commission of the King James Bible, this documentary was shown on BBC 1 in February 2011. Jointly produced by Jerusalem Productions and BBC Religion and Ethics, the programme follows Adam Nicolson as he discovers how around fifty scholars from Cambridge, Oxford and London created this astonishing translation of the Bible into English, looking in particular at the seven years from the commissioning of the bible in 1604 to its printing in May and considering the technological, political and cultural circumstances which drove and shaped it.

Resources designed for KS2 (8-11), KS3 (11-14), KS4 (15-16) and KS5 (17-18)

In order to use these resources it is necessary for students to have watched the entire film. In addition sections may be re-shown in relation to each topic. The topic ‘Programme Outline & Synopsis’ contains the timings for each part of the film.

Teachers can select all or any of the resources and activities as suitable for the course they are pursuing. Although closely related to the film there are additional ‘Stretch and Challenge’ topics as well as cross-curricular materials.

There are additional resources on the Bible and Christianity together with The Quest for the Holy Grail.

Additional versions of resources are included:
• Dyslexic (D) wherever appropriate;

Many of the materials are also suitable for
• SEN – Special Educational Needs;
• EAL – English as an Additional Language

 

This documentary, produced by Twenty Twenty in association with Jerusalem Productions, and shown on BBC 1 in October 2011, follows two young women in their journeys to becoming nuns. Filmed over 6 months, this intimate documentary gives a unique insight into a rarely seen world, challenging stereotypes and exploring what convent life can still offer modern women.

In order to use the below resources it is necessary for students to watch entire film. In addition sections may be reshown in relation to each topic. The topic Programme Outline & Synopsis contains the timings for each part of the film.

Teachers can select all or any of the resources and activities as suitable for the course they are pursuing. Although closely related to film there are additional ‘Stretch and Challenge’ topics as well as cross-curricular materials.

Additional versions of resources have been created:
• Dyslexic (D) wherever appropriate;

Many of the materials are also suitable for
• SEN – special educational needs;
• EAL – English as an additional language.

This presentation aims to introduce children at KS1 to the concept of Vand Chhakna in Sikhism.

This presentation aims to introduce children at KS2 and children with special needs to the concept of unity, one world and equality in Baha’i beliefs.

This presentation aims to help students investigate the sources of wisdom for Hindus through study of shruti, smriti and the gayatri mantra.

This presentation aims to introduce children at KS1 and children with special needs to the concept of Sewa in Sikhism.