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An investigation into the character of Abraham and the story of the binding of Isaac.

For 10-14 year olds. Originally written by David Aldridge. Updated in April 2019.

Key words and concepts

Abraham: Abraham is often known as the Father of Judaism. It was Abraham’s faith in God, having been brought up in the polytheistic society of Ur, that initially singled him out.

Isaac: Isaac was the only son of Abraham and Sarah (although Abraham had another child, Ishmael, by Sarah’s slave Hagar); Isaac’s arrival was miraculous, as Sarah was past childbearing age when he was born. He is believed to be the outcome of God’s promise to give Abraham a line of descendants. His name means ‘laughter’ and expresses the old couple’s joy at finally having a child together.

Akedah: This is the Hebrew word for ‘binding’ and is the name given by Jews to the story of Abraham and Isaac; Abraham binds his son before placing him on the altar.

Sacrifice: the ancient Hebrews practised ritual sacrifice, slaughtering animals and giving them to God as burnt offerings; neighbouring tribes also practised human sacrifice.

Faith: the word faith could refer to someone’s confidence or trust in God or a higher principle, or their devotion or willingness to obey.

Angel: in the Tenakh, angels are supernatural messengers who communicate God’s wishes to His followers.

Covenant: The word Covenant, which literally means an ‘agreement’, is taken by Jews and Christians to refer to a number of promises that God makes to Abraham. For the purposes of this resource, the most relevant one is the promise of numerous descendants. “As for Me, this is My covenant with you: You shall be the father of a multitude of nations. And you shall no longer be called Abram, but your name shall be Abraham, for I make you the father of a multitude of nations. I will make you exceedingly fertile, and make nations of you; and kings shall come forth from you. I will maintain My covenant between Me and you, and your offspring to come, as an everlasting covenant throughout the ages, to be God to you and to your offspring to come. I assign the land you sojourn in to you and your offspring to come, all the land of Canaan, as an everlasting holding. I will be their God” (Genesis 17:4-8).

Moriah: This is the name of the mountain range where God commanded Abraham to take Isaac for sacrifice.

Scripture: This word, which literally means ‘written down’, refers normally to the holy texts of a religion.

Revelation: The process by which God makes His will known to human beings.

Tenakh: The Jewish scriptures, considered to be revealed by God; the Torah is included in the Tenakh. The Tenakh is also the first half of the Christian Bible, in which it is called the ‘Old Testament’.

Torah: The first five books of the Jewish scriptures are called the ‘Torah’; they are the books of law and the most holy texts in Judaism; the story of Abraham and Isaac is found in Genesis, the first book of the Torah.

Talmud: The Talmud is the collected text of Judaism’s ‘oral tradition’; it contains the different opinions of thousands of rabbis on a variety of subjects, including the correct interpretation of the difficult story of Abraham and Issac.

The distinctiveness of the approach offered here is that it encourages students to do justice to the ambiguity of the scriptural source for the story of Abraham and Isaac. This is a story that challenges believers in both the Jewish and Christian traditions and has produced a range of divergent interpretations.

It is tempting, for 10-14 year olds, to present this story as a simple example of faith as being prepared to give up anything for God, and then to ask students what they would be prepared to give up or sacrifice for the values that are important in their lives.

Such an approach tends to flatten or ignore the deep problems that believers encounter in their attempts to make sense of this text. The treatment of this stimulus is inspired by the concept of the anguish of Abraham that we find in Kierkegaard’s well-known philosophical exploration of Genesis 22, Fear and Trembling. Although it is not likely that you will find much in Fear and Trembling that is directly accessible to students of age 10 to 14, the text is available online >> and recommended for background exploration. Kierkegaard’s is not a conventional or mainstream Christian reading, and it certainly does not arise from the Jewish tradition, although much of what Kierkegaard is concerned about is foreshadowed in the range of ingenious interpretations of the story that are offered in the Talmudic texts.

Kierkegaard sets himself the task of understanding Abraham psychologically rather than reading him as a ‘type’ or analogical figure in the text, and offers a range of different attempts to do so. His exploration centres on what faith must mean if Abraham is considered the exemplar for it. What are the grounds of faith, what is its relation to our ordinary or everyday ethical understandings, and what hopes or expectations for the future must it be based on?

Learning activities

Introduction

Explain to the students that over the next few lessons we will be asking the question ‘What is Faith?’ with particular reference to the Old Testament / Tenakh story of the binding of Isaac / Akedah. Ask for initial definitions of the word ‘faith’ but explain also that this series will have a critical component. We are trying to understand what faith is and why someone would have it, but also what it is acceptable to do out of faith, and what it is appropriate to put our faith in.

Mirror

The purpose of the activities suggested below is to establish that students already have perspectives on issues that pertain to the broader question of ‘what is faith’, with relation to the stimulus text, and this prepares them to see the stimulus as challenging and relevant to their own perspectives. The issues are the nature of scripture and revelation, their views on whether and how God might communicate directly with people, and the question of what is most important in their lives, and on what grounds they might give it up. This prepares them to engage with some of the complexities and ambiguities of the scriptural story of Abraham and Isaac.

 

Ask students to consider / list the ways in which people believe that God communicates with people. Ask students to produce a mind map as groups or as a whole class. Select individual students to consider how they would feel if they thought God was communicating to them in one of these ways. What doubts or concerns would they have? What other explanations might they give for what was happening? Encourage students to add these different explanations to their mind map.

Ask students to list three things that are most precious to them. In a pair activity, a partner is to try to persuade them to give up that object, person or experience. Were they successful? What would the cost be? Select pairs to feed back to the class – perhaps try to get an interesting range of precious possessions, people and costs.

Drawing on previous answers, as a class, create NINE ways of seeing scripture, or religious texts. Create together, whatever the individuals’ own views, all can contribute. For example: ‘direct word of God’, ‘God’s attempt to communicate with humans’, ‘interpreted by humans’, ‘written by humans’, etc.

Using these ways of seeing scripture, ask pairs to rank them in a diamond nine shape for themselves. On the board, show the continuum of views towards scripture, with ‘totally reliable’ at the top and ‘totally unreliable’ at the bottom.

Window

Find a clip of Abraham’s sacrifice online, such as the animation created by ‘Testament’.

Alternatively, find a graphic bible version of the story online and print for groups.

Teach the word Akedah (‘binding’, see key vocabulary). Ask students to watch out for this moment.

The sacrifice occurs in Genesis 22. Students will benefit from being given certain contextual information:

  • The history of Abraham’s faith relationship with God, for example his willingness to leave his home, or his doubt when God promises him a line of descendants (and hence his recourse to Hagar).
  • The importance of Isaac as the miraculous fulfilment of God’s promise to Abraham, the meaning of Isaac’s name (laughter).

Remind students about the key question. We are trying to understand ‘What is faith’ in relation to Abraham as an example of religious faith. What was Abraham’s faith, what did it mean to him, and does that make sense to us?

It is important, having watched the video, to return to the scriptural source of the story. Read Genesis 22 with the class and invite responses. Invite students to consider why God decides to test Abraham, what they would have done in his place etc. (See previous section for a list of appropriate questions to ask here).

Analysis task: point out also that Abraham’s reaction in the video/ graphic bible offers a particular interpretation of how Abraham responds.

Discuss what is mentioned in the text, as opposed to what is shown in the video/ graphic bible. Ask students what other interpretive decisions have been made, and what alternatives could have been chosen.

Variation

Students are now introduced to a variety of ways of interpreting the video/ graphic bible. The reason for choosing these interpretations is to introduce key decision points around whether students will choose to try to understand Abraham’s complex psychology or whether they will see him as a cipher or analogue for some other important truth; they will also need to make judgements about the nature and coherence of scripture.

Introduce students to three ways that can be used to make sense of the story of Abraham, using the stimulus cards available at  https://www.reonline.org.uk/wp-content/uploads/2019/05/What-is-Faith-cards.pdf

Students do not have to agree, or to come to their own critical view. The purpose of the cards is to experience a variety of critical views.

Take time to discuss, deconstruct and explore together.

Groups could be set further research to find out more about one view, such as Plato’s Euthyphro or Molochite child sacrifice.

Further critical views could be a Christological view (considering the story in the light of Christian theology) or a modern philosophical view, such as Jean Paul Satre’s.

Child Sacrifice. The practice of child sacrifice occurred in the Ancient Near East, such as in the Molochite tribe. The story of Abraham shows God overturning Abraham’s expectation that God wanted him to sacrifice his son, and the rejection of this practice.

The problem of God’s commands. This problem is raised in Plato’s famous play Euthyphro. Euthyphro encounters Socrates and informs him he is taking a certain course of action because the gods demand it. Socrates asks Euthyphro whether his action is good in itself, or only good because the gods demand it. Through this conversation Plato asks on what basis humans should follow the gods’ commands.

The Rabbinic commentaries. In these Jewish scholarly commentaries of the Tenakh the historical context is offered. At the time of Abraham, the son would be considered as entirely the possession of the father. Therefore Abraham has total control over his son’s life and death. However this does not solve the ethical problem of Abraham’s own duty of love and care for his son, or Isaac’s own right to life. The Rabbinic commentaries view the story as a test of Abraham’s faith rather than justifying a father’s total control over his children.

Once students have been introduced to these three possible interpretations, particular groups should be given one interpretation to explore in depth. They should then produce a storyboard for their own video, which would present the story of the Akedah in the light of this particular interpretation. Link back to your earlier discussion on the interpretive decisions that were made in the video stimulus. Depending on your (or your students’) confidence with the range of animation software available online students could also produce these animations.

Conversation

Role play / drama task. Encourage students to enact the events of the Akedah taking it in turns to portray Abraham. At a point in the story of your choice, freeze the frame and interrogate Abraham about his thoughts and feelings. Who does he think is speaking to him? Why is he sure of this? What does he think about what God has asked him to do? Why is he prepared to do it? Encourage other students to question Abraham or further interrogate his answers. They can begin their questions with, “But what about…?” or “What if…?”

This is a critical realist use of drama. This task should not be confused with other uses of drama, which encourage empathy with a believer. Students are being asked to do more here than empathise with a Jewish interpreter of the story, for example. In either articulating their own account of Abraham’s psychology, or questioning that of a peer, they are engaging critically with a range of interpretations of this story and beginning to identify their own. They are not so much empathising with Abraham as offering an account of his story’s meaning in the context of their own beliefs about scripture. You should explain to students that events are only fixed up to the freeze frame. After that, allow the drama to continue and Abraham’s actions to play out in accordance with the discussion, which has just ensued. Their Abraham may, if they wish, make other decisions. This would constitute an expression of a critical judgement about the coherence of the story or its validity as the expression of the will of a benevolent God.

Interesting alternatives / extensions are to do the same thing with Isaac, who can be asked to explain what he thinks of his father’s actions or decisions, and why he is compliant with them, or even God, depending on whether you think it is appropriate to do this with your class. God could explain his motivation for testing Abraham in this way. I would run this task as described above, meaning that their God may, if they wish, make other decisions.

Depending on how much time you have to allocate to this drama activity, students could be assessed on their participation to the task, either through their portrayal of key characters or through their role as questioner.

Students are well prepared, if appropriate in your context, for a written assessment on the Faith of Abraham. They could write about what it meant for Abraham to have faith and whether they would be able to have the same faith, ensuring that they articulate their view on the nature of Old Testament/ Jewish scripture and refer to a range of possible interpretations of the story.

 

An investigation of the concept of freedom in Sikhism.

For 13-16 year olds. Originally written by Ranvir Singh, updated in April 2019.

Key words and concepts

democracy: government by the people.

human rights: rights regarded as belonging to every person. They usually include freedom from unlawful imprisonment, torture and execution.

equality: giving people fair treatment, without discrimination.

discrimination: treating people more or less favourably than others because of their actual or perceived gender, ethnicity or religion.

social justice: a society based on equality and human rights.

religion: system of values and beliefs held with strong faith and feeling.

rights: freedoms to which a person is entitled.

freedom of conscience (sometimes called freedom of thought): the right to hold a viewpoint or thought that is different from that of others.

feminism: the view that women’s autonomy is limited in male-dominated culture, and a desire to overturn this.

Guru: In Sikhism, the title of Guru is reserved for the ten human Gurus and the Guru Granth Sahib (…a ‘destroyer of ignorance’).

miri: worldly power or worldly riches.

piri: spiritual realisation or spiritual riches.

miri-piri: Based on the Oneness of God with creation; spiritual realisation (piri) and worldly power (miri) are not opposites and should be balanced. Personal freedom implies freedom from addictions and compulsions within us (spiritual riches), but also social, economic and political relationships based on mutual respect and friendliness (worldly riches) .

Ik Onkar: There is only One God. The first phrase of the Mool Mantar. It is also used as a symbol to decorate Sikh objects.

Mool Mantar: Basic teaching; essential teaching. The basic statement of belief at the beginning of the Guru Granth Sahib.

Waheguru: Wonderful Lord. A Sikh name for God.

Learning activities

Put pupils into groups so that those with greater literacy skills can help less able pupils.

Provide each group with three prepared sheets of A3 paper. Each sheet has (a different) one of the following three sets of quotations as a heading.

Sheet 1

“Henceforth, such is the Will of God: No one shall coerce another; no one shall exploit another. Everyone, each individual, has the inalienable birthright to seek and pursue happiness and self-fulfilment. Love and persuasion is the only law of social coherence.” Guru Granth Sahib Ji, p. 74

Sheet 2

“Tegh Bahadur broke the mortal vessel of his body by striking it at the head of the Emperor of Delhi and retreated to his Original Abode [God]. Truly incomparable is this great deed done to assert and protect three basic human rights: the first, to secure for everyone freedom of worship; the second, to uphold the inviolable dignity of everyone’s private and personal point of contact with God and the right to observe dharma [what s/he thinks of as the basic principles of righteous existence]; the third, to uphold every good person’s right to pursue her/his own vision of happiness and self-fulfilment.” Dasam Granth, Book of the Tenth Master, p. 54.

Sheet 3

“Of woman are we conceived, of woman are we born. To woman are we betrothed and married. It is a woman who is a friend and partner for life. It is woman who keeps the race going. How may we think low of her of whom are born the greatest. From a woman a woman is born: none may exist without a woman. Guru Granth Sahib Ji, p. 73.

“Only they are truly married who have one spirit in two bodies.” Guru Granth Sahib Ji, p. 788.

“Henceforth, such is the Will of God: No one shall coerce another; no one shall exploit another. Everyone, each individual, has the inalienable birthright to seek and pursue happiness and self-fulfilment. Love and persuasion is the only law of social coherence.” Guru Granth Sahib Ji, p. 74.

Ask pupils to consider how each quotation might apply to specific situations in the world today, and to write their own questions and possible solutions underneath the headings, e.g., for Sheet 1, pupils might comment on how vulnerable people might be exploited by ‘loan sharks’ and suggest that there should be proper government / voluntary help for people in need, or for Sheet 2, they might ask, ‘What do Sikhs think should happen to someone who breaks any of the three basic human rights?’ and comment that there should be ‘love and persuasion’ rather than punishment, or for Sheet 3, they might wonder why women are still not treated equally in the world today and comment that sexist attitudes need to be challenged everywhere and at all times.

When pupils have added a few comments and questions to each sheet, ask them to consider the following questions and to add more comments and questions to the A3 sheet they think most appropriate [continuing their thoughts on the other side of the paper if they run out of space]:

  • Why do people have different views about freedom of expression?
  • What might Sikhs say about the repression of views and ideas?
  • Why do people have different views about the best system of government?
  • What might Sikhs say about government according to the rules of a religion?
  • Why do people have different views about the equality of women?
  • What might Sikhs say about inequality in society?

Choose quotes from 4 influential European thinkers on freedom and equality: John Locke, Voltaire, Jean-Jacques Rousseau and Mary Wollstonecroft. Either choose two per thinker yourself or give groups time to choose online, making connections with the Sikh passages studied.

Record European thinkers’ thoughts on the Sikh passage that seems most similar. Write brief notes on why these passages seem to be saying similar things. If differences occur, record these as well.

Discuss what sort of ideal society both Sikh and Western ideas describe. Would students like to live in this society? Why do they think this has not been achieved yet?

In order to complete the investigation in to the key question, ‘What does freedom (miri- piri) mean in the Sikh religion?’, ask pupils to work in their groups, to use the material on their sheets and in their investigations to produce a digital presentation (e.g. PowerPoint, video) of their findings. Advise them that, as part of their work they may need to supplement their research with more ideas and with carefully selected images.

An examination of Buddhist beliefs about life and suffering.

For 8-12 year olds. Originally written by Dave Francis, updated in April 2019.

Key words and concepts

Kamma / karma: Action. Intentional actions that affect one’s circumstances in this and future lives.

Bhavachakra: the ‘Wheel of Becoming’ or ‘Wheel of Life’.

Yama: ‘The Lord of Death’ or ‘Demon of Impermanence’. Yama is often pictured as the monster holding the Wheel of Life, symbolising the fact that suffering and death comes to all living beings. He is also known as a protector of Buddhism and Buddhists against evil.

Buddha: the ‘Awakened’ or ‘Enlightened’ One. Many Buddhists believe there have been many Buddhas through history, but that the Buddha of our age is the enlightened person Siddattha Gotama (Pali) / Siddhartha Gautama (Sanskrit), who lived in what is now Nepal around 2,500 years ago.

Dhamma / dharma: Universal law; ultimate truth. The teachings of the Buddha.

 

Some of these terms are also key concepts. Here is some further background to some of these to help you prepare for the teaching and learning activities:

Kamma / karma: The Buddha taught that effects depends on volition. This marks the Buddhist treatment of kamma as different from the Hindu understanding of karma.

Dhamma / dharma: In this banquet, pupils investigate Buddhist ideas about life, truth and suffering. In particular they focus on the symbolism within the Bhavachakra as a way of finding out what Buddhists believe about the ‘bad attitudes’ that can lead away from true happiness and towards increased suffering.

Wheel of life: Also known as the ‘Wheel of Becoming’. Presented here in diagrammatic form, showing the Buddha preaching / teaching in each of six realms of existence. The Buddha is working to save beings and to help them towards enlightenment whatever state they find themselves in.

Learning activities

This sequence of learning activities is built around the Bhavachakra – the Buddhist ‘Wheel of Life’, below. The image is available as an A4 pdf page in the . downloadable version of this resource. Please go to the end of this resource to download the entire resource, including the Bhavachakra.

Explain that pupils are going to investigate how the Buddha is believed to change the lives of people, animals and spirit beings, wherever they find themselves. This will help their investigation of what people believe about life and suffering.

Remind them that the Buddha was a great teacher who lived around 2,500 years ago, and that his followers are called Buddhists. They believe that the Buddha, through his own great efforts, found out the best way to live. Explain that Buddhists believe that every action has a consequence for good or ill and that in the diagram you are going to show them this is symbolised in different ways. Every form of being, wherever it is, is subject to this law of cause and effect, known as karma. So – human beings and animals cannot avoid cause and effect, and even if you think there are worlds beyond this one – like heaven and hell – karma still works.

Put the Bhavachakra image up on a whiteboard and take them round the diagram, especially the six worlds of existence, showing how there is suffering everywhere, but that in each world the Buddha is there to help. Explain that it is possible to take this account of six worlds literally, i.e., that beings may be reborn in different worlds, but that it may also apply to our lives here and now in terms of the way people behave. Ask pupils what it might mean to behave ‘like an animal’ or a ‘hungry ghost’, for example.

On the board, put six ‘bad attitudes’ that might be linked to each state of being: Jealousy, Selfishness, Willful ignorance, Pride, Greed and Planning To Do Evil. Can pupils think of examples where each of these might lead to bad consequences? List some of these on the board. Ask pupils to imagine interviewing people who had done these bad actions. What questions would they ask and what answers / excuses do you think they would receive? Compare answers across the class.

Provide pupils with a printed version of the Wheel of Life. Ask pupils to work in pairs to recall aspects of the Wheel, labelling the different sections with key points about what Buddhists believe is being illustrated/symbolized.

Encourage pupils to discuss the details of the picture in their pairs and then to share ideas on the most interesting or puzzling aspects. Prompt their thinking by asking how they can tell that one figure in each of the six ‘worlds of existence’ is the Buddha [He is the largest figure; he has a halo; he carries something to help the beings in that realm]; whether they can think of other religions that picture special people in this way [e.g., Christian Saints, Jesus, Sikh Gurus, etc]; whether they can work out what kind of beings are living in each of the six parts of the main picture, and so on.

Now ask pupils to note what the Buddha is carrying in each world. Ask pupils to imagine that a being in each world has a chance to ask the Buddha ONE question. Pupils can work out their ideas in small groups, write them down, then compare across the class. Keep a note of the questions for the final activity (below).

Point out the monster [Yama] holding the whole wheel in its mouth and ask: Why does a monster hold the wheel of life? [Because, Buddhists believe, all of life is in the grip of suffering and ]

Explain that you would now like them to work out how the Buddha might be helping the creatures in each Divide the class into six groups.

Recap the six realms shown in the Wheel of Life and their meaning:

Realm of the gods or ‘devas’: devas enjoy pleasure and relaxation, however those who live in this realm become used to luxury and cannot achieve Enlightenment.

Realm of the demi-gods: beings in this realm are powerful but angry.

Human Realm: although some human lives are hard, because a human can learn and understand, this realm holds the potential of Enlightenment.

Animal Realm: animals are driven by survival, hunger and competition; their existence is impulsive, they cannot attain wisdom or insight.

Realm of the Hungry Ghosts: these beings are never satisfied and always hungry; they live in a perpetual state of craving that is never sated.

Hell Realm: greed, anger and hatred characterises the hell realm where those inside suffer in various ways

Print out an image of each realm for each group, including information about the realm. Groups think of what it must be lie to live in this state of mind- such as a hungry ghost or an angry demi-god. They crate a modern example to describe this state of mind and explain to the class.

Talk as a class how the buddha might help beings in all the realms, or people in all of these states of mind. Refer to the Buddha’s gifts:

  • The lute
  • Flaming sword
  • Alms bowl
  • Book
  • Jar of nectar
  • Flaming torch

In groups pupils discuss the symbolism of one of these gifts and how it would help people in a specific realm or state of mind. Listen to answers.

Explain that Buddhists believe that the Buddha’s teaching can help everyone to stop suffering, wherever they are [by stopping self-centred desires]. Many Buddhists use paintings of the Wheel of Life to meditate on. They might look at each section and carefully consider what it means for them. Other Buddhists prefer not to use such paintings for meditation, but instead to meditate on a single thought or point. Ask pupils to say which method they think might help a Buddhist to lead a happier life and to give some reasons.

Remind pupils of the questions they wrote for the Buddha and ask them to choose three of the best. Ask them to work out in their groups what answers they think the Buddha might give to these questions, bearing in mind the ‘gifts’ that he is carrying in the Wheel of Life pictures. What answers would pupils give if they were being asked those questions?

Consideration of how important people such as great spiritual teachers can be deified by their followers.

For 10-14 year olds. Originally written by Dick Powell, updated in April 2019.

Learning Outcomes

Emerging

  • Explain two key beliefs about Jesus and Gautama Buddha
  • Explain what beliefs about Jesus and Gautama can be seen in an image of each

Expected

  • Offer a view as to how far the ‘original’ message of Jesus and Gautama can be updated for future ages
  • Offer a view as to how far humans tend to make their own meaning when it comes to religious teachings

Exceeding

  • Give an example of an allegory or myth and explain the purpose of this type of thinking
  • Give an example of a historical account and explain the purpose of this type  of thinking

Key words and concepts

General

Deity: an alternative word used to describe (a) God or a goddess, or the Supreme Being.

Deification: the word to describe the process by which godlike or extra-ordinary powers are placed on humans to show their supernatural status.

Christianity

God: the word given to the Supreme Being in the Christian tradition. Usually meaning a personal, creator Being who interacts with his creation in various ways, and is considered the first attribute of the Trinity – i.e. God the Father.

Incarnation: The concept that God is able to take human form, and in Christianity the incarnation is in Jesus of Nazareth.

Christ: a Greek word meaning Messiah, or chosen one (of God).

Messiah: a Hebrew word literally meaning the anointed human (by oil) of God. Became a figure in later Jewish theology of a person who would liberate the Jews from oppression – like King David.

Son of God: a Christian term relating to a title given to Jesus demonstrating Jesus’ relationship with God.

Miracle: a supernatural event usually performed outside the laws of natural occurrences.

Trinity: The belief that God is Three-in-One or the Trinity. The core of the Nicene Creed states the acceptance of God as Creator and Father, belief in Jesus as the Son of God, and faith in the Holy Spirit that permeates and reinforces the work of the Church.

Buddhism

Buddhism: Buddhism can be divided into 3 main groups: Theravada, Eastern Buddhism and Northern Buddhism. While these groups share certain core beliefs, there are some differences in interpretation. The main difference with the Mahayana (a kind of Buddhism adopted in Eastern and Northern Buddhism) is the belief that Nirvana / Nibbana is not the ultimate goal of Buddhism. Instead everyone should aim to become a Bodhisattva and eventually a Buddha and help with the salvation of all beings. Theravadins, on the other hand, believe that, while the Bodhisattva path is the best possible goal, it is not for everyone, only the noble few. The majority of people should aim for Nibbana / Nirvana.

Re-birth: Existence is a cycle of birth and death through samsara going on indefinitely until a person can be liberated (Nibbana / Nirvana). Rebirth is like flame passed from one candle to another – not an immutable soul passed from body to body as in Hinduism.

Bodhisattva: for Mahayana Buddhists a bodhisattva a being who is destined for Enlightenment or Buddhahood but who postpones final attainment of this in order to help all living beings to attain it.

Theravada: literally meaning the Way of the Elders, this is generally considered the principal tradition of Buddhism. It was established in Sri Lanka and South East Asia and is now found in Thailand, Vietnam, Cambodia and Burma as well as Sri Lanka.

Mahayana: Mahayana Buddhism is a later development of Theravadin teachings and generally speaking is to be found in countries to the north of India in Asia such as Tibet, China, South Korea and Japan. Mahayana Buddhists see Buddhas and many Bodhisattvas as transcendent and beings to whom devotions and worship can be offered.

Sakyamuni: Siddhartha Gautama also known as Shakyamuni / Sakyamuni (sage of the Shakyas).

Upaya: skill-in-means – the ability to adapt a message to needs of the audience: a skillful way of teaching a great truth. See the parable of the Burning House in Buddhism.

Some of these terms are also key concepts. Here is some further background to some of these to help you prepare for the teaching and learning activities:

Trinity: The central beliefs of Christianity are summed up in the Nicene Creed which is recited each Sunday by Christians of most denominations in their act of worship, usually the Eucharist or Lord’s Supper. The Nicene Creed was drawn up in 325CE by the Council of Nicaea in order to defend the orthodox faith from various heresies that had arisen. This Creed is the belief that God is Three-in-One or the Trinity. The core of the Nicene Creed states the acceptance of God as Creator and Father, belief in Jesus as the Son of God, and faith in the Holy Spirit that permeates and reinforces the work of the Church. God the Father, God the Son, and God the Holy Spirit (2 Corinthians 13:14).

Messiah: a core concept in Christian and Jewish thought with a rich and ancient history stretching back to the time of King David. In Hebrew, originally meaning ‘the anointed’ one (as King David was with holy oil) it came to refer in New Testament times to a human character with king-like qualities who would free the Jewish people from all oppressors. It is likely that Jesus refused to accept this title, even though the word Christ is the Greek form of Messiah, preferring the title prophet. However, the title stuck and the early followers of Jesus probably called ‘Nazarenes’ by outsiders came to be known as Christians – or followers of the Christ – the anointed one sent by God to save his people from the realm of evil.

Trikaya: this is a word describing the three dimensions or bodies of the Bodhisattva concept and is an excellent, if complex, example of the way in which deification occurs from the human Theravadin Buddha character through to a vast cosmic Mahayana pantheon. The three dimensions of the Bodhisattva being the human nature of Gotama, the supernatural entities through which the dharma is transmitted, and the cosmic dimension of the dharma.

Bodhisattva: Mahayana Buddhists see Buddhas and many Bodhisattvas as being transcendent. This leads to devotional activities and worship. In Pure Land Buddhism, for example, faith in the Buddha Amitabha (or Amida) is emphasised. Adherents believe that faith and devotion will mean Amitabha will help them be reborn in the Pure Land he created in which Enlightenment is guaranteed.

Learning activities

Explain that the students are going to explore the lives and characters of two great religious founders in an attempt to discover what they thought about themselves, what their followers thought about them, and what people think about them today.

The intention of these learning activities is for students to gain an appreciation of the idea that ordinary people impose their own interpretations on events, people and experiences and that over the course of time people develop ideas which might differ from the intention of the original author but which might become mainstream ideas.

The focus of this lesson is Jesus of Nazareth and Siddhartha Gautama. Explain that both figures probably existed historically but that questions will be asked of the students about how this can be established. Suggest that the activities here will show how followers within the belief traditions of both figures, Christianity and Buddhism, have interpreted over time, sometimes gradually, sometimes quickly, the life and teachings of Jesus of Nazareth and Siddhartha Gautama so that the outcome we have in the 21st century might be different from the original intention of that founder. Suggest to the students that the learning activities hope to show that we need to appreciate that religious ideas develop over time, and are influenced by communities and cultures, and other historical events.

Remind the students that although some people today think of Jesus of Nazareth as the Son of God, and Siddhartha Gautama as man who attained Enlightenment, and then escaped from being reborn through Nirvana. The learning activities might demonstrate that we need to be critical about what these words mean.

Show different images of Jesus and Gautama Buddha. Can students identify them? How are they able to do this? Discuss if Jesus and Gautama Buddha would have really looked like this.

Create a set of images of Jesus in different cultural forms, some with a message intended by the artist, some telling a story of Jesus; life. For example; show a black, Chinese and Indian Jesus; search ‘Church Ads.net’ for Christian messages cleverly communicated with advertising campaigns; stories form Jesus; life such as miracles or the events of Holy Week. In pairs, students try to identify the meaning of the image for Christians, a message the artist or creator is trying to portray, and whether it would have made sense to 1st Century Jews, Jesus’ followers and companions.

Remind students of the trials of Jesus and if necessary provide the students with the Bible reference to the trial of Jesus by Herod (Luke 23: 6-12) to read in pairs.

As an individual exercise, suggest that they write a short report as a journalist for a newspaper as if they were at the trial and if they had the chance to ask Jesus some questions about his motives and actions, how he felt about his treatment, and how he sees the outcome. Encourage students to share their reports.

Return to the images of Siddhartha Gautama. Ask if students are less familiar with the stories of Siddhartha Gautama than Jesus of Nazareth. If so, ask them if this will affect their judgements, ideas, understanding of Gautama better or worse than Jesus?

Find a similar set of images of Gautama Buddha, such as in different cultural forms (Thai, India, Chinese, etc); at different points in his life (as a prince, starving, as a teacher, reclining prior to attaining Nirvana); and ways the Buddha image is used today, such as an ornament, in a Buddhist shrine, in association with mindfulness as therapy etc. ask pairs to conduct a similar discussion as for Christianity: what is the meaning of the image for Buddhists, what message is the artist trying to communicate, would the message make sense to North Indian people 2.5 thousand years ago?

Remind students of the story of the Buddha –find a clip online or retell the story of his early life, the 4 sights, and his renunciation of his life as a prince. Working in groups of three or four, ask students to present up to five similarities and differences between Jesus and Siddhartha, stressing not only physical ways but also ways they tried to find meaning in life.

Introduce a Stilling exercise of the type below:

A stilling exercise

Teachers of RE are usually familiar with stilling exercises. Follow your own procedures or use all or some of the following. After the exercise the students will be required to write a question on a sticky note and share this with their partner.

Allow the students to find a comfortable and secure place to sit or lie..

Once settled, lead the students in a breathing exercise so that they can become more focussed – this one is often used – instruct the students in an even and quiet voice to place their hand on their heart and listen for a heartbeat, ask them to feel the rhythm, and to see if it is slowing down or even, rapid or calm. Ask them keep their attention on their heartbeat and breathe regularly and calmly; and once they feel their breathing is in tune with their feelings of calm, to place their hand beside their sides and to listen carefully to the exercise. Hold the silence…

In a calm but quiet voice, taking pauses when necessary ask the students to see a path in front of them leading from the classroom to a delightful place in nature… it could be wide…. Or narrow…. winding…. Or straight… following a stream, or a coastal path ….to a forest or in the mountains… wherever the student feels most comfortable.

As you walk down the path you come to a small tree which has lots of branches. This is called the Tree of Troubles, and as you come to it, you pause …. and take any trouble you might have off your shoulders and hang it on the tree before you move off again..

You come to a small gate, it is bright green and as you pass through the gate you notice how all the flowers and trees, bushes and grass have become incredibly colourful and bright. The sun is shining, warm and it is exactly how you want it to be…

You notice a small tree to one side and underneath sits a man meditating cross legged. He is still and calm. His eyes are focused on a point a few inches from his nose. His hands are cupped in front of him on his lap. His name is Siddhartha.

As you approach him he opens his eyes and smiles in welcome. He looks kind… contented… happy and you have so many questions you want to ask him. He says “ask one question about me, but remember that words are valuable and you need to make them count”….

You ask the question. You wait and listen carefully for his answer…

You bow and say thank you – and you turn away back to gate… you go through it…. smiling as you pass the tree of troubles as you know those problems aren’t quite so bad now, and back to the classroom… and when you’re ready…

You open your eyes.

Follow up to the stilling exercise

Ask students to write down their question on the sticky note but not to show it to anyone at this point. Encourage students who couldn’t think of a question to think of one now.

Ask students to share their experiences as precisely as they can with a partner, discussing such questions as: What was the path like? What was the gate like? What did the man look like? Did the image of the man you saw have any features you could recognise? How did he act? How did he respond to your question? What question did you ask – if you think you can share it? Did you think of an answer that you might be given? What answer might we expect from a Buddhist? What answer might be given by a non-Buddhist?

Now consider these extremely challenging questions:

  • Does it sometimes happen that what we imagine becomes our reality?
  • Do we possibly impose on our reality what we would like rather than what is there?
  • How do we go about answering these questions?
  • Where should we look to find the answers to life’s deepest questions?
  • What impact might answers to life’s deepest questions have on individuals?

Explain that the next learning activity moves on to an examination of story and texts, in order to show that many religious stories are not meant to be factual, nor written as factual by the authors, but interpretations by humans of human experiences. So some idea of what constitutes a story might be useful and the means by which students understand the tools that define these stories is helpful so this can be applied to religious stories – because the problem is that the words look similar, but have very different meanings, are easily confused and often Students might require access to computers in order to investigate the stories with which they are unfamiliar.

Explain that there are different ways of understanding stories from religious traditions. Ask them to work in groups of four to agree definitions and examples of five main types of religious story – firstly discussing and writing on sticky notes their own definitions; then looking at and discussing the definitions provided below and placing on the sheets with the examples.

 

Types of Story:

  • Allegory
  • Historical Account
  • Legend
  • Myth
  • Parable

Suggested Definitions:

Allegory: A story using examples from nature to explain a moral or spiritual truth.

Historical Account: Description of what is actually believed to have happened, based on eye-witness testimonies.

Legend: A story using supernatural language to explain something about the relationship between humans and God.

Myth: An old or ancient story with some basis in historical fact.

Parable: A short story told to illustrate a moral point.

Examples:

  • David and Goliath
  • The Creation story in Genesis 1
  • Robin Hood
  • Coyote trickster
  • The Good Samaritan
  • The birth stories of Jesus
  • The enlightenment of Gautama
  • John Bunyan’s Pilgrim’s Progress
  • Aesop’s story of the Fox and the Grapes
  • Aesop’s story of the Tortoise and the Hare
  • Icarus and Daedalus
  • Dickens’ Christmas Carol
  • Krishna’s birth
  • Jesus’ parable of The Sower
  • The Buddhist story of Kisa Gotami and the Mustard seed
  • Atlantis
  • Animal Farm by George Orwell
  • Plato’s story of the cave
  • King Arthur and the Round Table
  • William Tell
  • One Thousand and One Nights

Explain to the students that both Buddhism and Christianity have their own sacred texts and these are not only over 1500 years old or older but have also developed, been edited and have many assumptions in them about the faith. Such texts contain a mix of different types of story. Provide students with background information about Christian and Buddhist texts with the quotations on the Crucifixion of Jesus and Buddha’s Parable of the Burning House.

Ask students to focus on the story of Jesus’ crucifixion, e.g., how crucifixion was a Roman form of execution, not Jewish; how a purple cloak is meant to symbolise the kingship of Jesus, as purple was a colour reserved for royalty; how the charges against Jesus suggested he was being executed for treason and maybe rebellion against the Romans; how Jesus’ death is confirmed by the words “breathed his last”; how a leading Roman soldier made a statement about Jesus.

Ask students to read the five quotations from the story of the crucifixion of Jesus aloud to a partner.

Ask students to discuss the following questions in pairs or small groups:

  1. consider how this story would fit into the whole Christian story.
  2. If Jesus is referred to as the Son of God, what do you think the centurion meant by this, as he has just seen Jesus stripped, beaten and nailed to a cross?
  3. What do you think the term ‘Son of God’ means?
  4. Do you think the term ‘Son of God’ means that Jesus has the same characteristics and qualities as God? If so how does this work?
  5. If this is an eye-witness account of the event, what would your thoughts be seeing someone spoken of in this way in his death?
  6. Is it possible that the death of Jesus is interpreted by his followers to fit what they think rather than what Jesus thought of himself?

Now ask students to focus on the Buddhist Parable of the Burning House, noting that the story comes form the Lotus Sutra, and that there is no evidence to suggest that the Buddha actually spoke this text. It probably reflects the development of Buddhist thought and the manner in which his teachings are intended to help people understand his teachings. For Mahayana Buddhists, the Buddha has become a cosmic figure. He is eternal and has appeared in many forms in history to guide and comfort humans. The noblest form of the Buddha is as a Bodhisattva, who devotes himself to attaining Nirvana or ‘awakening’ for all beings. The parable may be seen as an example of upaya, (skilful means), in this case: a story about how something that is not actually ‘true’ in a literal way, being used as a skilful way of helping people to understand a larger ‘truth’.

Ask students to read the Parable aloud, in pairs, one paragraph at a time.

Ask students to discuss the following questions in pairs or small groups:

  1. consider how this story would fit into the overall Buddhist story
  2. Why do you think the children did not heed their father’s warning about the fire?
  3. In what ways are people today like the children in the story?
  4. What might wake people up to the way people waste their lives today?
  5. Do you think it matters whether this story was told by the Buddha or not? Why / Why not?

As a summary activity, ask students to work in small groups on a poster or digital presentation that compares the Christian and Buddhist stories. They should use pictures and text and ensure that they have included:

  1. similarities in the way Christians and the Buddhists may think about Jesus and the Buddha;
  2. different beliefs people hold about Jesus and the Buddha;
  3. answers to big questions that Christians and Buddhists can understand when they reflect on (a) the crucifixion and (b) the parable of the burning house;
  4. some of their own questions about the meaning and purpose of life that are raised in the two stories, e.g., suffering of innocent individuals, the role of God in the world, the impact of the Buddha’s teaching on individuals and the world;
  5. suggested answers to those questions that might be given by (a) Christians and (b) Buddhists;
  6. their own reflections on questions of ‘truth’.

 

An enquiry into an icon of Christ the Teacher.

For 3-5 year olds. Originally written by Emma McVittie. Updated in April 2019.

Key words and concept

Icon: painting or mosaic of Jesus, Mary, a saint, or a Church feast. Used as an aid to devotion, usually in the Christian Orthodox tradition.

Devotion: (in a religious context) an act of worship which usually involves prayer.

Orthodox: (i) the Eastern Orthodox Church consisting of national Churches (mainly Greek or Slav), including the ancient Eastern Patriarchates. They hold the common Orthodox faith, and are in communion with the Patriarchate of Constantinople. (ii) Conforming to the creeds sanctioned by the ecumenical councils, e.g., Nicaea, Chalcedon.

Belonging: can be defined in a variety of ways including a sense of belonging through connections to: people, places, groups and communities. Belonging can enhance our sense of identity and aid the development of relationships within particular groups and communities.

Symbolism: the use of one object / picture to represent another object, idea, action or thought. Widely used in religion and can evoke a sense of emotion and an affinity with an individual’s faith.

 

Learning activity

Each activity is designed to have 10-15 minutes of teacher led input either as a whole class or in small groups, followed by children engaging in related activities.

Stage 1: Christ the Teacher:

Show the children icon of Christ the Teacher. There are many images online. This icon shows Jesus holding an open book, has hand raised and a halo around his head.

Ask the children some of the questions from the selection below, which can be tailored to specific age groups:

  • Who is it?
  • What are the letters for?
  • What does the book say?
  • What is the mark on his hand?
  • What’s the shape on his head for?
  • What can you see?
  • What part of the icon do you see first?
  • Why do you think this is?
  • What did you notice next?
  • Where do you think you might find it?
  • Who is in the painting?
  • What is the person holding?
  • What do you think the artist was thinking about when they painted this?
  • What might a Christian think about the icon?
  • What do you think about this piece of art?
  • What do you like?
  • Is there anything you don’t like?

Would you change anything about it?

Invite and record children’s own questions. Keep them visible and answer them when you can.

Explain to the children that an ‘icon’ is a painting or mosaic of Jesus, Mary, a saint, or a Church feast. It is used as an aid to devotion (prayer and worship), usually in the Christian Orthodox tradition.

Ask if the children have any questions of their own about the icon.

Now ask the children where they think they might see a picture like this? You might want to display a selection of pictures for children to choose from, e.g. a church, a school, a house. Explain that you might see it in all of those places but especially in churches in the Orthodox tradition.

Find images of Orthodox churches and cathedrals online- show children a selection, showing icons and the richly painted walls and woodwork.

Explain to the children that icons are usually found in a Christian Orthodox place of worship but also in other Christian places too.

Give small groups a selection of icon pictures to look at, gathered from the internet. Look for icons of:

  • Jesus as a baby with Mary
  • Jesus and his disciples
  • Jesus and the saints
  • Scenes form Jesus’ life

Give pupil five minutes to choose the one they like the best and to think of a reason why they like it.

Ask the children to show their picture to the class and take it in turns to share it and say why they like it.

Stage 2: Symbols

Show children some of the images of the stained glass windows, asking the same questions as in stage 1 with the additional ones below, if appropriate:

  • How do you think these are made?
  • What do you think the person is doing?
  • What do you think the person is holding?
  • What do you think the colours tell you?

Explain the meaning of some of the windows and introduce the idea of symbolism being a way to say something but without words.

Can they think of ways to say things without using words? Ask children to mime: Hello, goodbye, I’m tired, I’m grumpy, thank you.

In small groups with an adult, can they think of a picture or a symbol to ‘say’ these things, e.g. draw round their hand to say hello or goodbye.

You can also use road signs, commercial symbols, charity symbols and mascots.

Work with the class to think about a picture for class stained glass window and the colours and symbols you might use and why. [The outline can be drawn for the children and then completed using a variety of media.] Throughout the activity, ask the children about what symbolism they want to use and why.

Stage 3: Symbolism from world religions

This can be split into 3 short sessions

Session A

Remind children about the icons and the stained-glass windows they have looked at and tell them that as well as symbols being used in religious worship and celebrations that actions and music are also used. All these things help people to feel part of their religious group/community.

Ask children to sit in a circle quietly and explain that they are going to close their eyes and listen to some special music.

Play The ‘Hallelujah Chorus’ from Handel’s Messiah and ask the children to think of one word to describe how it made them feel.

Explain that the words were taken from the Christian Bible by a composer named George Frideric Handel over 300 years ago.

Session B

Now ask the children to watch some dancing from the Hindu tradition. There are many clips online.

Ask the children to think about a question they would like to ask about what they have seen, share the questions with the class and display.

Session C

Explain to the children that Islamic art patterns have no beginning and no end – ask children to create their own using a variety of media such as pastels, paints, chalk, water and food colouring, drawing in sand. Along the lines of ‘taking a pencil for a walk’ rather than creating geometric patterns at this stage.

Bringing it all together

Ask the children to report back on what have seen and heard: what was their favourite and why?

Explain that these different ways of showing belonging are also about a person’s thoughts, feelings and ideas (their identity). Work with small groups to either compose some music, make up a special dance or design a pattern based on Islamic art. Ask them to relate their ideas to themselves and what kind of person they think they are.

Stage 4: Personal signs and symbols

Ask children if they belong to any groups e.g. football, dance, rainbows etc. Do they have to wear anything special when they go to the group? Do they follow special routines there?

Explain that sometimes people who belong to / follow a religious faith wear special symbols to show belonging. You could use pictures of such items as: a cross, a hijab, a kippah, a tilak mark, a turban.

It is useful to be able to have the objects available for the children to handle at this stage.

Encourage children to ask questions about the objects:

  • What is it used for?
  • When is it used / worn?
  • Who wears it?
  • Why do they wear it?

Ask the children to give their views on each item.

In small groups support children to think of a special symbol for themselves. This can then be made using a variety of media. When all the children have made their own identity symbol, they can be put together to create a symbol of the whole class.

An examination of how stories, hymns and prayers can help people understand more about themselves and others with reference to Judaism.

For 8-12 year olds. Originally written by Dave Francis. Updated in April 2019.

Key words and concepts

Rosh Hashanah: Head of the Year. Jewish New Year festival.

Shofar: ram’s horn blown at the season of Rosh Hashanah.

Yom Kippur: Day of Atonement. Fast day occurring on the tenth day after Rosh Hashanah; a solemn day of Tefillah and Teshuva.

Tefillah: self-judgement. Jewish prayer and meditation.

Teshuva: repentance. Returning to G-d. (Jews often write G-d instead of ‘God’ in order to avoid any accidental misuse of the Holy Name.)

Torah: law; teaching. The Five Books of Moses.

Kol Nidrei – lit. ‘All Vows’: Prayer recited on the evening of Yom Kippur.

Fasting: willingly abstaining from food, drink or both, for a period of time.

Forgiveness: in human terms, the giving up being resentful or angry at someone because of a perceived wrong. It can also refer to giving up the demand that someone be punished. When asking for G-d’s forgiveness, people generally refer to their hope that the punishment they deserve from a just G-d will be tempered by mercy.

 

Creation: the Judaeo-Christian stories of the creation of the world are written in Genesis Chapters 1 & 2. The Jewish calendar is dated from the Creation. Jews write ‘AM’ after each year – meaning ‘Anno Mundi’ (Year of the World). The pattern and purpose of Creation is revealed in the Torah and Talmud (collection of oral Torah / teaching).

Sin: in Judaism, because human beings are given free-will, they are responsible for their own sin. But because human beings are weak and give in to temptation, G-d allows repentance and, through His mercy, can give forgiveness.

Atonement: in the days of the Temple in Jerusalem, there were rituals for making amends for wrong-doing, and animal sacrifices were made. On Yom Kippur, the Day of Atonement, most Jews today do not make animal sacrifices, but offer prayers of confession and repentance. Yom Kippur is a day for fasting and charity.

G-d’s forgiveness: according to Rabbi David Shlomo Rosen, to secure G-d’s forgiveness, ‘It is not enough to hope and pray for pardon: man must humble himself, acknowledge his wrong, and resolve to depart from sin (e.g. II Sam. 12:13ff; 1 Kings 21:27-29)’ and then, ‘remorse must be translated into deeds.’ See D. Rosen, 2003, ‘The concept of Forgiveness in Judaism’.

Learning activities

Tell pupils about the investigation they will be doing: into how different sorts of activities and actions can help us understand more about themselves and their relationships. Explain that to know what is important to us, it’s a good idea to compare with what other people find important. Ask pupils to discuss in pairs how we can keep our relationships in a good state of repair.

This lesson focuses on Jewish actions and underlying beliefs around Rosh Hashanah and Yom Kippur (see definitions above). It is a good idea to start by showing pupils examples of modern Jews celebrating these days. There are many video clips on You Tube, some created to teach children, such as BBC clips, some by Jewish musical groups. The Yom Kippur clip should show the blowing of the horn (shofar). Yom Kippur is solemn and Rosh Hashanah is more celebratory, look for clips that reflect the different emotional tones of these days, such as through worship, practices and especially songs sung on these days.

Explain that Jews believe that although people are ‘sinful’ G-d can forgive sins provided people say sorry (repent). So, every year on a special day called Yom Kippur (the Day of Atonement), Jews say sorry for anything they have done wrong and remember that G-d will balance their good deeds against their bad. It is a time to start the new year with good deeds. Ask pupils what their favourite or most special time of the year is.

Play a clip of the shofar (ram’s horn) being sounded at Yom Kippur, as well as Yom Kippur prayers and songs. Ask pupils for their reflections about the music: the chanting and the blowing of the shofar. What are their reactions?

Teach about some Yom Kippur traditions:

  • The sound of the shofar reminds Jews of the soul’s yearning to be reunited with God
  • Fasting for 25 hours
  • Reflecting on the year’s past behavior; resolving to do better in the coming year
  • Confession and forgiveness of sins
  • Chanting the Kol Nidrei (see key words above)
  • Retelling the story of Jonah and the Big Fish which reminds Jews that God will hear them when needed

Why do the class think the tradition of using these practices have survived in Jewish practice for hundreds of years?

Teach about Rosh Hashanah traditions:

  • Rosh Hashanah is Jewish new Year, it is celebrated a week before Yom Kippur
  • Apples are dipped in honey to represent the hope of a good year to come
  • The first day of Rosh Hashanah recalls the first day of creation.
  • Sweet delicacies are eaten at meals to represent the hope of a good year
  • The shofar is sounded

Ask pupils to work in pairs to create three questions they would like to ask a Jewish teenager during this period. Collect these questions and see if the class can agree on one or two questions to follow up. Ask them to record these questions on paper. Explain that this paper will be their ‘Investigation Sheet’ to record evidence that may help answer their question(s).

Ask pupils to work in small groups to make notes on their investigation sheets of some of the beliefs and concepts underpinning the celebration of Rosh Hashanah and Yom Kippur e.g. creation, repentance, atonement, forgiveness, joy. Allocate separate beliefs and concepts to each group so that all are covered by the class as a whole. Ask each group to note on their sheets what they think Jews may learn from taking part in the festivals, especially about themselves and their relationships.

Share information about Rosh Hashanah and Yom Kippur found in text books such as in RE Today’s publication, Opening Up Judaism, by Fiona Moss, (ed.) 2011 to explore with pupils what these festivals mean to Jews and ask why all religions have evolved festivals and holy days; what purpose do they serve? Do such festivals help families in some special ways? Ask pupils to add any evidence to their investigations in writing.

What other ways of finding answers to their questions might there be? Do they think of asking members of a nearby Jewish community or family? How about asking you, their teacher? Try ‘Email a Believer’ on REonline.org.uk.

Ask the class to work in groups to research the four foods often used at Rosh Hashanah: challah (bread), pomegranates, honey cakes, and apples. What does each symbolise? Can pupils find any information about the history of their usage? Ask groups to draw the food and write inside what it symbolises at the festival.

Show Rosh Hashanah cards, there are many to browse through online. Alternatively show Rosh Hashanah cards from your artefacts collection or from a supplier.

Ask the groups to make Rosh Hashanah cards featuring symbolic foods or any practice discussed. Inside, alongside a suitable greeting, they should complete a sentence beginning, ‘Rosh Hashanah is important because …’

As pupils are completing their cards, tell the story of Jonah and the Big Fish, a story often told at Rosh Hashanah, e.g., from Opening Up Judaism, 17, and ask pupils what they think Jewish people might learn from this story about (a) human beings and (b) G-d. What are their favourite stories? Do they think that stories can influence the way we behave towards others? Ask pupils to add a note on the back of their cards one of the things they think Jews may learn from the story of Jonah. They should then add the name of a story that they think important or meaningful to themselves, with a point they learnt from the story.

Explain that many stories are told in order to encourage people to lead a better life. Rosh Hashanah and Yom Kippur are times when Jewish people recommit themselves to being kinder to others in the new year ahead. Ask pupils what good deeds they think they might do today / in the coming week. On their investigation sheets, encourage pupils to add some notes showing how the lives of Jews who keep the festivals may be changed in some way.

 

An investigation into the importance of Muhammad (pbuh) for pupils with special needs achieving at ‘P Levels’ 1-8.

For pupils with special needs achieving at ‘P Levels’ 1-8. Originally written by Anne Krisman. Updated in April 2019.

Learning Outcomes

Emerging

  • Talk about what makes you and others special and unique
  • Use the word ‘Qur’an’ in talking or writing

Expected

  • Use the words ‘Muhammad’, ‘Islam’ and ‘Muslim’ correctly
  • Explain how Muhammad heard God’s words
  • Explain why Muhammad is inspirational to Muslims

Exceeding

  • Explain, with reference to two Islamic practices, how we can see the impact Muhammad had on Islam

Key words and concepts

Hadith: a report of what the prophet Muhammad said or did. Used as guidance by Muslims.

Nasheed: a form of unaccompanied Islamic devotional music. Sometimes a drum is used.

Qur’an: meaning ‘recitations’. God’s words revealed through the prophet Muhammad in Muslim belief.

Inspirational: influencing people to lead their lives in a special way.

This resource uses the idea of ‘burning core ideas’ to express the key knowledge to communicate to pupils:

  • Muhammad is special to Muslims;
  • Islam is the name of the Muslim religion;
  • Muslims believe in one God called Allah;
  • Muslims cannot see their God;
  • Muslims do not make pictures of Allah or Muhammad as people;
  • Muslims’ holy book is called the Qur’an.

 

Further key ideas and knowledge:

  • Muhammad was  trusted  by people – they called him Al-Amin (the one you can trust);
  • Muhammad believed in  one God  called Allah;
  • Muslims call him a  messenger  and prophet of Islam (rasul);
  • Muslims say ‘Peace be Upon Him’ after the name of Muhammad, sometimes written as ‘pbuh’;
  • Muslims believe an  angel  appeared to Muhammad in a cave on a mountain (Mount Hira);
  • Muslims believe the angel, called Jibril, revealed the words of the  Qur’an;
  • Muslims try to lead their lives from the  example  of Muhammad.

Learning activities

The following activities follow the ‘Five Keys Into RE’ approach (Anne Krisman)

1 Connection – How can we link our theme with pupils’ lives?

Share these thoughts with the pupils:

  • We all have special unique qualities.
  • We like to help others.
  • We have special places where we can be calm.
  • We care about

Let pupils know that Muhammad was known as ‘The Friend’ and ‘The Helper’ and that they are going to look at things that connect them with the life of Muhammad. This will begin by looking at their special unique qualities.

Share or gather the special qualities of each child in the class. This can be done by sharing ideas in the classroom, by going around the school and asking people who know them well, or by asking parents and carers to respond. Words such as helpful, kind, peaceful will be gathered.

Make the names and qualities into a class performance: names can be signed, clapped, drummed or chanted for each child, e.g., Joshua the Peaceful, Hannah the Friend.

Make a display with pupils’ pictures, their new values name and where appropriate, comments about why this name is right for them.

Paint either a) the pupil’s first name or b) their values name onto the fold of an A3 or larger piece of paper. Fold the paper to create a symmetrical design. Ask the pupils to then decorate and beautify their name.

An additional idea is to write the pupil’s values name in PVA glue and to encourage children to throw different coloured sand onto it. If you wish to highlight Muhammad’s special colour during this theme, use green sand.

While working you could play different nasheeds about Muhammad, you will find many on you Tube, such as:

  • Ya Muhammad
  • Muhammad (Peace be Upon Him)
  • 99 Names for Muhammad
  • 99 Names of Muhammad (translated)

 

2 Knowledge – How can we communicate burning core knowledge within the theme to our pupils?

Share these examples of burning core knowledge with the pupils:

  • Muhammad was trusted by people (Al-Amin);
  • Muhammad believed in one God called Allah;
  • Muslims call him a prophet and messenger of God (rasul);
  • Muslims believe an angel appeared to him in a cave and revealed to him the words of the Qur’an.

Let pupils know that Muhammad was valued by people and called Al-Amin – The Trustworthy. Muslims believe he was a messenger of God and that they are going to learn more about his life.

To highlight the importance of Muhammad’s name of Al-Amin – The Trustworthy – trust the pupils to take a special gold wrapped package to another class. Arrange for the member of staff who receives the package to affirm the trust placed in the pupils and to pass on something special from their room for the pupils to take back to their class.

Ask pupils to carry a message in an envelope or sign that Muslims believe there is only one God and tell this to others in the class or around the school. Anyone who hears the message can take a gold star and add it to a picture of the Arabic calligraphy for Allah, to show that the message has been heard.

Let pupils know that Muhammad believed in one God called Allah.

Listen and watch popular nasheeds which mention Allah, for example Yusuf Islam: A is for Allah, Zain Bhikha: Mountain of Mecca.

Encourage pupils to sign the letter A and the number one while responding to the music.

Islamic plaques with Muslim prayers and the raised names of Allah and Muhammad can be touched – these can be obtained from shops in areas with a Muslim population and through artefact catalogues.

Print out lots of small pictures of the word Allah in Arabic calligraphy. Ask pupils to carefully stick the words on to gold paper, trying to put them on the right way up and showing care in placing them, to reflect how Muslims respond to the name of God. [This can also be repeated with the name of Muhammad, this time sticking the names on green paper and keeping the same rules of respect and care. These two pieces of work can be stuck together and a beautiful border made around them, to link them, with glitter.]

Let pupils know that, Muslims believe that an angel appeared to Muhammad in a cave and revealed to him the words of the Qur’an

Show images of Mount Hira while listening to Zain Bhikha’s Mountain of Mecca.

Ask pupils to create a collage made from brown ripped paper, of the cave at Mount Hira. Then, without creating a human image, add the feeling of the angel Jibril, using glitter, holographic paper, cellophane etc.

Make a peaceful cave area in the classroom by putting together prayer mats, cushions and glittery material. Add light changing resources to show the presence of an angel.

Introduce pupils to the first of four stories of Muhammad and use the sensory story guide to help pupils know about the revelation that Muslims believe Muhammad received on Mount Hira.

Share the sensory story together, allow time for the stimuli to be experienced by each pupil.

Ask pupils to reflect on the story and, where appropriate, to ask questions about it.

Where appropriate, choose a question to focus on, for example, ‘Why did the angel say, “Read!”?’ and share possible answers. Adults can also ask questions and respond.

If time, share the story once more.

3 Senses – Which sensory elements are in the theme?

The following sensory activities can help pupils experience something of the life of Muhammad and the importance of Islam to Muslims:

Recitation of the Qur’an and Call to Prayer (adhan);

Islamic nasheeds (unaccompanied devotional music, sometimes using drums);

Prayer mat and topi (prayer cap).

Play a version of the Call to Prayer (adhan) to pupils while they use red, orange, purple and yellow crayons or sponge paint to create a sunset sky. Versions to be used could include those from Turkey, Bosnia, Saudi Arabia and Egypt as well as British muezzins.

Afterwards, encourage pupils to add a black paper cut-out of a dome and minaret, to give a scene of a mosque at sunset.

Engage pupils in the experience of wearing or touching a Muslim prayer cap (topi) for boys and headscarf for girls, while turning the pages of a Qur’an on the whiteboard, a resource called ‘Baybar’s Magnificent Qur’an’.

Encourage them to touch some Muslim prayer mats and then look at how Muslims pray, such as by looking at video clips or animation online.

Help pupils make a prayer mat out of sensory materials, such as textured wallpaper. The prayer mat could include arches, a picture of the Ka’bah at Mecca, and a hanging lamp to stick on.

4 Symbols – Which symbols are the most accessible in the theme?

Share these examples of Muslim symbols with the pupils:

  • Moon and star;
  • Arabic name of Muhammad and Allah;
  • Salaam (peace) – Muslims say ‘peace be upon him’ when talking about Muhammad;
  • Islamic art symmetrical designs.

Crescent Moon and Star

Invite pupils to recognise the moon and stars in a slideshow of pictures and to sort a selection of pictures of crescent moons and stars.

Encourage pupils to use Makaton signing for star and moon while listening to a song about wonder in the universe, for example There is Only One God by Zain Bhikha.

Encourage pupils to make collage pictures of the Muslim symbol – the crescent moon and star, or rub over a moon and star stencil and decorate.

Salaam – Peace

Ask pupils to identify what makes them feel peaceful out of a choice of different pictures, such as listening to music, going on the computer, lying down, praying, etc.

Help them practise writing the word Salaam in paint while listening to peaceful chill out music.

Ask pupils to make a dove of peace – there are many templates online. Add cut-outs of the name of Muhammad, with crescent moon and star symbols, to show that Muslims say ‘peace be upon him’ when talking about him.

Islamic art symmetrical designs

Explain that Muslims believe only Allah is the creator and so natural designs are shown in a non-realistic but beautiful way, with unexpected colours being used. Repetition of designs shows that God goes on for ever. An example can be found in Iznik pottery from the 16th century Ottoman Empire, although its designs are still being used for ceramics in Turkey.

Show images of Iznik art from the Turkish tradition. Ask pupils to look for the colours of blue, red and white and for flowers.

Prepare four pieces of black, blue, red and white paper and make concertina folds. The black will be used for the background. Ask pupils to draw simple flower designs and leaves shapes on the three pieces of paper and to cut these up. They should then lay out the three elements of the flower design on the concertina folded black paper, trying to repeat the pattern.

Create an Iznik Art gallery from the pictures, displayed with images of Iznik art pottery.

5 Values – Which values in the theme speak to our pupils?

Share these examples of Muslim values with the pupils:

  • Following a straight path
  • Helping poor people
  • Caring for animals
  • Forgiveness

Explain to pupils that they are going to learn about three more stories about Muhammad (Muslims say peace be upon him) that will help them understand how inspirational he is for all Muslims and how he set an example for all Muslims to follow.

Share the sensory story of Muhammad and Crying Camel allowing time for the stimuli to be delivered in a caring manner to each pupil.

Ask pupils to reflect on the story and, where appropriate, to comment and ask questions about it.

Where appropriate, choose questions to focus on, for example, ‘How do we look when we are sad?’ ‘How can we be kind to animals?’ and share possible answers. Adults can also ask questions and respond.

If time, share the story once more.

In follow up lessons, use Muhammad and the Old Woman, as a call and response poem, and Muhammad and the Sleeping Kitten, with the associated activities, to show how inspirational Muhammad is for Muslims. Can pupils identify the parts of each story that show that Muhammad was helpful, kind, compassionate, loving, generous, following a straight path, brave, forgiving?

What are the challenges of fasting for Muslims?
An exploration of the importance of belief and possible conflicts with daily life from the perspective of Islam.

For 9-12 year olds. Originally written by Fiona Moss. Updated in April 2019.

Learning Outcomes

Emerging

  • Use the words ‘fasting’, ‘Ramadan’ and ‘sawm’ correctly in talking or writing
  • Give one reason why fasting is important for Muslims, and one reason why it is difficult

Expected

  • Give two reasons why Muslims fast, supported by a teaching from the Qur’an
  • Give a balanced response to the question of whether athletes should fast
  • With reference to Muslim athletes and fasting, give a supported view as to why holding beliefs can be difficult

Exceeding

  • Offer a supported view as to how easy or hard it is in life to stick to beliefs

Key words and concepts

Five pillars: The basic precepts of Islam including belief in One God and his prophet Muhammad, prayer, giving of charity, fasting and pilgrimage to Mecca.

Id-ul-Fitr: Celebration of breaking the fast on the day after Ramadan ends, which is also the first day of Shawal, the tenth Islamic month. Also known as Id-ul-Saghir – the Lesser Id – and Sheker Bayram (Turkish) – sugar feast.

Iftar: A meal served at the end of the day during Ramadan, to break the fast. Literally, ‘break-fast.’

Imam: Leader. A person who leads the communal prayer, or a founder of an Islamic school of jurisprudence. In Shi’ah Islam, Imam is also the title of Ali (Radhi-Allahu-anhu – may Allah be pleased with him) and his successors.

Ramadan: The ninth month of the Islamic calendar, during which fasting is required from just before dawn until sunset, as ordered by Allah in the Qur’an.

Salah: Prescribed communication with, and worship of, Allah, performed under specific conditions, in the manner taught by the Prophet Muhammad (peace and blessings of Allah be upon him), and recited in the Arabic language. The five daily times of salah are fixed by Allah.

Sawm: Fasting from just before dawn until sunset. Abstinence is required from all food and drink (including water) as well as smoking and conjugal relations.

Ummah: Community. World-wide community of Muslims; the nation of Islam.

Belief: a confidence that something is true that is not easily proved and is something that others will have different views and opinions about. The term often refers to people’s faith or religious convictions.

Fasting: for Muslims, going without food or liquid between dawn and dusk. Fasting also means not taking medication or smoking. Muslims undertake this for 29-30 days at the time of Ramadan. Muslims also undertake extra prayers and believe fasting brings them closer to Allah.

Commitment: showing dedication to something that is important to you perhaps a particular belief, activity or cause, even if that commitment means forgoing other things.

Learning activities

Set the learning activities in the context of the enquiry question, in this example we have suggested the question, ‘Why can holding beliefs be difficult?’ However, much of the learning suggested could be adapted to questions relating to a religion specific question, e.g., ‘What are the challenges of fasting for Muslims?’

Ask pupils what they recall about the practice of fasting. Can they think of different practices in different religions concerning the length of the fast, what the fast consists of and what exceptions there may be? For example, do they know about the Christian observance of Lent and giving up of luxuries during the whole period of 40 days? Can they compare this with the Muslim practice of fasting during the month of Ramadan and the abstinence from food and drink during daylight hours?

If pupils are not already familiar with the practices of Muslims at Ramadan, explain that for practising Muslims over the age of puberty, about 11, they will fast in daylight hours for approximately 30 days. Fasting means going without food or drink, even water, during the hours of daylight. In the height of summer this means approximately 18 hours with no liquid or food. There are however exemptions from fasting, e.g., for those who are ill or pregnant.

Ask pupils to make a connection between the Muslim practice of fasting during Ramadan with something they could do to (a) remind themselves of people in the world who do not have enough to eat and (b) improve their own will-power and self-control.

Share with pupils that the Olympic games in London 2012 was during Ramadan, and that around 25% of the athletes taking part were Muslim. Introduce pupils to the mystery: Should Imran fast during the Games? (The event and sport that Imran is potentially competing in can be adapted to make it topical, e.g., in 2016 this could be the Olympics in Brazil; in 2014 the Wimbledon Tennis Championships will coincide with Ramadan). Provide pupils with the following scenario:

Imran is a 17 year old tennis player…(sport could be adapted) who has qualified for the … [insert event]. A vital part of the event coincides with Ramadan and, as a Muslim, he is worried about whether he should fast whilst training and competing. He collects together information about the importance of fasting and what other athletes have decided to do to help him make his decision.

Organise pupils to work in groups of 3 or 4 and provide them with the different pieces of information that Imran has collected.

 

General Islamic Teaching

Muslims who are ill or need to look after their bodies (such as when pregnant or breastfeeding.

It is possible to ‘catch up’ with fasting after a period when Muslims couldn’t fast during Ramadan.

When fasting, Muslims do not drink a sip of water, even if it is very hot.

Muslims do not eat or drink between the hours of daylight.

Children as young as 9 will fast.

Ramadan is a month of fasting in Islam.

Giving up food helps Muslims think about those who go hungry all year round.

Muslims are proud to fast to show their obedience to Allah.

 

Qur’anic Teaching

Qur’an 2: 185

O you who have faith! Prescribed for you is fasting as it was prescribed for those who were before you, so that you may be Godwary. (alQur’an.info)

Suggests God wants Muslims to fast because it makes them righteous, or ‘Godwary’

Qur’an 2: 184

But should any of you be sick or on a journey, let it be a [similar] number of other days. Those who find it straining shall be liable to atonement by feeding a needy person. Should anyone do good of his own accord, that is better for him, and to fast is better for you, should you know. (alQur’an.info)

Suggests God recommends Muslims fast, but if they cannot, they could feed a needy person instead.

Qur’an 2: 185

Allah desires ease for you, and He does not desire hardship for you,  (alQur’an.info)

However God does not create responsibilities that Muslims cannot meet. Islam should not be a burden.

Qur’an 16:128

Indeed Allah is with those who are Godwary and those who are virtuous. (alQur’an.info)

Fasting shows restraint, this pleases God

 

What do Muslim athletes do?

Reference: ‘Ramadan in Sports: How do Elite Athletes Cope?’, Ricard Winton, BBC Sport, bbc.com, 05.09.15

Mo Farah, the runner, eats and drinks if Ramadan occurs during a performance season. He fasts once the season has finished.

Moe Sbihi, an Olympic rower, does not fast if Ramadan falls in the Olympic period.

He fasts instead in the winter months, and eats huge amounts of food in the morning before daybreak, about 4am. He finds it hard to not drink all day when he is training and fasting.

Mo Farah, Moe Sbihi, Abdul Buhari (discus) and other British Muslim athletes did not fast in the run up to London 2012. They did not want to let the team down. Instead they funded meals for a poor community in Tangiers.

 

Ask pupils to read the information on the cards and group together information that links, e.g., narrative, facts, opinions, important information, irrelevant information. Pupils need to decide for themselves how to sort the information. The challenge for them is that at the end of the time allocated they must give Imran some advice.

Offer pupils a series of oral sentence starters to frame their group response to Imran:

  • I think Imran should… ..
  • I think this decision is hard for Imran ..
  • One argument for breaking the fast ..
  • One argument for keeping the fast ..
  • If I were a Muslim I ..

Once pupils have offered their responses ask them to think what the counter argument might be and how that might affect their life as a member of the Muslim community.

You could link this work to literacy and ask pupils to write a balanced or a persuasive argument.

Write in the centre of six large pieces of paper ‘Beliefs about…’ and then finish the statement with food, behaviour or clothing. Give each group a piece of paper.

  1. Ask the first group to write any beliefs that might have to do with this category, g., not eat meat.
  2. Move the piece of paper to a different group. Ask this group to draw a line from a belief and write an example of an occasion when it might be a challenge to hold that belief, e.g., at a party.
  3. Move the piece of paper to a final group. Ask this group to write suggestions of what believers might say or do to keep to their belief.

As a result of this work support pupils to work in groups to enquire into people who have held a set of beliefs and had them challenged. Give pupils a series of people to choose from e.g., Sarika Watkins-Singh who as a teenager was banned from wearing the Kara but took her school to Court and won; the disciple Peter who denied Jesus three times; Samantha Devine, a 13-year-old Catholic pupil in Kent, who was told not to wear a crucifix on a chain because it breached health and safety rules.

Ask pupils to create a presentation telling this person’s story through drama, newspaper report or other method to share what the person’s beliefs were, how they were challenged, and how they managed to resolve the dilemma. In their presentations, pupils should include:

  • different opinions that followers of the religion(s) involved in the story might have about what can be learnt from it;
  • at least TWO important questions that pupils think should be asked about the story they are investigating and the possible answers they think relate best to the way people should live their lives.

An investigation into Islamic history and beliefs based on the sitarah.

KS2&3. Originally written by Jim Robinson, updated in April 2019.

Learning Outcomes

Emerging

  • Explain the purpose of the sitarah cloth
  • Explain the significance of on Qur’anic passage on the sitarah cloth

Expected

  • Explain how at least two key Islamic beliefs are represented on the sitarah cloth
  • Compare and contrast one ancient use of the sitarah to a modern use
  • With reference to two pieces of information, explain what secret story the cloth tells

Exceeding

  • Offer a supported view as to whether the sitarah is a sacred object or not

Key words and concepts

Sitarah: screen or curtain hung near the tomb of the Prophet Muhammad.

Haramayn: holy sanctuaries of Mecca and Medina.

Kiswa: ceremonial embroidered black cloth used to cover the Ka’bah.

tomb: place where someone is buried, usually casket-shaped in Islam.

Qur’an: Muslim holy book containing 114 verses of the revelations of Muhammad.

Shahadah: confession of faith, one of the Five Pillars of Islam.

Muhammad [often succeeded by ‘Peace be upon him, pbuh, as a mark of respect]: the final prophet of Allah, the ‘Seal of the Prophets’, to whom Allah revealed the Qur’an, the Muslim sacred scripture.

Medina: city established by Muhammad as the first Muslim community, where the Mosque of the prophet houses his tomb along with the tombs of other key figures in Islam.

Mecca: sacred city of Islam and direction of prayer for Muslims.

hajj: annual pilgrimage to Mecca.

mosque: Muslim place of worship.

mihrab: niche in a mosque indicating the direction of Mecca.

Sultan Selim III: Ottoman or Turkish ruler who reigned from 1789-1807.

donation: gift given without expectation of payment.

piety: the quality of being religious or reverent. For Muslims this might be expressed through an act of devotion, e.g., charitable giving at an auspicious event, such as the hajj.

prestige: widely recognised respect and admiration felt for someone or something.

sacred: set apart, special because it is in a sacred space or place or relates to a religious concept or person.

calligraphy: the art of using special script when writing out sacred verses e.g. the thuluth script used on the sitarah to record verses in Arabic from the Qur’an.

 

Allah: Arabic for God, means literally ‘the’ [al] ‘God’ to represent the fact that there is only one God, as monotheism is a key belief in Islam. ‘Alahu Akbar’ or ‘God is great’ is a key phrase used by Muslims.

Shirk [idolatry]: the placing of an individual or thing above Allah for worship is regarded as a grave sin. No images are allowed in Islam and calligraphy is used instead.

Prophet: messenger of God, Allah. Muslims believe that there have been at least 25 prophets in total starting with Adam, each of whom provided partial messages from Allah whereas the message or revelation imparted to Muhammad is complete and perfect and the final one.

Caliph [successor]: there are believed to be four Rightly Guided Caliphs or ‘successors’ of the prophet Muhammad. These are: Abu Bakr, Umar, Uthman and Ali. They are mentioned by name on the top of the sitarah.

angels: the angel Gabriel [Jibril in Arabic] revealed the Qur’an to Muhammad. A belief in angels is central to the Six Articles of Faith in Islam. Angels are heavenly beings who do the will of Allah.

blessings: the conferral of sacred benefits, spiritual rewards from Allah. Some Muslims believe that possessing or being close to objects such as the sitarah confer blessings because they have been close to a sacred place such as the tomb of the prophet Muhammad. For example, reciting one of the verses found on the sitarah is said to confer blessings and lead to paradise.

paradise: in Islam the place where the righteous will go as reward in the afterlife from Allah. Allah judges all individually. There is no intercessor who will stand between the individual and Allah on Judgment Day. There are different ideas about what paradise or Jannah will be like and there are references to it in the Qur’an where it is sometimes described as a celestial garden.

pilgrimage: a sacred journey undertaken as a religious duty or in the hopes of spiritual reward. In Islam pilgrimage [hajj] is one of the Five Pillars or duties of Islam. Only the fit and healthy and those who are free of debt are expected to undertake hajj to Mecca. In Islam there is minor hajj, which can be undertaken at any time of the year, and major hajj which is annual pilgrimage undertaken during the month of hajj [dhul-ul-hajj]. Pilgrimage can include an optional visit to the Mosque of the Prophet in Medina where pilgrims can be near the tomb of Muhammad, which is screened off.

Learning activities

The learning activities are based around the Sitarah, an embroidered cloth to cover the prophet’s tomb in Medina. The Sitarah is held in the Ashmolean Museum in Oxford and is available to look at online.

Firstly, search for Sitarah, Jameel Centre, Ashmolean and make sure you have this resource. The Jameel Centre is an online resource allowing viewers to look at and learn about some of the museum’s collection.

Explain that pupils are going to investigate and then make a presentation on a museum exhibit [or better still take them to the Ashmolean Museum, Room 31 Islamic Middle East Gallery to look at the sitarah] to answer the question: What secret stories can be told by a sacred object in Islam? This can be done using it as a mystery object initially or a group exercise where they are given the task of identifying what the object is using the weblink above. Prior knowledge of what the inside of a mosque looks like is needed. Labelled drawings of a mosque showing the mihrab, mosque lamps and use of calligraphy would be useful from the start. Similarly, prior knowledge of aspects of the hajj is required such as the decoration of the Ka’bah with a cloth similar to the sitarah and a map of Saudi Arabia showing the pilgrimage route with Mecca and Medina.

Provide some background historical information about the sitarah as a sacred curtain donated initially by a Muslim ruler during hajj to be hung on a wall in or near the tomb of the Prophet Muhammad in Medina. Pupils can be given the task of finding additional background information using a range of resources such as: the video of the tomb, recent photographs of the tomb, links to the British Museum hajj exhibition, weblinks to information about the Prophet’s Mosque and the Green Dome in Medina, information about the Ka’bah and the kiswa cloth that cover it and the sacred sites of Mecca and Medina [the Haramayn]. Remind them that they are trying to find out what secret stories can be revealed by the sitarah and that they are acting like detectives finding clues.

Show pupils the sitarah either in the Ashmolean Museum as part of a museum visit or as a PowerPoint presentation in the classroom using its online resources. Take pupils through what they need to focus on working from the outside edge to the middle in a clockwise direction. Draw attention to the framing of the overall design within arches and columns that resemble the mihrab, then the calligraphy and the finer details such as the imperial monogram of Sultan Selim III at the bottom which is two crossed swords and symbol in between. Ask pupils to write down as many key facts as they can remember about the sitarah and then share these in pairs or groups. If pupils are on a museum visit there is an interactive board with a link to the online information about the sitarah also.

Provide pupils with quote from Dr Christopher Brown CBE Director of the Ashmolean Museum about why the sitarah is so important in understanding the ‘complex nature of the Islamic cultural tradition’. Ask pupils to record on a large sheet of paper what they have learnt so far about this Islamic cultural tradition and about their own cultural traditions [e.g. the importance of learning about other cultures and religions, shared values, celebrating diversity]. Then ask them to record at least three questions they would like to ask about the sitarah as a sacred object and about the possible secret meanings and stories hidden in its design. Swap questions with each other to use as a later task where the other pupil has to try and answer the question and provide useful information regarding the sitarah.

Provide pupils with a printed version of the Ashmolean information about the sitarah. Ask pupils to work in pairs to recall aspects of the sitarah and then label an image of the sitarah explaining what it shows about Muslim beliefs.

Ask pupils to work in pairs to exchange views and make a range of written comments on why each of the following five verses from the Qur’an was chosen to be embroidered onto the sitarah.

Encourage them to say what each verse reveals about why the sitarah is a sacred object, and what each verse might be saying about the meaning and purpose of life. Prompt their thinking by asking which quote from the Qur’an might be the most revealing in this respect. [The Throne Verse seems the most likely as it brings rewards.]

Ask them to focus on the design which recalls the mosque, the place of worship and in particular the mihrab showing the direction of prayer [Mecca] and the references to Caliphs and the donation of the sitarah by the Sultan. Direct the discussion towards whether the sitarah is an example of piety [devotion through the act of giving at an auspicious event, the hajj] or prestige [marking the accession to the throne of the Sultan; something that was standard practice at the time amongst the Ottoman rulers].

  1. 29:35 Chapter of the Light which proclaims God as the ‘light of the heavens and ’ [Think about the mosque lamp.]
  2. 33:56 Chapter of the Clans: ‘Allah and His angels send blessings on the Prophet: O ye that believe! Send ye blessings on him, and salute him with all ’
  3. The Shahadah: ‘There is no god but God and Muhammad is His Prophet.’ [The names of Allah and of Muhammad are on the red roundels at the top of the ]
  4. 2:225 Throne Verse. One part of it states: ‘His throne extends over the heavens and on earth, and He feels no fatigue in guarding and preserving them, for He is the Most High, The Supreme in “’

Explain that you would now like them to work out answers to their original questions asked about the sitarah and its possible secret meanings and stories. They can email a Muslim or ask an RE Expert to help them find the answers. Share some of the answers across the class.

In preparation for the next lesson, pupils should assemble all the information that they have gathered so far about the sitarah in response to the original main question about the secret stories it might reveal and then decide how this information will be presented. Examples could include: a poster display of questions and answers; a cartoon illustrating the voyage of the sitarah from Constantinople to Medina and then Oxford; an interactive quiz; a guidebook for visitors to the museum going to see the exhibit; a letter of thanks to the museum or the donor Dr Khalil explaining how it has helped deepen understanding of Muslims tradition and culture; or as a collection of recordings of pupils speaking about what they have learnt about and from the sitarah to donate to the Ashmolean Museum Education Department for use as a resources for future RE students.

Provide access for pupils to computers and other resources to enable them to produce their presentations. They should choose a catchy title, bearing in mind the key question, ‘What secret stories can be told by a sacred object in Islam?’ and think about the intended audience. This is where Assessment for Learning could be applied to improve presentations and think about assessment opportunities.

Encourage the pupils to include some or all of the following ideas in their presentations:

  • the ‘secret stories’ that can now be told about the sacred object, the sitarah (this could include a sense of competition for finding the most obscure or most revealing secret e.g. Sultan Selim III, the original donor of the sitarah, was a member of the Sufi order of whirling dervishes and this means the sitarah may well have been given out of piety as well as prestige;
  • some mistaken beliefs about the prophet’s tomb, e.g. that you should ask for Muhammad’s mercy when only Allah can grant mercy to the believer;
  • their ideas about the sitarah as a CURTAIN – why might that be significant for Muslims here?
  • what big questions of life are being addressed within the design of the sitarah and within the embroidered quotations [e.g. about God, the role of Muhammad as God’s prophet, the ultimate rewards for Muslims who honour God, Muhammad and the teachings of the Qur’an]
  • how people might give different answers to those questions, depending on their own beliefs;
  • their own insights into the stories, mistaken beliefs, mysteries and big questions raised by their study of the sitarah, using reasoning and examples to support their ideas;
  • their thoughts about how and why the Sufi practice of dhikr which involves the repeated recitation of the name of Allah might create a trance like state of union with God;
  • the choice made by the designer of the sitarah to use the Thuluth script for the embroidered verses of the Qur’an and what secret stories this tells us about the art of calligraphy [e.g., the belief that you cannot be a calligrapher until you have mastered the Thuluth script; the beauty behind the lines and shapes created this way and how it might show devotion to Allah and His revelation in the words of the Qur’an];
  • their own thoughts about how the arts and beautifully embroidered cloth specifically might lift people spiritually [e.g. linking with the idea of beauty and order in creation being a sign or ayat of Allah].

Ask pupils to present their completed work to others. This can be done in a variety of ways: as a poster in which questions are answered; as a PowerPoint presentation; as a cartoon charting the creation of the sitarah to its donation to the Ashmolean; as a guide for visitors to the Ashmolean; as a question and answer interactive display to go in the museum for young visitors.

Remind pupils of the questions they wrote about the sacredness of the sitarah and ask them to choose three of the best. Explain that a key Muslim belief is that there is only one God and worship of anything or anyone other than God is called shirk (idolatry), which is a sin. Ask them to work out in small groups what answers they think that present day Muslims might give to these questions, bearing in mind the points above about shirk. What answers might believers from another religion such as Christianity give? [This could link with the idea of relics of Jesus and saints.]

Explain that not all Muslims will agree about the value of the sitarah in providing protection and blessings. Most believe that only Allah can provide this, so Muslims should perform their religious duties such as prayer (du’a), follow the teachings of the Qur’an and remember the words of the 1st Caliph Abu Bakr, “Oh people, if Muhammad is the sole object of your worship, then know that he is dead. But if it is Allah the One God you worship then know that He does not die.” Other Muslims may believe that going to the Prophet’s Mosque at Medina as part of hajj and praying in front of his tomb will gain them protection (for example from hell) and blessings in life. However, visiting the Prophet’s tomb is regarded as an optional part of hajj. The verses from the Qur’an embroidered onto the sitarah remind Muslims of the Allah’s power over the universe and the importance of worshipping Him alone. Remind them also about shirk (see above). This could provide the basis of a pupil debate about the spiritual value of the sitarah, arguing both for and against from a Muslim perspective.

Revisit the group exercise and the sheet summarising what was learnt about Islamic cultural tradition and one’s own tradition (based around the quote from Dr Christopher Brown). What can now be added to this? In summary and as feedback, do pupils feel that the sitarah is an object of piety or prestige? What has it taught them about their own beliefs and what insights have they gained about the beliefs of Muslims, bearing in mind that there might be differences within these?

[There are videos of the hajj available from the British Museum shop that might be relevant in terms of the procession of the kiswa or ceremonial cloth covering the Ka’bah at Mecca.]

An exploration of the contribution of Christian and other groups and individuals to the community.

KS 2&3. Originally written by Dave Francis & Tina Ward. Updated April 2019.

Learning Outcomes

Emerging

  • Offer a definition of ‘community’, including at least three factors
  • Explain, with reference to two examples, how working as a community might help achieve goals

Expected

  • Define ‘community’, including one religious non-religious and one non-religious factor
  • Offer a supported view as to what enables communities to work together to achieve hopes and dreams
  • Offer a supported view as to the contribution of religion and belief in a community achieving their goals

Exceeding

  • Contrast religious support in the community with non-religious support
  • Offer a supported view as to whether there is a difference on religious and non-religious supports to the community

Key words and concepts

religion: ‘an organised collection of beliefs, cultural systems, and world views that relate humanity to an order of existence’ (Wikipedia, as at 10/02/2014). But note that ‘religion’ cannot really be captured in a single definition. Where are the dividing lines between religion and culture, and religion and ethnicity? Can religious identity be properly separated from other ways of identifying oneself?

belief: acceptance that something exists or is true, especially where there is no actual proof. Also refers here to religious convictions, e.g., that God answers prayers.

atheism: the belief that there is definitely no God.

atheist: one who believes that there is no God.

agnosticism: the position of not knowing, or not being sure about the existence of God.

agnostic: one who believes that it is impossible to know whether there is a God.

theism: belief in the existence of God or gods.

theist: one who believes in God or gods.

humanist: a person who follows a life system of values and beliefs that is based on the idea that people are basically good and that problems can be solved using reason instead of religion.

community: usually referring to a small social unit or group of people that share a set of values. Can be understood as referring to people who live in a specific geographic area or to a ‘virtual’ group connected, e.g., via the internet, by a common interest.

responsibility: having a duty to deal with something or having control over someone.

voluntary: in this sense, referring to work done without payment.

inspiring: filling with encouragement to do something, especially something creative, ambitious or helpful; sometimes accompanied by an elevated feeling.

character: qualities that distinguish a person, e.g. type of temperament, qualities of mind, their ‘nature’, attitudes or dispositions.

Learning activities

This scheme is designed to take place over several sessions with one or two years in between Parts 1 and 2, e.g., Part 1 in Year 4, and Part 2 in Year 6. Alternatively, the scheme could be undertaken as a cross-phase unit from primary to secondary schools.

You will be using clips from the film Rise of the Guardians. 

Part One

Explain to the pupils that they are going to finding out some more about the place where they live and the groups and individuals in their local communities: the focus here is on Christianity and humanism, but you could choose different worldviews as appropriate. Pupils will be able to explore the things that interest them most in this context and what they start to investigate in their present class, they will be able to follow up in one or two years’ time. The key concept for investigation is ‘community’.

Ask the pupils to talk to a partner about their ideas of the local community: what different groups are they aware of? What different buildings, including religious buildings are they aware of? Do they know people, including in their own family, who are involved in any voluntary activities? What celebrations or processions are they aware of? Have they been to any big family events recently: baptisms, naming ceremonies, weddings, funerals? Which ones had a religious context and how could they tell?

Get some feedback and then ask them in pairs again to think of different community leaders, e.g., mayor, council leader, priest, imam, minister, vicar, rabbi, sports coach, music group director, cubs/scouts/guides/brownies leader etc. and to talk about what each one might do to fulfil his / her role. What do they think makes a good leader of a community? Where do they think that religious belief might make a difference?

Focus attention on the idea of people’s hopes and fears and dreams and nightmares. Introduce the film, Rise of the Guardians, and play an extract: Scene 2, where the main characters are introduced: the Guardians whose task it is to protect children’s hopes and dreams, and ‘Pitch Black’, the character who wants to replace hopes and dreams with fears and nightmares. Stop the film where the Easter Bunny says, ‘Jack Frost is many things but he is not a Guardian’ (6’ 27”)

Ask pupils to say what they think about these characters and what might make a good ‘guardian’ for children. What do they think is the biggest influence on themselves and others: hopes and dreams, or fears and nightmares?

Next, play Scene 5, where ‘North’ (i.e. Santa Claus) questions Jack Frost about his character and uses a Russian Doll to illustrate his point. Stop the film when Jack says, ‘I don’t know’ (2 minutes). [You could use a Russian Doll, if you have one, to illustrate the point.]

Ask pupils to think of the layers of a person’s ‘character’. Ask them to reflect on what they show to the outside world and what is kept hidden deep inside. What kinds of things might be at a person’s centre? Can they give examples of hidden strengths that might emerge at times of need? Make a list of suggestions on the board.

Ask pupils to draw the outline of a person in the middle of a page, to select at least three words from the class list to describe ‘hidden qualities’ that could best help people and to write them inside the outline. Then, from each word, encourage them to draw an arrow moving outside the outline and to describe a situation where that quality might be of help, e.g.,

  • honesty — admitting you have broken your mum’s flower-vase;
  • or calmness — not panicking in an emergency;
  • or loving — forgiving someone who has offended you.

Next, focus pupils’ attention on the idea of the power of belief and play Scene 12 where the boy Jamie talks with his toy rabbit and then Jack Frost. Stop the film just after the point where the Easter Bunny says, ‘He made you believe… in me?’ (4’ 45”).

Ask pupils to say what they think this part of the story is about and what questions they would like to ask about it? Point out the questions that go deeper into the meaning of the story. How do their own ideas and questions compare with others in the class? Do they think that believing in such things as Jack Frost, the Tooth Fairy, the Easter Bunny, the Sandman (creator of pleasant dreams) and Santa Claus are a waste of time, or is there a point to such belief? What happens when children stop believing in such characters?

Next, play Scene 13 where the Guardians and the children make a stand against Stop the film where Jamie says, I’ve got it. I know what we have to do’ (6’ 30”).

Ask pupils to say what they think is important in this scene. In what sense have the children ‘grown up? How important do they think it is that the other children supported Jamie when he decided to stand up against Pitch? What questions would they like to ask Jamie or the other children if they could? Can they say whether they, or anyone they know, have been helped by anyone to overcome their fears and nightmares?

Ask them to ‘hot seat’ (a) Jamie and (b) Pitch. Choose pupils to take their parts and ask the rest of the class to take turns asking them questions and noting the replies. Some pupils might like to suggest alternative replies.

Finally, play Scene 14 where the Sandman returns, defeats Pitch and restores the children’s dreams, and Scene 15 where Jack becomes a Guardian and tells Jamie that he has become a Guardian too. Stop the film when Jack and the Guardians take off in the sleigh and the children wave (6’ 46”). There’s no need to include the final lines of the film where Jack says, ‘If the Man in the Moon tells you something, believe him!’, as this may be somewhat of a distraction!

Ask pupils to say what message they think this scene is giving about human beings. What questions would they like to ask (a) Jack Frost and (b) Jamie? What answers do they think these two characters would give to their questions? In what sense might this film be called a ‘religious’ film?

Encourage pupils then to work in small groups to produce a poster in two halves indicating in words and drawings: hopes and dreams on one side and fears and nightmares on the other.

When the pupils have finished or are close to finishing their designs, ask them to add comments on how being part of a community might help (a) fulfil some of the hopes and dreams (b) keep people safe against their fears and nightmares. Ask them to visit other pupils’ designs so that they can compare ideas.

Explain that the class is now going to enquire into a big question: ‘What is the contribution of religion and belief in the community? They will have the chance to identify important features, to reflect upon them and to apply them to their own situation.

Display a series of pictures (at least A4 size) of different community events and features around the room, such as:

  • A food bank
  • Bereavement counsellor or prison visitor
  • Religious charity shop
  • Religious funeral
  • Religious youth group or festival
  • A demonstration or protest
  • Military chaplain
  • People offering comfort to someone in trouble
  • People worshipping in a church or cathedral
  • A religious ritual
  • Street evangelists
  • Sunday school

Ask the pupils to circulate around the displayed pictures for a while and then to stand by the picture they find most inspiring, interesting, confusing or different. Go round the class asking for explanations, then ask the pupils to move again if they want to, to stand by the picture they now find most inspiring, interesting, confusing or different.

Take the two most popular pictures and move them to a prominent position at the front of the class. Share some key aspects of knowledge about the chosen pictures, e.g., which religious/belief tradition the picture features, if any, and some of the beliefs and/or practices of the group.

Encourage the pupils in groups of 5 or 6 to come up with one or at most two questions comparing the two pictures; remind them that ‘open’ questions that go beyond the pictures themselves are likely to be harder to answer and more interesting. Ask them to write their questions on A3 paper. These can then be displayed around the room, on a cleared floor space or on tables.

Ask pupils to circle round the displayed questions. If possible pupils can add comments and extra questions on Sticky Notes and put them on each A3 paper. Invite comments and links. Clear up any ambiguities and ask pupils to stand by their favourite question. Narrow these down by single transferable vote system until one question remains. Ask the group whose question is voted for by the class to explain their rationale and their thoughts. Tweak the question if necessary to make more open / philosophical.

Issue pupils with two tokens / cards, indicating the maximum number of contributions to the discussion that can be made. Steer the enquiry around the main question, building towards better understanding of the issue(s) being raised by the pupils. [In a large class, invite the question generators to make some summary comments about what has been said, indicating, with respect, where they agree or disagree.] Invite a few more comments from those who have not said anything or much, up to this point.

Self-evaluation: pupils raise hands according to whether they have done the things indicated at the start. Did they identify some important features of religion and belief in the community? Did they reflect on what these features might mean? Did they apply their reflections to their own lives?

 

Part Two (To take place over several sessions in the Middle / Secondary school, e.g., in Year 5, 6 or 7)

Remind pupils (and inform new pupils) of the investigation being undertaken into the contribution of religion and belief in the community, the film Rise of the Guardians, the pictures of community events and features, and the question(s) they came up with in the first part of the investigation.

Explain that they are going to take this investigation to a deeper level, enquiring into specific contributions of religion and belief groups locally and how their practices / ways of living reflect beliefs about what is most important in life.

Get pupils to recall parts of the story of the Rise of the Guardians. Bring out the idea that ‘Pitch Black’ is trying to destroy children’s hopes and dreams and replace them with fears and nightmares. The characters who fight against him represent hopes and dreams: Santa, the Easter Bunny, the Tooth Fairy, the Sandman and Jack Frost.

Show pupils Scenes 14 and 15 near the end of the film, where the children get together against ‘Pitch Black’ and say, ‘I do believe in you. I’m just not afraid of you’, and the scene where the Sandman returns and Jack tells Jamie that he has also become a kind of Guardian (6’ 46”). Stop the film before the final sentence about the Man in the Moon.

Ask pupils to say what they see in the film that perhaps they didn’t see when they first watched it. Bring ideas of community and responsibility into the discussion.

Ask pupils to then work in small groups to produce a poster of messages learnt from the film. Ask them to reflect on what people can do today to fight fears and nightmares. Prompt their thinking by pointing out that distress, anxiety, loneliness, feelings of worthlessness, etc, all have causes, and provide a list of such possible causes: bullying, violence, poverty, addiction, hunger, disease, illness, lack of love and affection, inequality. Can they add others?

Engage the small groups in a ‘Give an example’ activity, where they agree on a good example of where such causes [bullying, violence, poverty, addiction, hunger, disease, illness, lack of love and affection, inequality] have led or could lead to making life worse for people. Get some feedback from the groups on their examples and ask them to say how they think such problems can be solved. Are such problems easier for people to solve if they are members of communities?

Show pupils the list of possible contributions made by religion and belief communities on page 4 above. Ask them to narrow the list down to the one or two that seem most interesting or important to them. Can they give reasons for their selection?

Ask pupils to prepare for the visit of a member of a local community of religion/ belief by preparing questions they would like to ask about their beliefs and practices as members of that group. [Invite and prime your visitor to expect such questions!]

At the next session, introduce a visitor from a particular community group to the class. Encourage the visitor to offer a brief presentation outlining how they came to be in that group and on what sort of activities the group engages in, including any festivals, celebrations, and different sorts of religious and other meetings. Then invite pupils to ask their questions.

When questions and answers are exhausted, encourage pupils to work in small groups on a (digital) presentation that addresses the question, ‘What did religions and beliefs ever do for us?’ If it’s possible for your visitor to stay, encourage them to circulate around the groups offering suggestions and insights. Remind pupils about their work on the Rise of the Guardians film, and ask them to add any ideas they have on:

  • the way different groups, including religious and humanist groups, might have an impact on people’s hopes and fears, dreams and nightmares;
  • why people may belong to different religion and belief communities;
  • what challenges that might bring;
  • whether having religious beliefs makes a difference;
  • further unanswered

Ask pupils to work on their presentations ready to show in the next session.

Allow some time for pupils to complete their presentations and then to show a selection. [Others could be made ready for upload to the school website.] Offer feedback in terms of pupils achievements in answering the set question.